{"id":9542,"date":"2020-06-17T12:29:01","date_gmt":"2020-06-17T18:29:01","guid":{"rendered":"https:\/\/www.westaf.org\/?p=9542"},"modified":"2024-07-31T07:36:36","modified_gmt":"2024-07-31T14:36:36","slug":"bi-weekly-recap-june-15-2020","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/vi\/bi-weekly-recap-june-15-2020\/","title":{"rendered":"T\u00f3m t\u1eaft hai tu\u1ea7n m\u1ed9t l\u1ea7n: Ng\u00e0y 15 th\u00e1ng 6 n\u0103m 2020"},"content":{"rendered":"

Xin ch\u00e0o c\u00e1c \u1ee6y vi\u00ean WESTAF:<\/span><\/p>\n

Across the United States and around the world, the last two weeks have seen continuing calls for justice in the murder of George Floyd and many others, and for an end to systemic racism and police brutality. In just a few weeks, <\/span>a string of hopeful developments<\/span><\/a> signaling real change has offered up some hope that there may be momentum. But the fight is by no means over, and global protests show no signs of slowing down. Thank you, WESTAF leaders on the board and staff, who brought our <\/span>Statement on the Murder of George Floyd and our Commitment to Racial Justice<\/span><\/a> into existence. Of note \u2014 this was the first time that WESTAF has ever released a public statement about a world event. It also reflects WESTAF\u2019s commitment to being a more equitable and inclusive organization. The work of our SRI team, our strategic planning equity cohort, our trustee leadership and our equity and inclusion committee will be paramount in leading the whole organization on this journey. You\u2019ll be hearing more about those efforts in the months ahead and in the lead up to our trustee meeting in October. Let\u2019s get underway and check in on the last two weeks:<\/span><\/p>\n

QU\u1ef8 PH\u1ee4C H\u1ed2I NGH\u1ec6 THU\u1eacT KHU V\u1ef0C HOA K\u1ef2 \u0110ANG \u0110\u01af\u1ee2C TI\u1ebeN H\u00c0NH (CG)<\/b><\/h2>\n

WESTAF has formally kicked off the implementation of<\/span> this program<\/span><\/a>, working with its five sister RAOs and the Mellon Foundation on an announcement press release, which should go out this week. WESTAF will administer the re-granting of over $1.7 million through summer of 2020, with awards ranging from $30,000 to $75,000, with a few exceptional $100,000 grants. The $10 million Regional Arts Resilience Fund is a first-of-its-kind emergency grant to each of the six US Regional Arts Organizations and is designed to help mitigate the financial threat to the sector by supporting small- and mid-sized arts organizations of all artistic disciplines in rural and urban areas that are regarded by their peers as having statewide, regional, or national impact. The fund will also prioritize those organizations that are most at risk during this crisis, including historically under-resourced organizations, as well as those who serve under-resourced populations, communities, and\/or art forms.<\/span><\/p>\n

WESTAF CH\u0102M S\u00d3C V\u00c0 TOURWEST PANELS \u0110ANG DI\u1ec4N RA V\u00c0O NG\u00c0Y 15 \u2013 18 TH\u00c1NG 6 (CD)<\/b><\/h2>\n

Chrissy, Madalena v\u00e0 Lani s\u1ebd \u0111i\u1ec1u h\u00e0nh n\u0103m cu\u1ed9c h\u1ecdp h\u1ed9i \u0111\u1ed3ng b\u1eaft \u0111\u1ea7u t\u1eeb ng\u00e0y 15 th\u00e1ng 6 v\u00e0 k\u1ebft th\u00fac v\u00e0o ng\u00e0y 18 th\u00e1ng 6 cho Qu\u1ef9 c\u1ee9u tr\u1ee3 WESTAF CARES d\u00e0nh cho c\u00e1c t\u1ed5 ch\u1ee9c v\u00e0 TourWest. \u0110\u1ec3 \u1ee9ng ph\u00f3 v\u1edbi c\u00e1c cu\u1ed9c bi\u1ec3u t\u00ecnh v\u00e0 tu\u1ea7n h\u00e0nh \u0111ang di\u1ec5n ra nh\u1eb1m \u1ee7ng h\u1ed9 m\u1ea1ng s\u1ed1ng c\u1ee7a ng\u01b0\u1eddi da \u0111en tr\u00ean kh\u1eafp c\u1ea3 n\u01b0\u1edbc, ch\u00fang t\u00f4i \u0111\u00e3 th\u1ef1c hi\u1ec7n m\u1ed9t s\u1ed1 \u0111i\u1ec1u ch\u1ec9nh ch\u01b0\u01a1ng tr\u00ecnh v\u00e0 gia h\u1ea1n th\u1eddi h\u1ea1n ch\u1ea5m \u0111i\u1ec3m cho t\u1ea5t c\u1ea3 nh\u1eefng ng\u01b0\u1eddi tham gia h\u1ed9i \u0111\u1ed3ng, nhi\u1ec1u ng\u01b0\u1eddi trong s\u1ed1 h\u1ecd \u0111ang t\u00edch c\u1ef1c t\u1ed5 ch\u1ee9c \u0111\u1ea5u tranh cho c\u00f4ng l\u00fd v\u00e0\/ho\u1eb7c ch\u00fa \u00fd ch\u0103m s\u00f3c b\u1ea3n th\u00e2n v\u00e0 nh\u1eefng ng\u01b0\u1eddi th\u00e2n y\u00eau. Nh\u00f3m SRI r\u1ea5t bi\u1ebft \u01a1n 21 ng\u01b0\u1eddi tham gia h\u1ed9i \u0111\u1ed3ng t\u1eeb kh\u1eafp khu v\u1ef1c \u0111\u00e3 d\u00e0nh nhi\u1ec1u gi\u1edd \u0111\u1ec3 xem x\u00e9t h\u00e0ng tr\u0103m \u0111\u01a1n \u0111\u0103ng k\u00fd cho c\u1ea3 hai ch\u01b0\u01a1ng tr\u00ecnh. Sau khi x\u00e1c \u0111\u1ecbnh \u0111\u01b0\u1ee3c c\u00e1c khuy\u1ebfn ngh\u1ecb t\u00e0i tr\u1ee3 c\u1ee7a WESTAF CARES v\u00e0 TourWest, ch\u00fang s\u1ebd \u0111\u01b0\u1ee3c tr\u00ecnh l\u00ean \u1ee6y ban \u0111i\u1ec1u h\u00e0nh \u0111\u1ec3 ph\u00ea duy\u1ec7t v\u00e0o cu\u1ed1i th\u00e1ng 6. H\u00e3y ch\u1edd th\u00f4ng b\u00e1o ch\u00ednh th\u1ee9c ngay sau \u0111\u00f3.<\/span><\/p>\n

KH\u1ea2O S\u00c1T T\u00c1C \u0110\u1ed8NG NGH\u1ec6 THU\u1eacT COVID-19 PH\u00c1T T\u00c1N (DH)<\/b><\/h2>\n

Results of the COVID-19 Arts Impact Survey have been announced via email, social media, and on the<\/span> WESTAF website<\/span><\/a>. Since then, WESTAF has been responding to inquiries from across the region to share, present, and discuss findings. On June 10, David delivered a presentation of the survey findings and other WESTAF COVID-related research as part of the Wyoming Arts Alliance\u2019s first statewide network video conference on <\/span>\u201cHow the Arts Will Survive and Thrive<\/span>,\u201d<\/span><\/a> which was attended by over 40 artists and other arts and cultural leaders across the state. WESTAF Treasurer Mike Lange was also on the video conference in his role as executive director of the Wyoming Arts Council. This is the first of a series of more than 10 weekly network calls that are being organized and led by WAAN member Bill Lindstrom and former WESTAF trustee Wendy Bredehoft. On June 11, David was interviewed by Wyoming Public Radio on the results of the survey and implications for the arts in Wyoming. Additional inquiries have been received from Montana and Nevada and we are considering a state-by-state analysis of the data.<\/span><\/p>\n

B\u00c1O C\u00c1O PHI\u00caN H\u1eccP NGH\u1ec6 THU\u1eacT \u1ede MI\u1ec0N T\u00c2Y N\u00d4NG TH\u00d4N (DH)<\/b><\/h2>\n

WESTAF recently completed a session report of the Arts in the Rural West virtual workshop in early April that has been reviewed by participants. We are in the process of commissioning a designer to professionally prepare the session report for publication and wider distribution. We are sharing <\/span>a preview of the report<\/span><\/a> before it goes to a designer to give you a fuller sense of the content of the session. We\u2019d like to thank WESTAF trustee Nikiko Masumoto again for being a critical partner in the planning and delivery of the virtual workshop and recognize WESTAF Chair Tamara Alvarado and trustees Brandy Reitter and Kelly Stowell for participating in the session as well.\u00a0<\/span><\/p>\n

D\u1ecaCH V\u1ee4 PH\u1ea2N H\u1ed2I NHANH CHO C\u00c1C C\u01a0 QUAN NGH\u1ec6 THU\u1eacT C\u1ee6A NH\u00c0 N\u01af\u1edaC V\u00c0 C\u00c1C T\u1ed4 CH\u1ee8C V\u1eacN \u0110\u1ed8NG NGH\u1ec6 THU\u1eacT (DH)<\/b><\/h2>\n

WESTAF \u0111\u00e3 ho\u00e0n th\u00e0nh m\u1ed9t lo\u1ea1t c\u00e1c y\u00eau c\u1ea7u h\u1ed7 tr\u1ee3 k\u1ef9 thu\u1eadt\/nghi\u00ean c\u1ee9u ph\u1ea3n \u1ee9ng nhanh kh\u00e1c t\u1eeb c\u00e1c c\u01a1 quan ngh\u1ec7 thu\u1eadt c\u1ee7a ti\u1ec3u bang v\u00e0 c\u00e1c t\u1ed5 ch\u1ee9c \u1ee7ng h\u1ed9 ngh\u1ec7 thu\u1eadt c\u1ee7a ti\u1ec3u bang trong hai tu\u1ea7n qua. M\u1ed9t y\u00eau c\u1ea7u li\u00ean quan \u0111\u1ebfn vi\u1ec7c gi\u00fap x\u00e1c \u0111\u1ecbnh c\u00e1c kh\u00eda c\u1ea1nh ti\u1ec1m n\u0103ng c\u1ee7a m\u1ed9t n\u1ec1n t\u1ea3ng ngh\u1ec7 thu\u1eadt nh\u01b0 m\u1ed9t ph\u1ea7n c\u1ee7a chi\u1ebfn l\u01b0\u1ee3c thu h\u00fat \u1ee9ng c\u1eed vi\u00ean ch\u00ednh tr\u1ecb v\u00e0 y\u00eau c\u1ea7u c\u00f2n l\u1ea1i li\u00ean quan \u0111\u1ebfn c\u00e1c y\u00eau c\u1ea7u c\u1ee7a ch\u00ednh quy\u1ec1n \u0111\u1ecba ph\u01b0\u01a1ng v\u00e0 ti\u1ec3u bang \u0111\u1ed1i v\u1edbi qu\u1ef9 CARES. WESTAF \u0111\u00e3 ph\u00e1t tri\u1ec3n m\u1ed9t khu\u00f4n kh\u1ed5 \u0111\u01a1n gi\u1ea3n c\u00f3 th\u1ec3 \u0111\u01b0\u1ee3c s\u1eed d\u1ee5ng \u0111\u1ec3 x\u00e1c \u0111\u1ecbnh c\u00e1c l\u0129nh v\u1ef1c ch\u00ednh s\u00e1ch ti\u1ec1m n\u0103ng c\u00f3 th\u1ec3 x\u00e1c \u0111\u1ecbnh m\u1ed9t n\u1ec1n t\u1ea3ng ngh\u1ec7 thu\u1eadt trong m\u1ed9t tr\u01b0\u1eddng h\u1ee3p. Ch\u00fang t\u00f4i c\u0169ng \u0111\u00e3 nghi\u00ean c\u1ee9u h\u01b0\u1edbng d\u1eabn v\u1ec1 vi\u1ec7c s\u1eed d\u1ee5ng c\u00e1c qu\u1ef9 li\u00ean quan \u0111\u1ebfn CARES c\u1ee7a ch\u00ednh quy\u1ec1n \u0111\u1ecba ph\u01b0\u01a1ng v\u00e0 ti\u1ec3u bang t\u1eeb nhi\u1ec1u c\u01a1 quan li\u00ean bang, bao g\u1ed3m B\u1ed9 T\u00e0i ch\u00ednh v\u00e0 HUD c\u0169ng nh\u01b0 c\u00e1c hi\u1ec7p h\u1ed9i ch\u00ednh ph\u1ee7 nh\u01b0 Hi\u1ec7p h\u1ed9i C\u00e1n b\u1ed9 T\u00e0i ch\u00ednh Ch\u00ednh ph\u1ee7.\u00a0\u00a0<\/span><\/p>\n

M\u1ea0NG L\u01af\u1edaI V\u1eacN \u0110\u1ed8NG NGH\u1ec6 THU\u1eacT C\u00c1C BANG MI\u1ec0N T\u00c2Y (WAAN) CU\u1ed8C H\u1eccP TH\u1ee8 HAI (DH)<\/b><\/h2>\n

The Western Arts Advocacy Network<\/span><\/a> met for the second time on June 5, 2020 hosted by WESTAF via Zoom. Representatives of Alaska State Council on the Arts, Arizona Citizens for the Arts, Arts for Colorado, Californians for the Arts, Cultural Advocacy (Montana), Idaho Commission on the Arts, Nevada Arts Council, Utah Cultural Alliance, and Wyoming Arts Alliance participated on the call. The group discussed national protests, circumstances within states, and calls for the arts and culture sector to better address systemic racism and inequity in our work. The group also discussed recent Paycheck Protection Program legislation, updates on state budgets and potential cuts to state arts agencies, state and federal advocacy activities, and the possible election of a chair (or co-chairs) for the network. The group is quickly mobilizing, sharing information, and interested in working closely with WESTAF on developing advocacy strategies in the West.<\/span><\/p>\n

LI\u00caN MINH L\u00c0M VI\u1ec6C CHO NH\u1eeeNG NG\u01af\u1edcI LAO \u0110\u1ed8NG S\u00c1NG T\u1ea0O (DH)<\/b><\/h2>\n

Christian v\u00e0 David hi\u1ec7n \u0111ang ph\u1ee5c v\u1ee5 trong Li\u00ean minh Getting Creative Workers Working, m\u1ed9t m\u1ea1ng l\u01b0\u1edbi qu\u1ed1c gia xu\u1ea5t hi\u1ec7n t\u1eeb nhi\u1ec1u \u0111\u1ec1 xu\u1ea5t v\u00e0 l\u1eddi k\u00eau g\u1ecdi t\u1ea1o ra m\u1ed9t ch\u01b0\u01a1ng tr\u00ecnh ngh\u1ec7 thu\u1eadt WPA hi\u1ec7n \u0111\u1ea1i, \u0111ang \u0111\u01b0\u1ee3c Americans for the Arts tri\u1ec7u t\u1eadp. Christian s\u1ebd ph\u1ee5c v\u1ee5 trong nh\u00f3m l\u00e0m vi\u1ec7c truy\u1ec1n th\u00f4ng m\u1edbi th\u00e0nh l\u1eadp v\u00e0 David s\u1ebd ph\u1ee5c v\u1ee5 trong nh\u00f3m l\u00e0m vi\u1ec7c ch\u00ednh s\u00e1ch c\u1ee7a li\u00ean minh \u0111ang m\u1edf r\u1ed9ng n\u00e0y. M\u1ea1ng l\u01b0\u1edbi n\u00e0y, hi\u1ec7n bao g\u1ed3m h\u01a1n 50 c\u00e1 nh\u00e2n \u0111\u1ea1i di\u1ec7n cho c\u00e1c c\u01a1 quan ngh\u1ec7 thu\u1eadt \u0111\u1ecba ph\u01b0\u01a1ng v\u00e0 ti\u1ec3u bang, c\u00e1c qu\u1ef9, t\u1ed5 ch\u1ee9c d\u1ecbch v\u1ee5 ngh\u1ec7 thu\u1eadt v\u00e0 c\u00e1c t\u1ed5 ch\u1ee9c kh\u00e1c, \u0111ang n\u1ed7 l\u1ef1c chuy\u1ec3n t\u1eeb th\u1ea3o lu\u1eadn sang x\u00e2y d\u1ef1ng c\u00e1c \u0111\u1ec1 xu\u1ea5t c\u1ee5 th\u1ec3 v\u00e0 k\u1ebf ho\u1ea1ch h\u00e0nh \u0111\u1ed9ng \u0111\u1ec3 h\u1ed7 tr\u1ee3 nh\u1eefng ng\u01b0\u1eddi l\u00e0m c\u00f4ng t\u00e1c s\u00e1ng t\u1ea1o trong b\u1ed1i c\u1ea3nh c\u1ee9u tr\u1ee3, ph\u1ee5c h\u1ed3i v\u00e0 t\u00e1i thi\u1ebft, \u0111\u1ed3ng th\u1eddi nh\u1eadn th\u1ee9c \u0111\u01b0\u1ee3c b\u1ed1i c\u1ea3nh c\u1ee7a c\u00e1c cu\u1ed9c kh\u1ee7ng ho\u1ea3ng hi\u1ec7n t\u1ea1i.<\/span><\/p>\n

NH\u00d3M CH\u00cdNH S\u00c1CH (DH)<\/b><\/h2>\n

Nh\u00f3m Ch\u00ednh s\u00e1ch c\u1ee7a K\u1ebf ho\u1ea1ch Chi\u1ebfn l\u01b0\u1ee3c g\u1ea7n \u0111\u00e2y \u0111\u00e3 h\u1ecdp l\u1ea7n th\u1ee9 ba v\u00e0 nh\u00f3m \u0111\u00e3 b\u1ea7u Justine Chapel v\u00e0 Janae De La Virgen l\u00e0m \u0111\u1ed3ng l\u00e3nh \u0111\u1ea1o. Nh\u00f3m c\u0169ng bao g\u1ed3m Rebecca Brown, Ken Cho, Brandon Jay, Natalie Scherlong, Laurel Sherman v\u00e0 Lauren Wilson. Nh\u00f3m \u0111\u00e3 th\u00e0nh l\u1eadp ba nh\u00f3m l\u00e0m vi\u1ec7c s\u1ebd xem x\u00e9t c\u00f4ng vi\u1ec7c c\u1ee7a Nh\u00f3m trong ba l\u0129nh v\u1ef1c k\u1ebf ho\u1ea1ch chi\u1ebfn l\u01b0\u1ee3c l\u00e0 D\u1ecbch v\u1ee5 v\u00e0 V\u1eadn \u0111\u1ed9ng c\u1ee7a Nh\u00e0 n\u01b0\u1edbc, D\u1ecbch v\u1ee5 v\u00e0 V\u1eadn \u0111\u1ed9ng c\u1ee7a Qu\u1ed1c gia v\u00e0 L\u00e3nh \u0111\u1ea1o T\u01b0 t\u01b0\u1edfng v\u00e0 Ti\u1ebfp c\u1eadn. Nh\u00f3m c\u0169ng \u0111\u00e3 b\u1eaft \u0111\u1ea7u th\u1ef1c hi\u1ec7n m\u1ed9t d\u1ef1 \u00e1n nh\u1eb1m x\u00e1c \u0111\u1ecbnh "nh\u1eefng c\u00e2u chuy\u1ec7n v\u1ec1 kh\u1ea3 n\u0103ng ph\u1ee5c h\u1ed3i" l\u00e0m n\u1ed5i b\u1eadt c\u00e1c ngh\u1ec7 s\u0129, nh\u00e0 ho\u1ea1t \u0111\u1ed9ng, t\u1ed5 ch\u1ee9c ngh\u1ec7 thu\u1eadt, quan ch\u1ee9c \u0111\u01b0\u1ee3c b\u1ea7u v\u00e0 nh\u1eefng ng\u01b0\u1eddi kh\u00e1c t\u00edch c\u1ef1c trong ho\u1ea1t \u0111\u1ed9ng v\u1eadn \u0111\u1ed9ng, t\u00ecnh nguy\u1ec7n v\u00e0 l\u00e3nh \u0111\u1ea1o c\u1ed9ng \u0111\u1ed3ng tr\u00ean kh\u1eafp khu v\u1ef1c. Nh\u1eefng c\u00e2u chuy\u1ec7n n\u00e0y s\u1ebd \u0111\u01b0\u1ee3c tinh ch\u1ec9nh v\u00e0 chia s\u1ebb v\u1edbi nh\u00f3m Ti\u1ebfp th\u1ecb v\u00e0 Truy\u1ec1n th\u00f4ng nh\u01b0 nh\u1eefng kh\u00e1i ni\u1ec7m cho m\u1ed9t chi\u1ebfn d\u1ecbch ti\u1ec1m n\u0103ng.<\/span><\/p>\n

K\u1ebe HO\u1ea0CH CHI\u1ebeN L\u01af\u1ee2C (NS)<\/b><\/h2>\n

Natalie \u0111\u00e3 g\u1eedi th\u00f4ng b\u00e1o cho t\u1eebng tr\u01b0\u1edfng nh\u00f3m x\u00e1c nh\u1eadn C\u1ed1 v\u1ea5n \u1ee6y th\u00e1c \u0111\u01b0\u1ee3c ch\u1ec9 \u0111\u1ecbnh c\u1ee7a h\u1ecd, c\u00f9ng v\u1edbi ti\u1ec3u s\u1eed c\u1ee7a t\u1eebng TA. C\u00e1c nh\u00f3m s\u1ebd t\u1ef1 so\u1ea1n email gi\u1edbi thi\u1ec7u c\u1ee7a ri\u00eang m\u00ecnh trong tu\u1ea7n t\u1edbi, sau \u0111\u00f3 s\u1ebd \u0111\u01b0\u1ee3c g\u1eedi cho TA c\u1ee7a h\u1ecd. \u0110i\u1ec1u n\u00e0y s\u1ebd cung c\u1ea5p cho c\u00e1c c\u1ed1 v\u1ea5n c\u00e1i nh\u00ecn t\u1ed5ng quan v\u1ec1 c\u00e1c th\u00e0nh vi\u00ean c\u1ee7a t\u1eebng nh\u00f3m v\u00e0 tr\u1ecdng t\u00e2m c\u00f4ng vi\u1ec7c c\u1ee7a h\u1ecd. Nh\u1eefng ph\u1ea7n gi\u1edbi thi\u1ec7u n\u00e0y s\u1ebd l\u00e0 b\u01b0\u1edbc \u0111\u1ea7u ti\u00ean trong vi\u1ec7c ph\u00e1t tri\u1ec3n s\u1ef1 g\u1eafn k\u1ebft nh\u1ea5t qu\u00e1n v\u00e0 ch\u00e2n th\u1ef1c gi\u1eefa nh\u1eefng ng\u01b0\u1eddi \u1ee7y th\u00e1c v\u00e0 nh\u00e2n vi\u00ean khi ch\u00fang ta ti\u1ebfn g\u1ea7n h\u01a1n \u0111\u1ebfn cu\u1ed9c h\u1ecdp h\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb v\u00e0o th\u00e1ng 10.\u00a0<\/span><\/p>\n

T\u00c0I CH\u00cdNH V\u00c0 H\u00c0NH CH\u00cdNH (AH)<\/b><\/h2>\n

Nh\u00f3m t\u00e0i ch\u00ednh ti\u1ebfp t\u1ee5c l\u00e0m vi\u1ec7c ch\u1eb7t ch\u1ebd v\u1edbi nh\u00f3m ZAPP \u0111\u1ec3 qu\u1ea3n l\u00fd vi\u1ec7c ho\u00e0n ti\u1ec1n cho ch\u01b0\u01a1ng tr\u00ecnh: ch\u00fang t\u00f4i \u0111ang c\u00e2n nh\u1eafc c\u00e1c c\u00e1ch \u0111\u1ec3 kh\u1ed1i l\u01b0\u1ee3ng c\u00f4ng vi\u1ec7c b\u1ec1n v\u1eefng h\u01a1n b\u1eb1ng c\u00e1ch nghi\u00ean c\u1ee9u c\u00e1c c\u00f4ng c\u1ee5 c\u00f4ng ngh\u1ec7 \u0111\u1ec3 t\u1ef1 \u0111\u1ed9ng h\u00f3a c\u00e1c kho\u1ea3n ph\u1ea3i tr\u1ea3 v\u00e0 t\u1ef1 \u0111\u1ed9ng t\u00edch h\u1ee3p d\u1eef li\u1ec7u v\u00e0o h\u1ec7 th\u1ed1ng t\u00e0i ch\u00ednh c\u1ee7a ch\u00fang t\u00f4i. Ch\u00fang t\u00f4i r\u1ea5t vui khi th\u1ea5y Ch\u01b0\u01a1ng tr\u00ecnh b\u1ea3o v\u1ec7 ti\u1ec1n l\u01b0\u01a1ng \u0111\u00e3 gia h\u1ea1n c\u00e1c tu\u1ea7n \u0111\u01b0\u1ee3c ph\u00e9p x\u00f3a n\u1ee3, v\u00ec v\u1eady WESTAF s\u1ebd c\u00f3 th\u1ec3 x\u00f3a to\u00e0n b\u1ed9 $377.550 v\u00e0o cu\u1ed1i m\u00f9a h\u00e8. C\u00e1c t\u00e0i li\u1ec7u ki\u1ec3m to\u00e1n v\u00e0 thu\u1ebf hi\u1ec7n \u0111\u00e3 \u0111\u01b0\u1ee3c h\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb ph\u00ea duy\u1ec7t ho\u00e0n to\u00e0n v\u00e0 \u0111\u00e3 \u0111\u01b0\u1ee3c t\u1ea3i l\u00ean trang web c\u1ee7a H\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb WESTAF \u0111\u1ec3 tham kh\u1ea3o trong t\u01b0\u01a1ng lai. M\u00f9a l\u1eadp ng\u00e2n s\u00e1ch \u0111\u00e3 \u0111\u1ebfn v\u00e0 Amy \u0111ang l\u00e0m vi\u1ec7c v\u1edbi Christina v\u1ec1 ng\u00e2n s\u00e1ch ZAPP c\u1ee7a c\u00f4 \u1ea5y c\u0169ng nh\u01b0 v\u1edbi c\u00e1c nh\u00e0 qu\u1ea3n l\u00fd ng\u00e2n s\u00e1ch WESTAF \u0111\u1ec3 ph\u00e1t tri\u1ec3n b\u1ea3n th\u1ea3o \u0111\u1ea7u ti\u00ean cho WESTAF v\u00e0o cu\u1ed1i th\u00e1ng 6. \u0110\u1ec3 h\u1ed7 tr\u1ee3 ng\u00e2n s\u00e1ch ti\u1ec1n l\u01b0\u01a1ng v\u00e0 ph\u00fac l\u1ee3i c\u1ee7a nh\u00e2n vi\u00ean, Amy v\u00e0 Christian \u0111\u00e3 so\u1ea1n th\u1ea3o ch\u00ednh s\u00e1ch b\u1ed3i th\u01b0\u1eddng s\u1ebd \u0111\u01b0\u1ee3c c\u00e1c chuy\u00ean gia ph\u00e1p l\u00fd v\u1ec1 nh\u00e2n s\u1ef1, Nh\u00f3m c\u00f4ng b\u1eb1ng, Nh\u00f3m l\u00e3nh \u0111\u1ea1o v\u00e0 \u1ee6y ban \u0111i\u1ec1u h\u00e0nh c\u1ee7a ch\u00fang t\u00f4i xem x\u00e9t tr\u01b0\u1edbc khi tri\u1ec3n khai.<\/span><\/p>\n

C\u00c0 PH\u00ca (RV)<\/b><\/h2>\n

CaFE reached 1,000 <\/span>Instagram<\/span><\/a> followers due to Justine’s daily pick of art by artists in the West! New leads are starting to pick up with at least three new leads per day. CaFE has signed three new clients so far in June. The majority of new clients are galleries and independent art spaces. The spring CaFE marketing campaigns didn’t perform too well because of unforeseen timing; however, analysis shows that our “Trusted for 15 Years” message resonated well with the most audiences, and we’ll be pursuing this in future campaigns. The team is continuing to refine the licensing and onboarding process with great ideas by Eliza, paired with Natalie V.\u2019’s knowledge of Zapier and other software integrations.\u00a0<\/span><\/p>\n

CVSUITE (KE)<\/b><\/h2>\n

CVSuite s\u1ebd th\u1ef1c hi\u1ec7n c\u1eadp nh\u1eadt d\u1eef li\u1ec7u \u0111\u1ec3 \u0111\u1ed3ng b\u1ed9 v\u1edbi d\u1eef li\u1ec7u 2020.1 c\u1ee7a nh\u00e0 cung c\u1ea5p d\u1eef li\u1ec7u Emsi v\u00e0o ng\u00e0y 15 th\u00e1ng 6. Ch\u00fang t\u00f4i \u0111\u00e3 g\u1eedi th\u00f4ng b\u00e1o \u0111\u1ebfn t\u1ea5t c\u1ea3 kh\u00e1ch h\u00e0ng v\u00e0o ng\u00e0y 9 th\u00e1ng 6 v\u1edbi l\u1eddi nh\u1eafc nh\u1edf k\u00e9o d\u1eef li\u1ec7u tr\u01b0\u1edbc ng\u00e0y c\u1eadp nh\u1eadt v\u00e0 Trevor ti\u1ebfp t\u1ee5c d\u1ecdn d\u1eb9p, k\u00e9o v\u00e0 c\u1eadp nh\u1eadt d\u1eef li\u1ec7u. Nh\u00f3m \u0111\u00e3 ph\u00e1t \u0111\u1ed9ng chi\u1ebfn d\u1ecbch ti\u1ebfp th\u1ecb cho c\u00e1c b\u00e1o c\u00e1o COVID-19 c\u1ee7a ch\u00fang t\u00f4i th\u00f4ng qua email g\u1eedi \u0111\u1ebfn t\u1ea5t c\u1ea3 50 gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh c\u1ee7a SAA. Ch\u00fang t\u00f4i \u0111ang n\u1ed7 l\u1ef1c m\u1edf r\u1ed9ng ph\u1ea1m vi ti\u1ebfp c\u1eadn c\u1ee7a c\u00e1c b\u00e1o c\u00e1o t\u00e1c \u0111\u1ed9ng c\u1ee7a COVID-19 b\u1eb1ng c\u00e1ch ti\u1ebfp th\u1ecb \u0111\u1ebfn \u0111\u1ed1i t\u01b0\u1ee3ng th\u1ee9 c\u1ea5p l\u00e0 c\u00e1c gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh ph\u00e1t tri\u1ec3n kinh t\u1ebf. Ch\u00fang t\u00f4i c\u0169ng \u0111\u00e3 d\u00e0nh tu\u1ea7n tr\u01b0\u1edbc \u0111\u1ec3 t\u1ed5 ch\u1ee9c m\u1ed9t chi\u1ebfn d\u1ecbch qu\u1ea3ng c\u00e1o ng\u1eabu h\u1ee9ng cho C\u00f4ng \u01b0\u1edbc AFTA, bao g\u1ed3m h\u1ee3p t\u00e1c v\u1edbi PAA v\u1ec1 qu\u1ea3ng c\u00e1o k\u1ef9 thu\u1eadt s\u1ed1 chung v\u00e0 trang \u0111\u00edch b\u00e1n h\u00e0ng.\u00a0<\/span><\/p>\n

\u0110I TH\u00d4NG MINH (JG)<\/b><\/h2>\n

GO Smart \u0111\u00e3 k\u00fd h\u1ee3p \u0111\u1ed3ng v\u1edbi kh\u00e1ch h\u00e0ng m\u1edbi Matanuska-Susitna Borough v\u00e0 ti\u1ebfn h\u00e0nh kh\u00f3a \u0111\u00e0o t\u1ea1o \u0111\u1ea7u ti\u00ean k\u00e9o d\u00e0i 90 ph\u00fat. Ch\u00fang t\u00f4i \u0111\u00e3 tr\u00ecnh di\u1ec5n cho Pendleton Foundation, m\u1ed9t qu\u1ef9 c\u1ed9ng \u0111\u1ed3ng nh\u1ecf \u1edf mi\u1ec1n \u0111\u00f4ng Oregon \u0111\u00e3 v\u1eadn h\u00e0nh \u0111\u01a1n xin t\u00e0i tr\u1ee3 gi\u1ea5y v\u00e0 h\u1ecdc b\u1ed5ng trong h\u01a1n 70 n\u0103m v\u00e0 mu\u1ed1n chuy\u1ec3n sang n\u1ec1n t\u1ea3ng tr\u1ef1c tuy\u1ebfn. Vi\u1ec7c gia h\u1ea1n v\u1eabn ti\u1ebfp t\u1ee5c di\u1ec5n ra, nh\u01b0ng h\u01a1n b\u1ea5t k\u1ef3 n\u0103m n\u00e0o kh\u00e1c, c\u00e1c qu\u1ea3n tr\u1ecb vi\u00ean t\u00e0i tr\u1ee3 \u0111ang y\u00eau c\u1ea7u c\u00e1c cu\u1ed9c tr\u00f2 chuy\u1ec7n d\u00e0i h\u01a1n \u0111\u1ec3 th\u1ea3o lu\u1eadn v\u1ec1 k\u1ebf ho\u1ea1ch t\u00e0i tr\u1ee3 c\u1ee7a h\u1ecd, thay v\u00ec ch\u1ec9 tr\u1ea3 l\u1ea1i \u0111\u01a1n gia h\u1ea1n \u0111\u00e3 k\u00fd v\u00e0 y\u00eau c\u1ea7u h\u00f3a \u0111\u01a1n. C\u00f3 kh\u1ea3 n\u0103ng s\u1ebd c\u00f3 s\u1ef1 c\u00e2n b\u1eb1ng v\u1ec1 doanh thu gi\u1eefa c\u00e1c kh\u00e1ch h\u00e0ng c\u1ea7n c\u1eaft gi\u1ea3m d\u1ecbch v\u1ee5 trong n\u0103m nay v\u00e0 nh\u1eefng kh\u00e1ch h\u00e0ng \u0111ang b\u1ed5 sung d\u1ecbch v\u1ee5, li\u00ean quan \u0111\u1ebfn COVID ho\u1eb7c c\u00e1c d\u1ecbch v\u1ee5 kh\u00e1c.\u00a0<\/span><\/p>\n

KHO T\u00c0I LI\u1ec6U NGH\u1ec6 THU\u1eacT C\u00d4NG C\u1ed8NG (LG)<\/b><\/h2>\n

PAA \u0111ang \u0111\u01b0a kh\u00e1ch h\u00e0ng CMS v\u00e0 Showcase m\u1edbi nh\u1ea5t l\u00ean t\u00e0u, Lancaster Public Art. Lori \u0111ang l\u00e0m vi\u1ec7c tr\u1ef1c ti\u1ebfp v\u1edbi nh\u00f3m LPA \u0111\u1ec3 t\u1ea1o trang \u0111\u0103ng k\u00fd ngh\u1ec7 s\u0129 c\u00f4ng c\u1ed9ng nh\u01b0 m\u1ed9t c\u01a1 h\u1ed9i m\u1edbi \u0111\u1ec3 h\u1ed7 tr\u1ee3 c\u00e1c ngh\u1ec7 s\u0129 c\u00f4ng c\u1ed9ng m\u1edbi n\u1ed5i. C\u00f4ng vi\u1ec7c n\u00e0y tr\u00f9ng v\u1edbi m\u1ed9t s\u1ed1 d\u1ef1 \u00e1n tri\u1ec3n l\u00e3m \u1ea3o \u0111\u1eb7c bi\u1ec7t \u0111ang \u0111\u01b0\u1ee3c ti\u1ebfn h\u00e0nh h\u1ee3p t\u00e1c v\u1edbi Mural Arts Philadelphia. M\u1ed9t v\u1ea5n \u0111\u1ec1 \u0111\u01b0\u1ee3c ph\u00e1t hi\u1ec7n v\u1edbi b\u1ea3n \u0111\u1ed3 d\u00e0nh ri\u00eang cho B\u1ed9 s\u01b0u t\u1eadp \u0111ang \u0111\u01b0\u1ee3c gi\u1ea3i quy\u1ebft tr\u01b0\u1edbc cu\u1ed9c h\u1ecdp AFTA tr\u1ef1c tuy\u1ebfn, trong \u0111\u00f3 m\u1ed9t s\u1ed1 t\u00e0i li\u1ec7u ti\u1ebfp th\u1ecb s\u1ebd h\u01b0\u1edbng \u0111\u1ebfn vi\u1ec7c qu\u1ea3ng b\u00e1 PAA.<\/span><\/p>\n

ZAPP (s\u01a1 y\u1ebfu l\u00fd l\u1ecbch)<\/b><\/h2>\n

Ch\u00fang t\u00f4i \u0111\u00e3 t\u1ed5 ch\u1ee9c cu\u1ed9c h\u1ecdp \u0111\u1ed1i t\u00e1c ZAPP th\u01b0\u1eddng ni\u00ean v\u00e0o ng\u00e0y 8 th\u00e1ng 6, t\u1ea1i \u0111\u00f3 ch\u00fang t\u00f4i \u0111\u00e3 th\u1ea3o lu\u1eadn v\u1ec1 t\u00e1c \u0111\u1ed9ng c\u1ee7a COVID-19 \u0111\u1ed1i v\u1edbi doanh nghi\u1ec7p, c\u0169ng nh\u01b0 t\u00e1c \u0111\u1ed9ng c\u1ee7a n\u00f3 \u0111\u1ed1i v\u1edbi ng\u00e0nh c\u00f4ng nghi\u1ec7p h\u1ed9i ch\u1ee3 ngh\u1ec7 thu\u1eadt v\u00e0 l\u1ec5 h\u1ed9i n\u00f3i chung. Trong s\u1ed1 t\u00e1m \u0111\u1ed1i t\u00e1c ZAPP, b\u1ed1n \u0111\u1ed1i t\u00e1c \u0111\u00e3 ph\u1ea3i h\u1ee7y s\u1ef1 ki\u1ec7n c\u1ee7a h\u1ecd, m\u1ed9t \u0111\u1ed1i t\u00e1c ho\u00e3n l\u1ea1i \u0111\u1ebfn m\u00f9a thu v\u00e0 ba \u0111\u1ed1i t\u00e1c c\u00f2n l\u1ea1i d\u1ef1 ki\u1ebfn s\u1ebd di\u1ec5n ra theo \u0111\u00fang l\u1ecbch tr\u00ecnh. Nh\u00f3m c\u1ee7a ch\u00fang t\u00f4i c\u0169ng \u0111ang l\u1eadp ng\u00e2n s\u00e1ch ZAPP cho n\u0103m t\u00e0i ch\u00ednh 21, v\u1edbi b\u1ea3n th\u1ea3o \u0111\u1ea7u ti\u00ean d\u1ef1 ki\u1ebfn v\u00e0o cu\u1ed1i th\u00e1ng, ngo\u00e0i vi\u1ec7c \u0111\u00e0o t\u1ea1o \u0111i\u1ec1u ph\u1ed1i vi\u00ean b\u00e1n h\u00e0ng m\u1edbi c\u1ee7a ch\u00fang t\u00f4i \u0111\u1ec3 ti\u1ebfp qu\u1ea3n c\u00e1c n\u1ed7 l\u1ef1c b\u00e1n h\u00e0ng trong v\u00e0 ngo\u00e0i n\u01b0\u1edbc cho ZAPP v\u00e0 CaFE. Ch\u00fang t\u00f4i ti\u1ebfp t\u1ee5c nh\u1eadn \u0111\u01b0\u1ee3c th\u00f4ng b\u00e1o h\u1ee7y ho\u1eb7c ho\u00e3n s\u1ef1 ki\u1ec7n v\u00e0 ch\u00fang t\u00f4i \u0111ang cung c\u1ea5p chi\u1ebft kh\u1ea5u cho c\u00e1c s\u1ef1 ki\u1ec7n khi h\u1ecd s\u1eed d\u1ee5ng ZAPP theo t\u1eebng tr\u01b0\u1eddng h\u1ee3p c\u1ee5 th\u1ec3.<\/span><\/p>\n

C\u1ea3m \u01a1n r\u1ea5t nhi\u1ec1u,<\/span><\/p>\n

Thi\u00ean ch\u00faa gi\u00e1o<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Greetings WESTAF Trustees: Across the United States and around the world, the last two weeks have seen continuing calls for justice in the murder of George Floyd and many others, and for an end to systemic racism and police brutality. In just a few weeks, a string of hopeful developments signaling real change has offered […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[176],"class_list":["post-9542","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"\nBi-Weekly Recap: June 15, 2020 - Creative West<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"vi_VN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bi-Weekly Recap: June 15, 2020 - Creative West\" \/>\n<meta property=\"og:description\" content=\"Greetings WESTAF Trustees: Across the United States and around the world, the last two weeks have seen continuing calls for justice in the murder of George Floyd and many others, and for an end to systemic racism and police brutality. 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