{"id":10268,"date":"2021-01-12T14:47:01","date_gmt":"2021-01-12T21:47:01","guid":{"rendered":"https:\/\/www.westaf.org\/?p=10268"},"modified":"2024-07-31T07:36:39","modified_gmt":"2024-07-31T14:36:39","slug":"bi-weekly-recap-january-11-2021","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/vi\/bi-weekly-recap-january-11-2021\/","title":{"rendered":"T\u00f3m t\u1eaft hai tu\u1ea7n m\u1ed9t l\u1ea7n: Ng\u00e0y 11 th\u00e1ng 1 n\u0103m 2021"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Xin ch\u00e0o c\u00e1c \u1ee7y vi\u00ean v\u00e0 \u0111\u1ed3ng nghi\u1ec7p c\u1ee7a WESTAF:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ch\u00e0o m\u1eebng \u0111\u1ebfn v\u1edbi b\u1ea3n t\u00f3m t\u1eaft hai tu\u1ea7n \u0111\u1ea7u ti\u00ean c\u1ee7a n\u0103m 2021. T\u00f4i bi\u1ebft m\u00ecnh kh\u00f4ng c\u1ea7n ph\u1ea3i n\u00f3i v\u1edbi b\u1ea1n \u0111i\u1ec1u n\u00e0y, nh\u01b0ng \u0111\u00e2y \u0111\u00e3 l\u00e0 m\u1ed9t n\u0103m s\u1ebd m\u00e3i m\u00e3i in s\u00e2u v\u00e0o k\u00fd \u1ee9c c\u1ee7a ch\u00fang ta, v\u00e0 ch\u00fang ta th\u1eadm ch\u00ed c\u00f2n ch\u01b0a \u0111i \u0111\u01b0\u1ee3c m\u1ed9t n\u1eeda ch\u1eb7ng \u0111\u01b0\u1eddng c\u1ee7a th\u00e1ng 1. T\u1ea1i WESTAF, ch\u00fang t\u00f4i \u0111\u00e3 v\u00e0 \u0111ang ti\u1ebfn l\u00ean v\u1edbi c\u00f4ng vi\u1ec7c c\u1ee7a m\u00ecnh, ngay c\u1ea3 khi ch\u00ednh ph\u1ee7 c\u1ee7a ch\u00fang t\u00f4i \u0111ang b\u1ecb nh\u1eefng k\u1ebb kh\u1ee7ng b\u1ed1 v\u00e0 b\u1ea1o lo\u1ea1n trong n\u01b0\u1edbc t\u1ea5n c\u00f4ng. \u0110\u1ed1i v\u1edbi t\u00f4i, th\u00e0nh th\u1eadt m\u00e0 n\u00f3i, th\u1eadt kh\u00f3 \u0111\u1ec3 kh\u00f4ng ch\u1ec9 xem tin t\u1ee9c truy\u1ec1n h\u00ecnh c\u00e1p v\u00e0 l\u01b0\u1edbt qua nh\u1eefng th\u00f4ng tin bi quan tr\u00ean thi\u1ebft b\u1ecb c\u1ee7a m\u00ecnh, m\u1eb7c d\u00f9 \u0111i\u1ec1u \u0111\u00f3 khi\u1ebfn t\u00f4i c\u1ea3m th\u1ea5y t\u1ed3i t\u1ec7 h\u01a1n, v\u00e0 c\u00f2n nhi\u1ec1u vi\u1ec7c quan tr\u1ecdng kh\u00e1c ph\u1ea3i l\u00e0m. Nh\u01b0ng t\u00f4i kh\u00f4ng th\u1ec3 kh\u00f4ng l\u00e0m v\u1eady. \u0110\u1ed1i v\u1edbi nh\u00f3m WESTAF, ch\u00fang t\u00f4i \u0111\u00e3 khuy\u1ebfn kh\u00edch vi\u1ec7c t\u1ef1 ch\u0103m s\u00f3c b\u1ea3n th\u00e2n nhi\u1ec1u nh\u1ea5t c\u00f3 th\u1ec3, ngay c\u1ea3 khi cu\u1ed9c s\u1ed1ng v\u00e0 c\u00f4ng vi\u1ec7c v\u1eabn ti\u1ebfp t\u1ee5c ti\u1ebfn tri\u1ec3n kh\u00f4ng th\u1ec3 tr\u00e1nh kh\u1ecfi. B\u1ecf qua cu\u1ed9c n\u1ed5i lo\u1ea1n (!), ch\u00fang t\u00f4i V\u1eaaN mong ch\u1edd b\u1eefa ti\u1ec7c ngh\u1ec9 l\u1ec5 \u1ea3o c\u1ee7a m\u00ecnh v\u00e0o ng\u00e0y 21 th\u00e1ng 1 \u2014 &quot;WESTAFaganza!&quot; C\u1ea3m \u01a1n ban t\u1ed5 ch\u1ee9c l\u1ec5 k\u1ef7 ni\u1ec7m \u0111\u00e3 t\u1ed5 ch\u1ee9c m\u1ed9t bu\u1ed5i g\u1eb7p m\u1eb7t th\u1ef1c s\u1ef1 vui v\u1ebb v\u00e0 \u0111\u1ea7y c\u1ea3m h\u1ee9ng \u2014 v\u00e0 v\u00f4 c\u00f9ng c\u1ea7n thi\u1ebft. S\u1ebd l\u00e0 m\u1ed9t ng\u00e0y sau l\u1ec5 nh\u1eadm ch\u1ee9c, v\u00ec v\u1eady c\u00f3 th\u1ec3 ch\u00fang ta s\u1ebd c\u1ea3m th\u1ea5y l\u1ea1c quan h\u01a1n m\u1ed9t ch\u00fat v\u1ec1 n\u0103m s\u1eafp t\u1edbi c\u1ee7a t\u1ea5t c\u1ea3 ch\u00fang ta. V\u1eabn c\u00f3 nh\u1eefng c\u00f4ng vi\u1ec7c tuy\u1ec7t v\u1eddi \u0111ang di\u1ec5n ra tr\u00ean to\u00e0n b\u1ed9 t\u1ed5 ch\u1ee9c v\u00e0 t\u00f4i \u0111\u1eb7c bi\u1ec7t h\u00e0o h\u1ee9ng v\u1ec1 nhi\u1ec1u trang b\u00e1n h\u00e0ng v\u00e0 demo m\u1edbi \u0111ang \u0111\u01b0\u1ee3c ra m\u1eaft tr\u00ean c\u00e1c s\u1ea3n ph\u1ea9m kinh doanh c\u1ee7a ch\u00fang t\u00f4i. \u0110\u1ecdc ti\u1ebfp \u0111\u1ec3 bi\u1ebft th\u00eam chi ti\u1ebft.<\/span><\/p>\n<h2><b>PH\u00d3 CH\u1ee6 T\u1ecaCH TENIQUA BROUGHTON S\u1ebc \u0110\u01af\u1ee2C \u0110\u1ea0I H\u1eccC ARIZONA STATE VINH DANH (CG)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">V\u00e0o ng\u00e0y 21 th\u00e1ng 1, t\u00f4i r\u1ea5t vui m\u1eebng th\u00f4ng b\u00e1o r\u1eb1ng Teniqua Broughton c\u1ee7a ch\u00fang ta s\u1ebd \u0111\u01b0\u1ee3c vinh danh trong m\u1ed9t bu\u1ed5i l\u1ec5 tr\u1ef1c tuy\u1ebfn \u0111\u1eb7c bi\u1ec7t v\u1edbi Gi\u1ea3i th\u01b0\u1edfng L\u00e3nh \u0111\u1ea1o-Ng\u01b0\u1eddi ph\u1ee5c v\u1ee5 c\u1ed9ng \u0111\u1ed3ng ASU MLK do \u1ee6y ban Ti\u1ebfn s\u0129 Martin Luther King Jr. c\u1ee7a ASU trao t\u1eb7ng. Teniqua \u0111\u00e3 l\u00e0 nh\u00e0 v\u00f4 \u0111\u1ecbch v\u1ec1 gi\u00e1o d\u1ee5c ngh\u1ec7 thu\u1eadt trong hai th\u1eadp k\u1ef7, v\u1edbi c\u00e1c vai tr\u00f2 t\u1ea1i ASU Gammage, Free Arts of Arizona v\u00e0 nhi\u1ec1u n\u01a1i kh\u00e1c, tr\u01b0\u1edbc khi th\u00e0nh l\u1eadp VerveSimone v\u00e0o n\u0103m 2013. Trong vai tr\u00f2 t\u01b0 v\u1ea5n c\u1ee7a m\u00ecnh, Broughton h\u1ed7 tr\u1ee3 c\u00e1c t\u1ed5 ch\u1ee9c phi l\u1ee3i nhu\u1eadn trong c\u00e1c l\u0129nh v\u1ef1c ngh\u1ec7 thu\u1eadt, v\u0103n h\u00f3a, d\u1ecbch v\u1ee5 x\u00e3 h\u1ed9i v\u00e0 gi\u00e1o d\u1ee5c. Teniqua c\u0169ng l\u00e0 gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh c\u1ee7a State of Black Arizona, m\u1ed9t t\u1ed5 ch\u1ee9c phi l\u1ee3i nhu\u1eadn \u0111i\u1ec1u h\u00e0nh c\u00e1c ch\u01b0\u01a1ng tr\u00ecnh l\u00e3nh \u0111\u1ea1o v\u00e0 t\u1ea1o ra d\u1eef li\u1ec7u v\u1ec1 ng\u01b0\u1eddi M\u1ef9 g\u1ed1c Phi trong ti\u1ec3u bang. T\u1eeb gia \u0111\u00ecnh WESTAF c\u1ee7a b\u1ea1n, t\u00ecnh y\u00eau, s\u1ef1 t\u00f4n tr\u1ecdng v\u00e0 l\u1eddi ch\u00fac m\u1eebng to l\u1edbn v\u00e0 x\u1ee9ng \u0111\u00e1ng, Ph\u00f3 ch\u1ee7 t\u1ecbch.<\/span><\/p>\n<h2><b>C\u1eacP NH\u1eacT ARTX (CG)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Xin ch\u00e2n th\u00e0nh c\u1ea3m \u01a1n \u1ee6y ban Ph\u00e1t tri\u1ec3n H\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb v\u00ec nh\u1eefng n\u1ed7 l\u1ef1c c\u1ee7a h\u1ecd cho \u0111\u1ebfn nay trong vi\u1ec7c \u0111\u1ea3m b\u1ea3o di\u1ec5n gi\u1ea3 \u0111\u1ea7u ti\u00ean c\u1ee7a ch\u00fang t\u00f4i cho ArtX 2021. Di\u1ec5n gi\u1ea3 \u0111\u1ea7u ti\u00ean c\u1ee7a ch\u00fang t\u00f4i v\u00e0o th\u00e1ng 1, Ti\u1ebfn s\u0129 Lisa Cooper \u0111\u00e3 ph\u00e1t hi\u1ec7n ra m\u1ed9t xung \u0111\u1ed9t l\u1ecbch tr\u00ecnh kh\u00f4ng th\u1ec3 tr\u00e1nh kh\u1ecfi, v\u00ec v\u1eady ch\u00fang t\u00f4i s\u1ebd ch\u00e0o \u0111\u00f3n c\u00f4 \u1ea5y thay th\u1ebf v\u00e0o ng\u00e0y 28 th\u00e1ng 4. Ch\u00fang t\u00f4i \u0111\u00e3 y\u00eau c\u1ea7u m\u1ed9t t\u1ed5 ch\u1ee9c kh\u00e1c cho m\u1ed9t v\u1ecb tr\u00ed v\u00e0o cu\u1ed1i th\u00e1ng 1 ho\u1eb7c th\u00e1ng 2 v\u00e0 ch\u00fang t\u00f4i s\u1ebd cho b\u1ea1n bi\u1ebft ngay khi c\u00f3 x\u00e1c nh\u1eadn. Trong th\u1eddi gian ch\u1edd \u0111\u1ee3i, xin ch\u00e2n th\u00e0nh c\u1ea3m \u01a1n ng\u01b0\u1eddi \u1ee7y th\u00e1c Bassem Bejiani v\u00e0 \u0111\u1ed1i t\u00e1c c\u1ee7a \u00f4ng l\u00e0 Lisa Burns v\u00ec \u0111\u00e3 h\u00e0o ph\u00f3ng quy\u00ean g\u00f3p cho WESTAF \u0111\u1ec3 trang tr\u1ea3i ti\u1ec1n th\u00f9 lao c\u1ee7a Ti\u1ebfn s\u0129 Cooper. M\u1ed9t c\u1eed ch\u1ec9 th\u1ef1c s\u1ef1 chu \u0111\u00e1o v\u00e0 h\u00e0o ph\u00f3ng \u2014 c\u1ea3m \u01a1n c\u00e1c b\u1ea1n.<\/span><\/p>\n<h2><b>CU\u1ed8C H\u1eccP C\u1ee6A BAN QU\u1ea2N TR\u1eca V\u00c0 \u1ee6Y BAN S\u1eaeP T\u1edaI (CG)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Th\u00e1ng 1 v\u00e0 th\u00e1ng 2 l\u00e0 nh\u1eefng th\u00e1ng b\u1eadn r\u1ed9n \u0111\u1ed1i v\u1edbi h\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb WESTAF. \u1ee6y ban \u0111i\u1ec1u h\u00e0nh s\u1ebd tri\u1ec7u t\u1eadp m\u1ed9t cu\u1ed9c h\u1ecdp ng\u1eafn v\u00e0o tu\u1ea7n n\u00e0y v\u00e0o ng\u00e0y 13 th\u00e1ng 1 \u0111\u1ec3 c\u1eadp nh\u1eadt t\u00ecnh h\u00ecnh sau k\u1ef3 ngh\u1ec9 l\u1ec5 v\u00e0 xem x\u00e9t t\u00ecnh h\u00ecnh t\u00e0i ch\u00ednh trong hai th\u00e1ng \u0111\u1ea7u n\u0103m t\u00e0i ch\u00ednh 21 c\u00f9ng m\u1ed9t s\u1ed1 v\u1ea5n \u0111\u1ec1 kinh doanh kh\u00e1c. Nh\u01b0 b\u1ea1n \u0111\u00e3 bi\u1ebft, ng\u00e0y 3 v\u00e0 4 th\u00e1ng 2 l\u00e0 ng\u00e0y h\u1ecdp m\u00f9a \u0111\u00f4ng c\u1ee7a \u1ee7y ban v\u00e0 h\u1ed9i \u0111\u1ed3ng qu\u1ea3n tr\u1ecb c\u1ee7a ch\u00fang t\u00f4i \u2014 v\u1eabn di\u1ec5n ra tr\u1ef1c tuy\u1ebfn, kh\u00f4ng c\u00f3 g\u00ec ng\u1ea1c nhi\u00ean. Ch\u00fang t\u00f4i c\u00f3 m\u1ed9t ch\u01b0\u01a1ng tr\u00ecnh ngh\u1ecb s\u1ef1 th\u1ef1c s\u1ef1 d\u00e0y \u0111\u1eb7c, bao g\u1ed3m m\u1ed9t s\u1ed1 th\u00f4ng tin c\u1eadp nh\u1eadt t\u1eeb c\u00e1c \u0111\u1ed3ng nghi\u1ec7p ch\u00ednh s\u00e1ch v\u00e0 kinh doanh WESTAF, c\u0169ng nh\u01b0 c\u00e1c b\u00e0i thuy\u1ebft tr\u00ecnh t\u1eeb m\u1ed9t s\u1ed1 kh\u00e1ch m\u1eddi \u0111\u1eb7c bi\u1ec7t m\u00e0 b\u1ea1n s\u1ebd kh\u00f4ng mu\u1ed1n b\u1ecf l\u1ee1: b\u00e1o c\u00e1o v\u1ec1 c\u00e1c \u01b0u ti\u00ean ch\u00ednh s\u00e1ch ngh\u1ec7 thu\u1eadt li\u00ean bang c\u1ee7a ch\u00ednh quy\u1ec1n Biden\/Harris s\u1eafp t\u1edbi t\u1eeb Heather Noonan v\u1edbi Li\u00ean \u0111o\u00e0n d\u00e0n nh\u1ea1c Hoa K\u1ef3 v\u00e0 Nh\u00f3m \u1ee7ng h\u1ed9 v\u0103n h\u00f3a; b\u00e1o c\u00e1o v\u1ec1 quan h\u1ec7 \u0111\u1ed1i t\u00e1c ELC South Arts c\u1ee7a ch\u00fang t\u00f4i v\u00e0 s\u1ef1 ph\u00e1t tri\u1ec3n li\u00ean t\u1ee5c h\u1ea5p d\u1eabn c\u1ee7a ch\u01b0\u01a1ng tr\u00ecnh gi\u1ea3ng d\u1ea1y ELC WESTAF t\u1eeb gi\u1ea3ng vi\u00ean ELC l\u00e2u n\u0103m, c\u1ed9ng t\u00e1c vi\u00ean v\u00e0 ng\u01b0\u1eddi b\u1ea1n Salvador Acevedo, v\u00e0 b\u1ea3n t\u00f3m t\u1eaft c\u00e1c khuy\u1ebfn ngh\u1ecb v\u1ec1 chi\u1ebfn l\u01b0\u1ee3c g\u00e2y qu\u1ef9 c\u1ee7a ch\u00fang t\u00f4i t\u1eeb c\u1ed1 v\u1ea5n Beka Whitson c\u1ee7a Whitson Strategies. Hi\u1ec7n t\u1ea1i, t\u1ea5t c\u1ea3 ch\u00fang ta \u0111\u1ec1u \u0111ang theo d\u00f5i c\u00f9ng m\u1ed9t s\u1ed1 li\u1ec7u th\u1ed1ng k\u00ea \u0111\u1ea1i d\u1ecbch \u1ea3m \u0111\u1ea1m trong khi ch\u1edd \u0111\u1ee3i vi\u1ec7c tri\u1ec3n khai v\u1eafc-xin to\u00e0n qu\u1ed1c \u0111\u01b0\u1ee3c \u0111\u1ea3m nhi\u1ec7m b\u1edfi m\u1ed9t ch\u00ednh quy\u1ec1n c\u00f3 n\u0103ng l\u1ef1c h\u01a1n, v\u00ec v\u1eady t\u00f4i nghi ng\u1edd r\u1eb1ng khi ch\u00fang ta c\u00f3 th\u1ec3 g\u1eb7p l\u1ea1i nhau tr\u1ef1c ti\u1ebfp, c\u00f3 l\u1ebd m\u1ecdi th\u1ee9 s\u1ebd kh\u00e1 r\u00f5 r\u00e0ng v\u1edbi t\u1ea5t c\u1ea3 ch\u00fang ta. T\u00f4i cho r\u1eb1ng c\u00f3 m\u1ed9t kh\u1ea3 n\u0103ng nh\u1ecf v\u00e0o th\u00e1ng 5, nh\u01b0ng th\u1ef1c s\u1ef1 t\u00f4i nghi ng\u1edd \u0111i\u1ec1u \u0111\u00f3. T\u00f4i hy v\u1ecdng v\u00e0o th\u00e1ng 10 \u1edf Denver.<\/span><\/p>\n<h2><b>WESTAF TI\u1ebeN H\u00c0NH PH\u00c2N T\u00cdCH D\u1ef0 LU\u1eacT C\u1ee6A \u0110\u1ea0O LU\u1eacT KHO\u1ea2N CHI H\u1ee2P NH\u1ea4T HR 133, 2021 (NG\u00c0Y 21 TH\u00c1NG 12 N\u0102M 2020) V\u00c0 C\u00c1C B\u1ea2N PH\u00c1T H\u00c0NH CHO C\u01a0 QUAN NGH\u1ec6 THU\u1eacT C\u1ee6A NH\u00c0 N\u01af\u1edaC V\u00c0 C\u00c1C M\u1ea0NG L\u01af\u1edaI V\u1eacN \u0110\u1ed8NG NGH\u1ec6 THU\u1eacT C\u1ee6A NH\u00c0 N\u01af\u1edaC (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">On December 23, WESTAF released a <\/span><a href=\"https:\/\/docs.google.com\/document\/d\/1FwuNSk2f4PYjjbZsVm0whrOno5lyuPmeLZLMS8SY2m8\/edit\"><span style=\"font-weight: 400;\">briefing <\/span><\/a><span style=\"font-weight: 400;\">to state arts agencies and state arts advocacy groups analyzing HR 133, the legislative vehicle for the latest pandemic relief package and a comprehensive appropriations bill. The analysis was conducted by the AAP team and referenced work jointly conducted by members of the Cultural Advocacy Group to analyze the bill. The bill includes a range of areas that affect the arts and cultural sector, commercial and nonprofit, and that support a wide range of constituencies nationwide. There are a number of measures that advance equity, which for the arts and cultural sector include the proposed creation of a Smithsonian American Women\u2019s History Museum and a National Museum of the American Latino. The Small Business Administration will implement a new $15 billion grant program dedicated to providing support for \u201cshuttered venue operators.\u201d $2 billion is specifically designated for organizations with less than 50 FTE employees. The program will provide grants of up to $10 million for eligible organizations, which include live venue operators or promoters, theatrical producers, live performing arts organization operators, relevant museum operators, motion picture theatre operators, or talent representatives that meet other requirements. This multi-billion dollar investment in venues is the realization of Save our Stages, which WESTAF endorsed in its bill form on behalf of Senator Amy Klobuchar (D-MN) in July 2020. $167.5 million each is allocated for the National Endowment for the Arts and the National Endowment for the Humanities, which is $5.25 million more than the 2020 enacted levels and rejects the White House\u2019s budget request proposal to eliminate the agencies. The bill includes language that permits grant funds appropriated this year and in fiscal years 2019 and 2020 to be used for operating expenses. The bill also ensures that priority is given to providing services or awarding financial assistance for projects, productions, workshops, or programs that serve underserved populations.<\/span><\/p>\n<h2><b>C\u00d4NG B\u1ed0 H\u1ed8I TH\u1ea2O L\u00c3NH \u0110\u1ea0O V\u00c0 V\u1eacN \u0110\u1ed8NG NGH\u1ec6 THU\u1eacT N\u0102M 2021 (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">WESTAF \u0111\u00e3 c\u00f4ng b\u1ed1 H\u1ed9i th\u1ea3o L\u00e3nh \u0111\u1ea1o v\u00e0 V\u1eadn \u0111\u1ed9ng Ngh\u1ec7 thu\u1eadt (ALAS) n\u0103m 2021 c\u1ee7a ch\u00fang t\u00f4i s\u1ebd di\u1ec5n ra v\u00e0o th\u1ee9 T\u01b0, ng\u00e0y 24 th\u00e1ng 2 v\u00e0 th\u1ee9 N\u0103m, ng\u00e0y 25 th\u00e1ng 2 n\u0103m 2021. ALAS n\u0103m nay s\u1ebd \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c tr\u1ef1c tuy\u1ebfn v\u1edbi tr\u1ecdng t\u00e2m m\u1edf r\u1ed9ng. H\u1ed9i th\u1ea3o s\u1ebd c\u00f3 m\u1ed9t lo\u1ea1t c\u00e1c cu\u1ed9c th\u1ea3o lu\u1eadn nh\u00f3m v\u00e0 di\u1ec5n gi\u1ea3 s\u1ebd chia s\u1ebb ki\u1ebfn th\u1ee9c c\u1ee7a h\u1ecd v\u1ec1 c\u00e1c ch\u1ee7 \u0111\u1ec1 li\u00ean quan \u0111\u1ebfn v\u1eadn \u0111\u1ed9ng ch\u00ednh s\u00e1ch li\u00ean bang, thu h\u00fat c\u00e1c th\u00e0nh vi\u00ean c\u1ee7a Qu\u1ed1c h\u1ed9i v\u00e0 s\u1ef1 chuy\u1ec3n \u0111\u1ed5i c\u1ee7a l\u0129nh v\u1ef1c n\u00e0y. C\u00e1c th\u00e0nh vi\u00ean tham gia h\u1ed9i th\u1ea3o \u0111\u00e3 \u0111\u01b0\u1ee3c x\u00e1c nh\u1eadn \u1edf giai \u0111o\u1ea1n n\u00e0y bao g\u1ed3m C\u00e9zanne Charles, \u0111\u1ed3ng s\u00e1ng l\u1eadp studio thi\u1ebft k\u1ebf rootoftwo; Hal Real, ng\u01b0\u1eddi s\u00e1ng l\u1eadp World Cafe Live, ch\u1ee7 t\u1ecbch c\u1ee7a Qu\u1ef9 Ngh\u1ec7 thu\u1eadt Trung \u0110\u1ea1i T\u00e2y D\u01b0\u01a1ng v\u00e0 ch\u1ee7 t\u1ecbch c\u1ee7a Qu\u1ef9 \u0110\u1ecba \u0111i\u1ec3m \u0110\u1ed9c l\u1eadp Qu\u1ed1c gia; Heather Noonan, ph\u00f3 ch\u1ee7 t\u1ecbch v\u1eadn \u0111\u1ed9ng ch\u00ednh s\u00e1ch t\u1ea1i Li\u00ean \u0111o\u00e0n D\u00e0n nh\u1ea1c Hoa K\u1ef3 v\u00e0 l\u00e0 ng\u01b0\u1eddi tri\u1ec7u t\u1eadp Nh\u00f3m V\u1eadn \u0111\u1ed9ng V\u0103n h\u00f3a; v\u00e0 c\u00e1c \u0111\u1ed3ng ch\u1ee7 t\u1ecbch c\u1ee7a M\u1ea1ng l\u01b0\u1edbi V\u1eadn \u0111\u1ed9ng Ngh\u1ec7 thu\u1eadt Ph\u01b0\u01a1ng T\u00e2y (WAAN) l\u00e0 Manny Cawaling, gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh c\u1ee7a Inspire Washington v\u00e0 Julie Baker, gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh c\u1ee7a California Arts Advocates. Ch\u00fang t\u00f4i s\u1ebd g\u1eedi th\u00f4ng tin c\u1eadp nh\u1eadt v\u00e0 th\u00f4ng tin chi ti\u1ebft h\u01a1n v\u1ec1 cu\u1ed9c h\u1ecdp trong nh\u1eefng tu\u1ea7n t\u1edbi khi c\u00f3 th\u00eam th\u00f4ng tin. M\u1ed9t th\u00f4ng b\u00e1o g\u1eedi \u0111\u1ebfn ban qu\u1ea3n tr\u1ecb WESTAF v\u00e0 m\u1ea1ng l\u01b0\u1edbi c\u01a1 quan ngh\u1ec7 thu\u1eadt nh\u00e0 n\u01b0\u1edbc \u0111\u00e3 \u0111\u01b0\u1ee3c g\u1eedi \u0111i v\u00e0 ch\u00fang t\u00f4i s\u1ebd s\u1edbm g\u1eedi th\u00f4ng b\u00e1o \u0111\u1ebfn nh\u1eefng ng\u01b0\u1eddi tham gia ti\u1ec1m n\u0103ng. \u0110\u0103ng k\u00fd s\u1ebd m\u1edf v\u00e0o cu\u1ed1i th\u00e1ng n\u00e0y tr\u00ean n\u1ec1n t\u1ea3ng s\u1ef1 ki\u1ec7n Aventri. Ch\u00fang t\u00f4i hy v\u1ecdng b\u1ea1n c\u00f3 th\u1ec3 tham gia c\u00f9ng ch\u00fang t\u00f4i.<\/span><\/p>\n<h2><b>CVSUITE &amp; NASAA CREATIVE ECONOMY AND RECOVERY PROJECT \u0110\u00c3 HO\u00c0N TH\u00c0NH V\u00c0 S\u1ebc \u0110\u01af\u1ee2C PH\u00c1T H\u00c0NH SAU S\u1ef0 KI\u1ec6N C\u1ee6A PH\u00d2NG TH\u01af\u01a0NG M\u1ea0I HOA K\u1ef2 TRONG TU\u1ea6N N\u00c0Y (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The CVSuite team finalized the Creative Economy and Recovery report being produced in collaboration with NASAA (a paid contract), which will be provisionally released on Monday, January 18, 2020 following a US Chamber of Commerce, NASAA, Americans for the Arts, and National Endowment for the Arts event,<\/span><a href=\"https:\/\/www.uschamber.com\/event\/starring-role-arts-entertainment-the-pandemic-era\"> <span style=\"font-weight: 400;\">Starring Role: Arts and Entertainment in the Pandemic Era<\/span><\/a><span style=\"font-weight: 400;\">. The report, 92 pages and 22,951 words in length with over 120 sources in its final draft form, features 11 case studies from states and communities across the country\u2014Arizona, Arkansas, Georgia, Maryland, Massachusetts, Minnesota, Nebraska, Tennessee, Vermont, Washington, and West Virginia. In each, resilient regions and creative industries, dynamic organizations, well-established and innovative initiatives and programs, and a number of creative economy-supportive public policies are examined. In Arizona, the Arizona Creative Communities Institute is explored alongside the development of the creative economy in selected communities. The place of arts and culture within the regional development aspirations of Northwest Arkansas and the art-led economic development of Western Massachusetts are also explored alongside a suburban creative district in Prince George\u2019s County Maryland and cultural tourism in Appalachian Tennessee. Recent legislation that creates the pathway to a statewide creative districts program in Nebraska that builds upon its growing creative economy is also explored. The award-winning radio music program Mountain Stage and Charleston, West Virginia\u2019s music industry are also explored as is the meteoric rise of Georgia\u2019s film industry. The creative economy strategies that leverage the rich historical, scenic, and cultural assets of rural regions in Southern Minnesota and Northeast Kingdom Vermont are also presented. Bellevue, Washington\u2019s thriving digital creative economy, particularly a growing gaming industry, is considered in the context of its emergence as a tech hub. These textured stories also present CVSuite data that point to growing industries and job markets in some creative economies and high concentrations of creative activity in states and regions that are not often identified as creative centers.\u00a0<\/span><\/p>\n<h2><b>C\u00c1C C\u01a0 QUAN NGH\u1ec6 THU\u1eacT NH\u00c0 N\u01af\u1edaC KHU V\u1ef0C WESTAF \u0110\u00c3 GI\u1ea2I $85 TRI\u1ec6U \u0110\u1ed2NG CHO \u0110\u1ebeN NAY TRONG QU\u1ef8 C\u1ee8U TR\u1ee2 C\u1ee6A NH\u00c0 N\u01af\u1edaC CHO NG\u00c0NH NGH\u1ec6 THU\u1eacT V\u00c0 V\u0102N H\u00d3A \u1ede WEST (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The total in state-directed relief funds directly supporting arts and culture and administered by state arts agencies has risen to over $85 million across the region including a <\/span><a href=\"https:\/\/olis.leg.state.or.us\/liz\/2019I1\/Downloads\/CommitteeMeetingDocument\/224701\"><span style=\"font-weight: 400;\">$50 million relief package for Oregon culture<\/span><\/a><span style=\"font-weight: 400;\">, a $19.5 million allocation of state relief funds to the Utah Division of Arts and Museums through the <\/span><a href=\"https:\/\/artsandmuseums.utah.gov\/create-in-utah-phases-1-2\/\"><span style=\"font-weight: 400;\">Create in Utah program<\/span><\/a><span style=\"font-weight: 400;\">, c\u00e1c<\/span><a href=\"https:\/\/azarts.gov\/news\/governor-announces-2-million-in-relief-funding-for-arizonas-arts-culture-sector\/\"><span style=\"font-weight: 400;\"> $2 million state relief funds allocation to the Arizona Commission on the Arts<\/span><\/a><span style=\"font-weight: 400;\">, c\u00e1c <\/span><a href=\"https:\/\/www.arts.wa.gov\/2020\/12\/21\/artswa-and-commerce-announce-3-405m-in-relief-grants\/\"><span style=\"font-weight: 400;\">$3.4 million relief grant program delivered by Washington State Arts Commission and the Washington State Department of Commerce<\/span><\/a><span style=\"font-weight: 400;\">, c\u00e1c <\/span><a href=\"https:\/\/oedit.colorado.gov\/colorado-arts-relief-grant\"><span style=\"font-weight: 400;\">$7.5 million in state relief funding recently awarded to Colorado Creative Industries<\/span><\/a><span style=\"font-weight: 400;\">, c\u00e1c <\/span><a href=\"https:\/\/wyoarts.state.wy.us\/wyoming-arts-council-announces-additional-cares-act-financial-assistance-for-arts-and-cultural-organizations-and-individual-artists\/\"><span style=\"font-weight: 400;\">$2.4 million the Wyoming Arts Council received from the Wyoming Governor&#8217;s Office through the CARES Act for arts and cultural relief<\/span><\/a><span style=\"font-weight: 400;\">. The Nevada Governor\u2019s Office for Economic Development disbursed pandemic relief funding to arts and culture organizations (and other nonprofits and businesses) through the $40 million <\/span><a href=\"https:\/\/goed.nv.gov\/pandemic-emergency-technical-support-pets-grant\/\"><span style=\"font-weight: 400;\">Pandemic Emergency Technical Support (PETS) grant program<\/span><\/a><span style=\"font-weight: 400;\"> and partnered with the Nevada Arts Council to offer technical assistance. Montana Arts Council\u2019s CARES program received supplemental support from the Montana Governor\u2019s Office of Budget and Program Planning to meet demand for their grants to individuals and organizations. All of these state arts agencies have shown tremendous leadership in making the case for the value of arts and culture and their need for support during this period of extreme disruption, and there looks to be more good news on the horizon in other states. Notably, California Governor Gavin Newsom\u2019s $575 million Early Action Budget proposal, part of a $4.5 billion recovery proposal, includes $25 million for small cultural institutions, such as museums and art galleries, that have been constrained by the pandemic in their ability to educate the community and remain financially viable to be disbursed by California Governor&#8217;s Office of Business and Economic Development. Funding for a new California Creative Corps Program, a modern creative workforce program (what some might call a \u201cWPA-style program\u201d), is also included in the budget proposal to be launched by California Arts Council. WESTAF facilitated a special WAAN knowledge sharing session on strategies for securing state relief funds in August 2020, and participates in regular and ongoing dialogues with Californians Arts Advocacy and the WESTAF supported lobbyist in California on strategies for securing state relief funding for the arts and cultural sector including individual artists.<\/span><\/p>\n<h2><b>KH\u1edeI \u0110\u1ed8NG \u1ee8NG D\u1ee4NG TOURWEST B\u1eca HO\u00c3N CHO CHU K\u1ef2 H\u1ed6 TR\u1ee2 N\u0102M 2021-2022 (LM)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Do nh\u1eefng t\u00e1c \u0111\u1ed9ng ch\u01b0a t\u1eebng c\u00f3 c\u1ee7a \u0111\u1ea1i d\u1ecbch COVID-19, nh\u00f3m TourWest c\u1ee7a WESTAF \u0111\u00e3 t\u1eadn t\u00e2m cung c\u1ea5p nhi\u1ec1u s\u1ef1 linh ho\u1ea1t nh\u1ea5t c\u00f3 th\u1ec3 \u0111\u1ec3 h\u1ed7 tr\u1ee3 c\u1ed9ng \u0111\u1ed3ng ng\u01b0\u1eddi thuy\u1ebft tr\u00ecnh v\u00e0 ngh\u1ec7 s\u0129 c\u1ee7a ch\u00fang t\u00f4i trong th\u1eddi gian \u0111\u1ea7y th\u00e1ch th\u1ee9c n\u00e0y. Trong n\u1ed7 l\u1ef1c ti\u1ebfp t\u1ee5c cung c\u1ea5p s\u1ef1 linh ho\u1ea1t n\u00e0y, nh\u00f3m SRI \u0111\u00e3 quy\u1ebft \u0111\u1ecbnh s\u1eeda \u0111\u1ed5i quy tr\u00ecnh n\u1ed9p \u0111\u01a1n v\u00e0 h\u01b0\u1edbng d\u1eabn v\u00e0o \u0111\u1ea7u chu k\u1ef3 n\u1ed9p \u0111\u01a1n m\u1edbi \u0111\u1ec3 ph\u1ee5c v\u1ee5 t\u1ed1t h\u01a1n cho nh\u1eefng ng\u01b0\u1eddi thuy\u1ebft tr\u00ecnh trong khu v\u1ef1c c\u1ee7a ch\u00fang t\u00f4i. \u0110\u1ec3 t\u1ea1o ra \u1ee9ng d\u1ee5ng chu \u0111\u00e1o v\u00e0 ph\u00f9 h\u1ee3p nh\u1ea5t, ng\u00e0y ra m\u1eaft \u0111\u00e3 \u0111\u01b0\u1ee3c ho\u00e3n l\u1ea1i \u0111\u1ebfn th\u00e1ng 2 n\u0103m 2021. Ng\u00e0y ra m\u1eaft m\u1edbi s\u1ebd kh\u00f4ng \u1ea3nh h\u01b0\u1edfng \u0111\u1ebfn th\u1eddi gian c\u1ee7a chu k\u1ef3 t\u00e0i tr\u1ee3. C\u00e1c d\u1ef1 \u00e1n \u0111\u1ee7 \u0111i\u1ec1u ki\u1ec7n v\u1eabn ph\u1ea3i di\u1ec5n ra trong kho\u1ea3ng th\u1eddi gian t\u1eeb ng\u00e0y 1 th\u00e1ng 9 n\u0103m 2021 \u0111\u1ebfn ng\u00e0y 31 th\u00e1ng 8 n\u0103m 2022. Th\u1eddi h\u1ea1n n\u1ed9p \u0111\u01a1n l\u00e0 ng\u00e0y 1 th\u00e1ng 4 n\u0103m 2021 c\u0169ng s\u1ebd kh\u00f4ng thay \u0111\u1ed5i. M\u1ed9t th\u00f4ng b\u00e1o s\u1ebd s\u1edbm \u0111\u01b0\u1ee3c \u0111\u01b0a ra v\u1edbi ng\u00e0y ra m\u1eaft \u1ee9ng d\u1ee5ng c\u0169ng nh\u01b0 th\u00f4ng tin chi ti\u1ebft v\u1ec1 nh\u1eefng thay \u0111\u1ed5i v\u00e0 \u0111i\u1ec1u ch\u1ec9nh \u0111\u01b0\u1ee3c th\u1ef1c hi\u1ec7n \u0111\u1ed1i v\u1edbi \u1ee9ng d\u1ee5ng 2021-2022 s\u1ebd ph\u1ea3n \u00e1nh nh\u1eefng t\u00e1c \u0111\u1ed9ng c\u1ee7a \u0111\u1ea1i d\u1ecbch COVID-19 v\u00e0 l\u0129nh v\u1ef1c \u0111ang thay \u0111\u1ed5i c\u1ee7a ch\u00fang t\u00f4i.<\/span><\/p>\n<h2><b>RA M\u1eaeT \u1ee8NG D\u1ee4NG WESTAF ELC21 (MS)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">January 8 saw the launch of the <\/span><a href=\"https:\/\/www.westaf.org\/emerging-leaders-of-color\/\"><span style=\"font-weight: 400;\">WESTAF ELC 2021 program application.<\/span><\/a><span style=\"font-weight: 400;\"> This program typically takes place in Denver, but given the ongoing pandemic, the program will take place online March 18-24, 2021. We welcome back our longtime faculty members, Salvador Acevedo and Margie Reese. Madalena Salazar and David Holland will continue to play a role on the faculty, in addition to managing the program. We encourage trustees to recommend qualified applicants and share the announcement with their networks. Applications will be due at 5:00 p.m. Mountain time, Monday, February 1st, 2021. For more information, please reach out to Madalena (<\/span><span style=\"font-weight: 400;\">madalena.salazar@westaf.org<\/span><span style=\"font-weight: 400;\">).<\/span><\/p>\n<h2><b>\u0110\u1ed8I SRI THAM D\u1ef0 H\u1ed8I NGH\u1eca APAP|NYC+ 2021 (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Hi\u1ec7p h\u1ed9i c\u00e1c chuy\u00ean gia ngh\u1ec7 thu\u1eadt bi\u1ec3u di\u1ec5n (APAP), t\u1ed5 ch\u1ee9c d\u1ecbch v\u1ee5, v\u1eadn \u0111\u1ed9ng v\u00e0 th\u00e0nh vi\u00ean qu\u1ed1c gia cho ng\u00e0nh c\u00f4ng nghi\u1ec7p bi\u1ec3u di\u1ec5n ngh\u1ec7 thu\u1eadt, s\u1ebd t\u1ed5 ch\u1ee9c m\u1ed9t h\u1ed9i ngh\u1ecb tr\u1ef1c tuy\u1ebfn t\u1eeb ng\u00e0y 8 \u0111\u1ebfn ng\u00e0y 12 th\u00e1ng 1 n\u0103m 2021 v\u00e0 Ch\u1ee7 t\u1ecbch ki\u00eam T\u1ed5ng gi\u00e1m \u0111\u1ed1c \u0111i\u1ec1u h\u00e0nh m\u1edbi c\u1ee7a APAP, Lisa Richards Toney \u0111\u00e3 cung c\u1ea5p cho WESTAF m\u1ed9t ch\u1ed7 ng\u1ed3i mi\u1ec5n ph\u00ed v\u1edbi t\u01b0 c\u00e1ch l\u00e0 \u0111\u1ed1i t\u00e1c. Lani Morris v\u00e0 David Holland s\u1ebd tham d\u1ef1 h\u1ed9i ngh\u1ecb v\u00e0 t\u1eadp trung s\u1ef1 tham gia c\u1ee7a h\u1ecd v\u00e0o vi\u1ec7c tham d\u1ef1 c\u00e1c phi\u00ean h\u1ecdp li\u00ean quan \u0111\u1ebfn th\u1ef1c h\u00e0nh c\u00f4ng b\u1eb1ng trong l\u0129nh v\u1ef1c n\u00e0y (bao g\u1ed3m kh\u1ea3 n\u0103ng ti\u1ebfp c\u1eadn) v\u00e0 c\u00e1c ch\u1ee7 \u0111\u1ec1 v\u1eadn \u0111\u1ed9ng v\u00e0 ch\u00ednh s\u00e1ch. Ch\u00fang t\u00f4i c\u0169ng c\u00f3 k\u1ebf ho\u1ea1ch tham d\u1ef1 m\u1ed9t s\u1ed1 bu\u1ed5i gi\u1edbi thi\u1ec7u \u0111\u1ed9c l\u1eadp \u0111\u1ec3 t\u00ecm hi\u1ec3u th\u00eam v\u1ec1 c\u00e1ch c\u00e1c ngh\u1ec7 s\u0129 bi\u1ec3u di\u1ec5n tr\u00ecnh b\u00e0y t\u00e1c ph\u1ea9m c\u1ee7a h\u1ecd trong kh\u00f4ng gian k\u1ef9 thu\u1eadt s\u1ed1 trong th\u1eddi gian n\u00e0y.\u00a0\u00a0<\/span><\/p>\n<h2><b>GI\u00c1M \u0110\u1ed0C TR\u00c1CH NHI\u1ec6M X\u00c3 H\u1ed8I V\u00c0 H\u00d2A NH\u1eacP T\u00ccM KI\u1ebeM (DH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">V\u00f2ng ph\u1ecfng v\u1ea5n \u0111\u1ea7u ti\u00ean \u0111\u00e3 ho\u00e0n t\u1ea5t, v\u1edbi s\u00e1u \u1ee9ng vi\u00ean \u0111\u01b0\u1ee3c ch\u1ecdn v\u00e0o v\u1ecb tr\u00ed gi\u00e1m \u0111\u1ed1c tr\u00e1ch nhi\u1ec7m x\u00e3 h\u1ed9i v\u00e0 h\u00f2a nh\u1eadp. \u1ee6y ban \u0111\u00e1nh gi\u00e1 \u1ee9ng vi\u00ean s\u1ebd h\u1ecdp trong tu\u1ea7n n\u00e0y \u0111\u1ec3 l\u1ef1a ch\u1ecdn nh\u1eefng ng\u01b0\u1eddi v\u00e0o v\u00f2ng ph\u1ecfng v\u1ea5n cu\u1ed1i c\u00f9ng.<\/span><\/p>\n<h2><b>T\u00c0I CH\u00cdNH V\u00c0 H\u00c0NH CH\u00cdNH (AH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">C\u1ea3m \u01a1n Lauren, Jess v\u00e0 Becca \u0111\u00e3 gi\u1eef v\u1eefng ph\u00e1o \u0111\u00e0i t\u00e0i ch\u00ednh &amp; nh\u00e2n s\u1ef1 trong k\u1ef3 ngh\u1ec9 \u0111\u1ec3 Becky v\u00e0 Amy c\u00f3 th\u1ec3 ngh\u1ec9 ng\u01a1i sau c\u00f4ng t\u00e1c ki\u1ec3m to\u00e1n th\u1ef1c \u0111\u1ecba! B\u00e2y gi\u1edd ch\u00fang ta \u0111ang quay l\u1ea1i \u0111\u00fang h\u01b0\u1edbng cho n\u0103m m\u1edbi. Becca \u0111ang b\u1eadn r\u1ed9n v\u1edbi qu\u00e1 tr\u00ecnh tuy\u1ec3n d\u1ee5ng gi\u00e1m \u0111\u1ed1c SRI m\u1edbi, c\u0169ng nh\u01b0 c\u00e1c nhu c\u1ea7u c\u1ea5p thi\u1ebft kh\u00e1c. Janae \u0111\u00e3 tham gia nh\u00f3m v\u00e0 s\u1ebd \u0111\u01b0\u1ee3c c\u1ea5p quy\u1ec1n truy c\u1eadp ch\u1ec9 \u0111\u1ecdc v\u00e0o h\u1ec7 th\u1ed1ng t\u00e0i ch\u00ednh v\u00e0 h\u1ec7 th\u1ed1ng ng\u00e2n h\u00e0ng tr\u1ef1c tuy\u1ebfn \u0111\u1ec3 c\u00f4 \u1ea5y c\u00f3 th\u1ec3 h\u1ed7 tr\u1ee3 c\u00e1c nh\u00f3m t\u00e0i ch\u00ednh v\u00e0 ZAPP b\u1eaft \u0111\u1ea7u t\u1eeb tu\u1ea7n t\u1edbi (ngo\u00e0i c\u00e1c h\u1ed7 tr\u1ee3 h\u1eefu \u00edch kh\u00e1c v\u1ec1 nh\u00e2n s\u1ef1 &amp; ho\u1ea1t \u0111\u1ed9ng). C\u1ea3m \u01a1n, Janae!! Amy v\u00e0 Becky \u0111ang b\u1eadn r\u1ed9n bi\u00ean so\u1ea1n c\u00e1c t\u00e0i li\u1ec7u c\u1ea7n thi\u1ebft cho h\u1ed3 s\u01a1 khai thu\u1ebf h\u00e0ng n\u0103m c\u1ee7a ch\u00fang t\u00f4i, do Plante Moran qu\u1ea3n l\u00fd. Becky s\u1ebd ti\u1ebfp nh\u1eadn th\u00eam c\u00e1c ph\u00ea duy\u1ec7t m\u00e3 h\u00f3a b\u1eaft \u0111\u1ea7u t\u1eeb th\u00e1ng n\u00e0y: \u0111\u00e2y l\u00e0 b\u01b0\u1edbc \u0111\u1ea7u ti\u00ean trong qu\u00e1 tr\u00ecnh chuy\u1ec3n \u0111\u1ed5i, trong \u0111\u00f3 v\u1ecb tr\u00ed c\u1ee7a c\u00f4 \u1ea5y s\u1ebd qu\u1ea3n l\u00fd to\u00e0n di\u1ec7n h\u01a1n quy tr\u00ecnh \u0111\u00f3ng s\u1ed5 h\u00e0ng th\u00e1ng. Lauren v\u00e0 Jess \u0111ang ti\u1ebfn h\u00e0nh chuy\u1ec3n \u0111\u1ed5i c\u00e1c kh\u00e1ch h\u00e0ng ZAPP sang thanh to\u00e1n EFT (chuy\u1ec3n ti\u1ec1n \u0111i\u1ec7n t\u1eed), \u0111\u00f2i h\u1ecfi ph\u1ea3i \u0111i\u1ec1u ch\u1ec9nh c\u00e1c quy tr\u00ecnh t\u00e0i ch\u00ednh c\u1ee7a h\u1ecd, b\u1eaft \u0111\u1ea7u t\u1eeb th\u00e1ng n\u00e0y.\u00a0<\/span><\/p>\n<h2><b>K\u1ebe HO\u1ea0CH CHI\u1ebeN L\u01af\u1ee2C (NS)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Nh\u00f3m Ch\u00ednh s\u00e1ch \u0111\u00e3 h\u1ecdp l\u1ea7n cu\u1ed1i v\u00e0o gi\u1eefa th\u00e1ng 12 v\u1edbi cu\u1ed9c h\u1ecdp do nh\u00e0 t\u00e0i tr\u1ee3 David Holland ch\u1ee7 tr\u00ec. Nh\u00f3m \u0111\u00e3 xem x\u00e9t k\u1ef9 l\u01b0\u1ee1ng ba t\u00e0i li\u1ec7u v\u1ec1 ph\u1ea1m vi c\u1ee7a ch\u00fang t\u00f4i v\u1edbi s\u1ef1 h\u01b0\u1edbng d\u1eabn c\u1ee7a David v\u00e0 x\u00e1c \u0111\u1ecbnh c\u00e1c m\u1ee5c m\u00e0 nh\u00f3m s\u1ebd \u01b0u ti\u00ean. C\u00e1c tr\u01b0\u1edfng nh\u00f3m, Justine v\u00e0 Janae, s\u1ebd h\u1ecdp v\u1edbi David v\u00e0o \u0111\u1ea7u th\u00e1ng 1 \u0111\u1ec3 th\u1ea3o lu\u1eadn v\u1ec1 c\u00e1c b\u01b0\u1edbc ti\u1ebfp theo cho nh\u00f3m, c\u0169ng nh\u01b0 ti\u1ebfp t\u1ee5c v\u1ea1ch ra k\u1ebf ho\u1ea1ch \u0111\u1ec3 ti\u1ebfp t\u1ee5c h\u1ee3p t\u00e1c v\u1edbi c\u00e1c C\u1ed1 v\u1ea5n \u1ee6y th\u00e1c. M\u1ed9t chi\u1ebfn th\u1eafng l\u1edbn cho Nh\u00f3m Kinh doanh l\u00e0 ho\u00e0n th\u00e0nh vi\u1ec7c d\u1ecdn d\u1eb9p c\u00e1c tr\u01b0\u1eddng b\u1ed5 sung trong Zoho \u0111\u1ec3 l\u00e0m cho CRM c\u1ee7a WESTAF th\u1ed1ng nh\u1ea5t h\u01a1n tr\u00ean to\u00e0n t\u1ed5 ch\u1ee9c. Nh\u00f3m c\u0169ng t\u1eadp trung v\u00e0o vi\u1ec7c t\u1ef1 \u0111\u1ed9ng h\u00f3a nhi\u1ec1u t\u00e1c v\u1ee5 h\u01a1n v\u1edbi m\u1ee5c ti\u00eau t\u0103ng doanh s\u1ed1 v\u00e0 doanh thu. M\u1ee5c ti\u00eau ti\u1ebfp theo c\u1ee7a nh\u00f3m l\u00e0 t\u00ecm ra m\u1ed9t n\u1ec1n t\u1ea3ng Artist Desktop m\u1edbi ti\u1ec1m n\u0103ng, n\u01a1i c\u00e1c ngh\u1ec7 s\u0129 c\u00f3 th\u1ec3 qu\u1ea3n l\u00fd doanh nghi\u1ec7p c\u1ee7a m\u00ecnh tr\u00ean m\u1ed9t n\u1ec1n t\u1ea3ng.<\/span><\/p>\n<h2><b>TI\u1ebeP TH\u1eca V\u00c0 TRUY\u1ec0N TH\u00d4NG (LH)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">This week, the MarComm team announced the postponed grant cycle for the 2021 <\/span><a href=\"https:\/\/www.westaf.org\/grants\/\"><span style=\"font-weight: 400;\">TourT\u00e2y<\/span><\/a><span style=\"font-weight: 400;\"> program as well as the launching of the <\/span><a href=\"https:\/\/www.westaf.org\/emerging-leaders-of-color\/\"><span style=\"font-weight: 400;\">Emerging Leaders of Color 2021<\/span><\/a><span style=\"font-weight: 400;\"> application. The team continues to make updates to the WESTAF website, including a brand new Technology page and a reformatted and more navigable News page, both scheduled to go live in January. It is also wrapping up work on the Leaders of Color website, now scheduled to launch in February. In tech product marketing, the team recently launched a brand new <\/span><a href=\"https:\/\/www.gosmart.org\/schedule-a-demo\/\"><span style=\"font-weight: 400;\">L\u00ean l\u1ecbch cho m\u1ed9t b\u1ea3n demo<\/span><\/a><span style=\"font-weight: 400;\"> page on the GO Smart sales site and launched its first GO Smart marketing campaign for the fiscal year, an email campaign to a targeted list of grant makers based on our product personas. The team is also currently working on segmenting a list of over 2,800 potentials for CaFE that contains up to four CaFE personas, including its first target: gallery directors. The team plans to launch the CaFE Galleries campaign via email and social media (with video ads) in late January. CVSuite also recently launched another campaign around its <\/span><a href=\"https:\/\/cvsuite.org\/specialized_impact_reports\/\"><span style=\"font-weight: 400;\">Specialized Impact Reports<\/span><\/a><span style=\"font-weight: 400;\"> to a new marketing list, which so far has generated eight leads. The team submitted content for the January National Endowment for the Arts Newsletter and is currently working on the February edition of <\/span><i><span style=\"font-weight: 400;\">WESTAF Now<\/span><\/i><span style=\"font-weight: 400;\">. In meeting and event planning, with Natalie Scherlong\u2019s great work, the team has selected an online event management software (<\/span><a href=\"https:\/\/www.aventri.com\/platform\/event-management-software\"><span style=\"font-weight: 400;\">Aventr<\/span><\/a><span style=\"font-weight: 400;\">i), which it will debut at the 2021 Arts Leadership and Advocacy Seminar scheduled for late February. The MarComm team (+Natalie) is working on a plan to onboard the convenings team onto Aventri and will begin building out a registration page (and then a more expanded site) for ALAS &#8217;21. Kelly Ernst (honorary MarComm team member!) has stepped in to help design the ArtX logo, which she has been working on with feedback from the ArtX committee. She plans to design a set of basic assets by the end of the month.\u00a0<\/span><\/p>\n<h2><b>C\u00c0 PH\u00ca (RV)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Nh\u00f3m CaFE (c\u00f9ng v\u1edbi b\u1ed9 ph\u1eadn b\u00e1n h\u00e0ng v\u00e0 ti\u1ebfp th\u1ecb) \u0111\u00e3 s\u1eb5n s\u00e0ng cho n\u0103m 2021 v\u1edbi vi\u1ec7c kh\u1edfi \u0111\u1ed9ng ti\u1ebfn \u0111\u1ed9 OKR qu\u00fd 1, h\u1ecdp tr\u1ef1c tuy\u1ebfn tr\u00ean Zoom \u0111\u1ec3 \u0111\u01b0a ra \u00fd t\u01b0\u1edfng cho c\u00e1c ch\u1ee7 \u0111\u1ec1 h\u1ed9i th\u1ea3o tr\u00ean web, blog v\u00e0 b\u1ea3n tin m\u1edbi, chi\u1ebfn d\u1ecbch ti\u1ebfp th\u1ecb m\u1edbi nh\u1eafm v\u00e0o c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y v\u00e0 b\u1ea3o t\u00e0ng, giao di\u1ec7n ng\u01b0\u1eddi d\u00f9ng qu\u1ea3n tr\u1ecb \u0111\u01b0\u1ee3c thi\u1ebft k\u1ebf l\u1ea1i s\u1eafp ra m\u1eaft v\u00e0 c\u1eadp nh\u1eadt h\u01a1n 40 kh\u00e1ch h\u00e0ng ti\u1ec1m n\u0103ng m\u1edbi trong th\u00e1ng tr\u01b0\u1edbc.<\/span><\/p>\n<h2><b>CVSUITE (KE)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">CVS \u0111\u00e3 ho\u00e0n th\u00e0nh cu\u1ed9c h\u1ecdp v\u1ec1 c\u00e1c m\u1ee5c ti\u00eau v\u00e0 k\u1ebft qu\u1ea3 ch\u00ednh (OKR) h\u00e0ng qu\u00fd trong \u0111\u00f3 th\u1ea3o lu\u1eadn v\u00e0 \u0111i\u1ec1u ch\u1ec9nh c\u00e1c m\u1ee5c ti\u00eau. OKR nh\u00ecn chung \u0111ang \u0111i \u0111\u00fang h\u01b0\u1edbng v\u1edbi trang web b\u00e1n h\u00e0ng v\u00e0 h\u01b0\u1edbng d\u1eabn s\u1eed d\u1ee5ng. Trevor \u0111ang ho\u00e0n thi\u1ec7n vi\u1ec7c \u0111i\u1ec1u ch\u1ec9nh h\u01b0\u1edbng d\u1eabn s\u1eed d\u1ee5ng \u0111\u1ec3 ph\u1ea3n \u00e1nh nh\u1eefng thay \u0111\u1ed5i m\u1edbi v\u00e0 nh\u00f3m \u0111\u00e3 b\u1eaft \u0111\u1ea7u l\u1ea1i d\u1ef1 \u00e1n di chuy\u1ec3n trang web b\u00e1n h\u00e0ng v\u00e0 h\u01b0\u1edbng d\u1eabn s\u1eed d\u1ee5ng sau khi t\u1ea1m d\u1eebng do h\u1ea1n ch\u1ebf v\u1ec1 ngu\u1ed3n l\u1ef1c. CVSuite \u0111\u00e3 b\u00e1n ba b\u00e1o c\u00e1o t\u00e1c \u0111\u1ed9ng chuy\u00ean bi\u1ec7t, bao g\u1ed3m m\u1ed9t b\u00e1o c\u00e1o COVID-19 t\u00f9y ch\u1ec9nh, \u0111\u01b0a m\u1ee5c ti\u00eau b\u00e1n h\u00e0ng l\u00ean 75% cho doanh s\u1ed1 b\u00e1n b\u00e1o c\u00e1o kh\u00e1ch h\u00e0ng hi\u1ec7n t\u1ea1i. Nh\u00f3m \u0111\u00e3 ch\u00ednh th\u1ee9c ra m\u1eaft trang chi\u1ebfn d\u1ecbch B\u00e1o c\u00e1o t\u00e1c \u0111\u1ed9ng chuy\u00ean bi\u1ec7t c\u0169ng nh\u01b0 chi\u1ebfn d\u1ecbch ti\u1ebfp th\u1ecb qua email xung quanh trang n\u00e0y. Chi\u1ebfn d\u1ecbch \u0111\u00e3 \u0111\u1ea1t \u0111\u01b0\u1ee3c t\u1ef7 l\u1ec7 m\u1edf l\u00e0 29% v\u00e0 t\u1ef7 l\u1ec7 nh\u1ea5p l\u00e0 9%, cao h\u01a1n m\u1ed9t ch\u00fat so v\u1edbi m\u1ee9c trung b\u00ecnh c\u1ee7a CVS. Hai kh\u00e1ch h\u00e0ng ti\u1ec1m n\u0103ng b\u00e1n h\u00e0ng h\u1ea5p d\u1eabn, H\u1ed9i \u0111\u1ed3ng ngh\u1ec7 thu\u1eadt khu v\u1ef1c Asheville v\u00e0 \u1ee6y ban ngh\u1ec7 thu\u1eadt Nevada, v\u1eabn \u0111ang trong qu\u00e1 tr\u00ecnh tri\u1ec3n khai.<\/span><\/p>\n<h2><b>\u0110I TH\u00d4NG MINH (JG)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">The marketing team will be sending a campaign email this week to a list of roughly 200 arts, cultural, and city grant funders. The list was culled from GrantStation and is a new group of previously untapped potential clients. The GO Smart sales site now includes <\/span><a href=\"https:\/\/www.gosmart.org\/schedule-a-demo\/\"><span style=\"font-weight: 400;\">a new demo sign-up page<\/span><\/a><span style=\"font-weight: 400;\"> that can better monitor visitor activity. The development team will begin research on four medium to large enhancements that aim to be rolled out over the next six months.<\/span><\/p>\n<h2><b>KHO T\u00c0I LI\u1ec6U NGH\u1ec6 THU\u1eacT C\u00d4NG C\u1ed8NG (LG)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">PAA team has just contracted a new development term to re-build the existing search and explore functionality in the next seven weeks. New development will include the ability to sort within particular search results categories which will greatly improve the user experience. PAA is looking to finalize the sale of the CMS to three potential clients in January. In addition, PAA recently built and launched a new <\/span><a href=\"https:\/\/www.publicartarchive.org\/popular-search\/\"><span style=\"font-weight: 400;\">Popular Searches<\/span><\/a><span style=\"font-weight: 400;\"> page to help direct users to PAA content.<\/span><\/p>\n<h2><b>ZAPP (s\u01a1 y\u1ebfu l\u00fd l\u1ecbch)<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Thanks to the great work led by Julia and Natalie V., ZAPP launched a <\/span><a href=\"https:\/\/sales.zapplication.org\/\"><span style=\"font-weight: 400;\">new sales site<\/span><\/a><span style=\"font-weight: 400;\"> at the end of December. The sales site is the first for ZAPP and will help the team in its endeavors to increase ZAPP\u2019s online presence and better position it in search results. The team also launched the enhancement to allow events to collect applications from non-artist vendors \u2014 something it believes can increase revenue and add value to the system. Finally, the team is happy to report that ZAPP\u2019s December renewal figures were only four short of our December 2019 numbers, a sign that organizations are optimistic about returning to in-person events in 2021.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tr\u00e2n tr\u1ecdng g\u1eedi,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thi\u00ean ch\u00faa gi\u00e1o<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Greetings WESTAF trustees and colleagues: Welcome to the first biweekly recap of 2021. I know I don\u2019t need to tell you this, but it has already been a year that will be seared forever into our memories, and we\u2019re not even halfway through January. At WESTAF, we\u2019ve been forging ahead with our work, even as [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[176],"class_list":["post-10268","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bi-Weekly Recap: January 11, 2021 - Creative West<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"vi_VN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bi-Weekly Recap: January 11, 2021 - Creative West\" \/>\n<meta property=\"og:description\" content=\"Greetings WESTAF trustees and colleagues: Welcome to the first biweekly recap of 2021. I know I don\u2019t need to tell you this, but it has already been a year that will be seared forever into our memories, and we\u2019re not even halfway through January. 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