{"id":9905,"date":"2020-09-21T15:48:02","date_gmt":"2020-09-21T21:48:02","guid":{"rendered":"https:\/\/www.westaf.org\/?p=9905"},"modified":"2024-07-31T07:36:37","modified_gmt":"2024-07-31T14:36:37","slug":"bi-weekly-recap-september-21-2020","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/haw\/bi-weekly-recap-september-21-2020\/","title":{"rendered":"Ho\u02bbopa\u02bba hou i k\u0113l\u0101 me k\u0113ia pule: Kepakemapa 21, 2020"},"content":{"rendered":"

Aloha hou n\u0101 kahu WESTAF:<\/span><\/p>\n

\u02bbAe, ua hiki m\u0101kou i ka pule \u02bbelua hope loa o FY20. Ua ho\u02bbomaka ka hapa mua o ka makahiki k\u0101l\u0101 me ka ho\u02bbohiki maika\u02bbi. \u02bbO ka hapa \u02bbelua? \u02bbAe, \u02bbike \u02bboe. \u02bbO kahi ma\u02bbi ma\u02bbi honua, kahi helu nui me ka hewa \u02bbole o ka l\u0101hui, ka ho\u02bbokele waiwai, ka p\u014d\u02bbino o ke ahi o ke komohana komohana a i k\u0113ia manawa ka hala \u02bbana o RBG, kahi \u02bbano nui o ka jurisprudence, a me n\u0101 mana\u02bbo hopohopo \u0101pau e h\u014d\u02bbike nei i kahi demokala e kau nei i kahi kaula. Ua \u02bb\u014dlelo \u02bbo Pablo Neruda "Hiki i\u0101 \u02bboe ke \u02bboki i n\u0101 pua a pau, ak\u0101 \u02bba\u02bbole hiki i\u0101 \u02bboe ke pale i ka hiki \u02bbana mai o ka puna," no laila e waiho mau ka mana\u02bbolana i ko m\u0101kou heleuma oiai m\u0101kou e k\u0101lele ana i ka hana ko\u02bbiko\u02bbi ma mua. Eia n\u0101 mea e hana nei, ak\u0101 \u02bbo ka mea mua, eia kekahi mau \u02bbatikala hoihoi a me n\u0101 mea hou o ka hoihoi k\u016bikaw\u0101 i k\u0101 m\u0101kou hana:<\/span><\/p>\n

Where do Joe Biden and Kamala Harris Stand on the Arts?<\/span><\/a> (Hyperallergic)<\/span><\/p>\n

The Hard Hit Arts Sector is Facing a Brain Drain<\/span><\/a> (ArtNet News)<\/span><\/p>\n

How the US Can Rebuild Its Art Industry Post-Covid <\/span><\/a>(The Art Newspaper)<\/span><\/p>\n

Mellon Foundation Launches New Art Museum Futures Fund<\/span><\/a> (Press Release)<\/span><\/p>\n

KULA WAIWAI O \u02bbAukake (AH)<\/b><\/h2>\n

The Executive Committee met this past fortnight and reviewed August financials \u2014 one month before the end of the fiscal year. Although we don\u2019t expect too much to change in September, here\u2019s the <\/span>August Cash Summary<\/span><\/a>. This is a snapshot of cash income and expense as of the date of the report. Here is the <\/span>August Financial Memo<\/span><\/a>. Like always, these are the notes which accompany the Cash Summary. We’ll be sharing projections for FY21 in the new year. August is the eleventh month of our fiscal year 2020, which is 92% through the year. Overall, income is ahead of this benchmark (line 38) at 147% of budget and expense is a bit ahead at 95%. This slight increase in expenses is due entirely to the nearly $800,000 in CARES subawards paid out as of 6\/30\/20. These expenses (line 27) were not budgeted but are offset by income (also line 27). Otherwise, there have been extensive savings in expenses due to the elimination of travel and pulling back on software investment due to the pandemic.<\/span><\/p>\n

KULA a me ka hooponopono (AH)<\/b><\/h2>\n

Ke pa\u02bbahana nei ka hui Waiwai & Ho\u02bbokele i ka ho\u02bbom\u0101kaukau \u02bbana no ka makahiki hou. Ua n\u0101n\u0101 m\u0101kou i n\u0101 pahuhopu o k\u0101 m\u0101kou \u02bboihana no ka makahiki hou a ke no\u02bbono\u02bbo nei m\u0101kou i n\u0101 manawa no ka hana ma mua o m\u0101kou. Pono ka hapa nui o m\u0101kou e ne\u02bbe mai ka ho\u02bbopa\u02bba \u02bbana i n\u0101 papa hana ko\u02bbiko\u02bbi a me n\u0101 l\u0101 palena i ka hana \u02bbana i kahi \u02bbano ma\u02bbalahi ma muli o n\u0101 manawa i \u02bbike \u02bbole \u02bbia a wikiwiki paha. Ke hana nei \u02bbo Becca ma HR i ka uku o n\u0101 limahana a me n\u0101 \u02bb\u014dlelo p\u014dmaika\u02bbi no ka makahiki hou e h\u014d\u02bbike ana i k\u0113l\u0101 me k\u0113ia limahana manawa piha i k\u0101 l\u0101kou uku a me n\u0101 kumuk\u016b\u02bbai p\u014dmaika\u02bbi a me ka waiwai o ka ho\u02bbomaha a me ka manawa ma\u02bbi. Ua hui \u02bbo Amy l\u0101ua \u02bbo Becky me ka hui h\u0101\u02bbawi piha e wehewehe i ke ka\u02bbina hana loiloi e hiki mai ana a me n\u0101 mana\u02bbo o n\u0101 \u02bbao\u02bbao \u0101pau. Ua \u02bbae \u02bbia ka waihona k\u0101l\u0101 FY21 e ka ExComm i k\u0113ia pule i hala a e hele i ka papa piha i \u02bbOkakopa. Ke k\u0101ko\u02bbo nei \u02bbo Amy l\u0101ua \u02bbo Natalie i ka hui h\u0101\u02bbawi i ko l\u0101ua h\u014d\u02bbulu\u02bbulu \u02bbana i ka palapala noi h\u0101\u02bbawi no ka makana FY22 NEA e waiho \u02bbia ma Sept 25th. Ua h\u014d\u02bbulu\u02bbulu \u02bbia ke kahe k\u0101l\u0101 no WESTAF a me ZAPP no n\u0101 hapaha mua \u02bbelua o ka makahiki. Pono \u02bbo ZAPP i ke komo \u02bbana o ke k\u0101l\u0101 a hiki i ka ho\u02bbi hou \u02bbana o ka \u02bboihana. E \u02bbike hou aku \u02bbo Christina a me k\u0101na hui e pili ana i ka manawa o ka rebound i Ianuali. I k\u0113ia manawa, \u02bba\u02bbole e uku \u02bbo ZAPP i k\u0101na uku ho\u02bbokele i\u0101 WESTAF no n\u0101 mahina o \u02bbOkakopa a me Nov.<\/span><\/p>\n

KA HOAKAKA ANA O KE KUMU UMI MUA (CG)<\/b><\/h2>\n

Ua ho\u02bbokomo ke K\u014dmike Ho\u02bbok\u014d i ke kulekele uku mua WESTAF. Me k\u0113ia kulekele hou, \u02bboi aku ka maika\u02bbi o ka ho\u02bbomaopopo \u02bbana o n\u0101 limahana i n\u0101 mea i mana\u02bbo nui \u02bbia e ka hui i ka w\u0101 e pili ana i ka waiwai o kahi k\u016blana, a laila pehea e ulu ai i loko. Ho\u02bbol\u0101l\u0101 \u02bbia k\u0113ia e h\u014d\u02bbemi i n\u0101 \u02bbano like \u02bbole o k\u0113ia ala ma waena o n\u0101 luna a i \u02bbole n\u0101 ke\u02bbena. No ke kau \u02bbana i k\u0113ia kulekele hou, e ho\u02bbomaka ana i ka l\u0101 1 \u02bbOkakopa e ho\u02bbonohonoho hou m\u0101kou i kekahi mau hana o k\u0113ia manawa a me n\u0101 pae uku. Ma ke \u02bbano kiko\u02bb\u012b, e ho\u02bbokumu m\u0101kou i ka paepae uku ha\u02bbaha\u02bba ha\u02bbaha\u02bba ma WESTAF, a lawe i n\u0101 limahana ha\u02bbaha\u02bba i uku \u02bbia a hiki i k\u0113l\u0101 paepae. E ho\u02bbopau m\u0101kou i ka papahana bonus hana makahiki. E ho\u02bboponopono p\u016b m\u0101kou i kekahi mau uku i loko o n\u0101 \u02bb\u0101pana \u02bb\u0113 a\u02bbe, e lawe pono i k\u0113ia mau limahana i loko o n\u0101 pae hoa. Hiki i n\u0101 limahana i ho\u02bbopilikia \u02bbole \u02bbia e kekahi o k\u0113ia mau ho\u02bbololi ke mana\u02bbo e loa\u02bba i\u0101 l\u0101kou kahi ho\u02bbololi kumu k\u016b\u02bbai o ka noho \u02bbana he 2% ma k\u0101 l\u0101kou uku kumu e ho\u02bbomaka ana i ka makahiki k\u0101l\u0101 hou.<\/span><\/p>\n

KA MANA\u02bbO HO\u02bbOMA\u02bbI A ME KA L\u0100KAI LOA (CG)<\/b><\/h2>\n

In FY20, the pandemic added a lot of stress and uncertainty to the WESTAF workplace. Given these circumstances, we made a decision to dial back the evaluation process as a way to lighten the administrative load for the staff, especially supervisors, during a chaotic time. As we move into FY21, we’ve had the opportunity to look at ways to pick up this process, but hopefully in a more streamlined and efficient way. The new compensation policy will be supported by a standardized and streamlined system that will provide clarity and transparency around job responsibilities, encourage continuous feedback tied to individual, departmental and organizational goals and objectives, as well as to the guiding principles, core behaviors and 10-year vision and strategic plan that weave together the WESTAF work culture. This process will be housed within the <\/span>Insights evaluation and feedback tool<\/span><\/a>, which will connect these critical strands to all of the important work the WESTAF team performs on a daily basis. Training on the Insights tool begins this week.<\/span><\/p>\n

KA HALAWAI KOMITE KUKULU A ME KA HOOKO MUA (CG)<\/b><\/h2>\n

Ua alaka\u02bbi \u02bbo Hope Chair a i \u02bbole EIC Teniqua Broughton i kahi h\u0101l\u0101wai ho\u02bbomaka "e \u02bbike kekahi i kekahi" o k\u0113ia komite hou. Ua ho\u02bbolauna a ho\u02bbolauna hou n\u0101 l\u0101l\u0101 i\u0101 l\u0101kou iho i kekahi i kekahi a ua alaka\u02bbi \u02bbo Teniqua i ka hui i kekahi mau \u02bb\u014dlelo le\u02bbale\u02bba a ko\u02bbiko\u02bbi. Ho\u02bbol\u0101l\u0101 \u02bbia ka h\u0101l\u0101wai EIC piha a\u02bbe ma hope o ka h\u0101l\u0101wai BOT ma Nowemapa me kahi l\u0101 kiko\u02bb\u012b TBD. Eia na\u02bbe, e komo ka EIC i kahi h\u0101l\u0101wai kaulike me ka papa a me n\u0101 limahana, i ho\u02bbonohonoho \u02bbia ma ka hopena o ka l\u0101 1 o ka h\u0101l\u0101wai BOT \u02bbOkakopa.<\/span><\/p>\n

Ho\u02bboku\u02bbu \u02bbo WESTAF i n\u0101 mea no\u02bbono\u02bbo ma ka h\u014d\u02bbike o ke kau komohana komohana (DH)<\/b><\/h2>\n

No kekahi mau mahina, ua hana n\u0101 hui Alliances, Advocacy, and Public Policy (AAP) a me MarComm i ka ho\u02bbopau \u02bbana i ka Arts + the Rural West Report a me k\u0101na ho\u02bbolaha \u02bbana. Ua lawelawe \u02bbo David l\u0101ua \u02bbo Laurel ma ke \u02bbano he mea ho\u02bboponopono h\u014d\u02bbike, ho\u02bboma\u02bbema\u02bbe i n\u0101 kama\u02bbilio a me ka ho\u02bbomohala \u02bbana i n\u0101 mana\u02bbo; ho\u02bboponopono memo; a me ka unuhi \u02bbana i n\u0101 palapala. Ua alaka\u02bbi \u02bbo Laurel i ke ka\u02bbina hana a me ka hana p\u016b \u02bbana me kahi mea ho\u02bbol\u0101l\u0101 e hana i kahi pa\u02bbi \u02bboihana maika\u02bbi. Ua koho \u02bbia \u02bbo ELC alumna Alexandria Jimenez a ua hana p\u016b ka hui me ia e hana i kahi \u02bb\u0101pana hi\u02bbona. Ua ho\u02bboku\u02bbu \u02bbo Leah i ka h\u014d\u02bbike i ka pule i hala aku nei i k\u0101 m\u0101kou mau hoa pili me kahi papa inoa o n\u0101 \u02bboihana kua\u02bb\u0101ina hou o 40 mau pilina ko\u02bbiko\u02bbi ma ka \u02bb\u0101ina a me ka \u02bb\u0101ina a m\u0101kou e mana\u02bbo nei e k\u016bkulu hou i n\u0101 mahina e hiki mai ana. E \u02bbolu\u02bbolu e n\u0101n\u0101 i ka ho\u02bbopuka pa\u02bbi a me ka h\u014d\u02bbike pono\u02bb\u012b in\u0101 \u02bba\u02bbole \u02bboe e a\u02bbo hou. Hau\u02bboli \u02bbo WESTAF e k\u016bkulu ma luna o k\u0113ia mau kama\u02bbilio \u02bbana a ho\u02bboikaika i k\u0113ia p\u016bnaewele e ne\u02bbe nei i mua.\u00a0<\/span><\/p>\n

HO\u02bbOU ANA \u02bbO WESTAF me ke kahua o ka moku\u02bb\u0101ina o Hawai\u02bbi ma ka mo\u02bbomeheu a me ka hana no\u02bbeau ma ka ho\u02bbok\u014d \u02bbana i ka ho\u02bbol\u0101l\u0101 ho\u02bbol\u0101l\u0101 (DH)<\/b><\/h2>\n

Ua kono \u02bbo Hawai\u02bbi State Foundation on Culture and the Arts (SFCA) i\u0101 WESTAF e ho\u02bbomau i ka hana ma ka ho\u02bbok\u014d ho\u02bbol\u0101l\u0101 ho\u02bbol\u0101l\u0101 a m\u0101kou i ho\u02bbomaka ai me k\u0101 l\u0101kou hui i ka ho\u02bboilo i hala. Ma k\u0113ia hana hou, \u02bbo David l\u0101ua \u02bbo Chrissy (e hui p\u016b ana i ka hui papahana no k\u0113ia m\u0101hele) e ho\u02bboma\u02bbama\u02bba i \u02bbeh\u0101 mau kau me n\u0101 cohorts ho\u02bbol\u0101l\u0101 ho\u02bbol\u0101l\u0101 i ka hopena o Kepakemapa e k\u0101lele ana i ka n\u0101n\u0101 hou \u02bbana a me ka ho\u02bbohui \u02bbana i n\u0101 \u02bbike i puka mai i ka pae ho\u02bbokahi, e \u02bbike ana i n\u0101 ho\u02bbol\u0101l\u0101 cross-organizational. , ka ho\u02bbomohala \u02bbana i n\u0101 mana\u02bbo no kahi ho\u02bbol\u0101l\u0101 hana no ka makahiki e hiki mai ana, a me ka \u02bbimi \u02bbana i ka w\u0101 e hiki mai ana o ke ka\u02bbina hana cohort i loko o ka hui. Ho\u02bboikaika \u02bbia e SFCA, Chrissy l\u0101ua \u02bbo David e ho\u02bbonui i ka lens kaulike ma k\u0113ia m\u0101hele o ke ka\u02bbina hana a kono i ka hui SFCA e k\u016bk\u0101k\u016bk\u0101 a no\u02bbono\u02bbo i k\u0113ia mana\u02bbo i k\u0101 l\u0101kou hana. E m\u0101lama \u02bbia n\u0101 h\u0101l\u0101wai ma hope me ke alaka\u02bbi o SFCA a me n\u0101 l\u0101l\u0101 cohort e k\u016bk\u0101k\u016bk\u0101 i n\u0101 \u02bbike a me n\u0101 hana hou i \u02bbOkakopa. Mahalo i\u0101 WESTAF kahu \u02bbo Jonathan Johnson no ka h\u0101\u02bbawi \u02bbana i\u0101 WESTAF i kahi hana ho\u02bbomau i k\u0113ia hana ko\u02bbiko\u02bbi.<\/span><\/p>\n

KAUKAU 'O WESTAF i n\u0101 mea k\u0101ko'o o CALIFORNIA arts no ka ho'omohala 'ana i n\u0101 mea mua (DH)<\/b><\/h2>\n

Ua hui hou \u02bbo David me WESTAF hoa California Arts Advocates (CAA) a me WESTAF-supported lobbyists, Shaw Yoder Antwih Schmelzer & Lange (SYASL), e k\u016bk\u0101k\u016bk\u0101 a ho\u02bbonohonoho i n\u0101 mea nui no ke kau kau k\u0101n\u0101wai e hiki mai ana me n\u0101 manawa e ho\u02bbopa\u02bba ai i ke k\u0101l\u0101 k\u014dkua ma ka moku\u02bb\u0101ina a me ke k\u016bloko no ka \u02bboihana. , n\u0101 \u02bbanu\u02bbu a\u02bbe e pili ana i ka Bill Assembly No. 5 \u02bbO ke k\u016blana limahana: n\u0101 limahana a me n\u0101 \u02bbaelike k\u016b\u02bboko\u02bba (AB5), ka noi k\u0101l\u0101 no ka moku\u02bb\u0101ina, a me n\u0101 mea \u02bb\u0113 a\u02bbe. \u02bbO AB5 kahi \u02bb\u0101pana k\u0101n\u0101wai ho\u02bbopa\u02bbapa\u02bba e wehewehe ana i n\u0101 \u02bbano mua o ke k\u0101n\u0101wai i ka ho\u02bb\u0101\u02bbo \u02bbana e ho\u02bbokumu i kahi \u02bboko\u02bba ma waena o kahi limahana a me kahi \u02bbaelike. K\u0101ko\u02bbo \u02bbia ke k\u0101n\u0101wai ma ka lehulehu e n\u0101 uniona k\u0101lepa a me n\u0101 \u02bboihana le\u02bbale\u02bba ak\u0101 \u02bb\u014dlelo ka po\u02bbe ho\u02bbowah\u0101wah\u0101 i ke kula ua ho\u02bbokumu \u02bbia n\u0101 pilikia nui, me ka pani \u02bbana o kekahi mau hui. Ua ho\u02bbokomo \u02bbia kekahi mau bila hou no ka ho\u02bboma\u02bbama\u02bba \u02bbana i ka \u02bb\u014dlelo e pili ana i n\u0101 mea pena ki\u02bbi a me n\u0101 mea hana hana \u02bb\u0113 a\u02bbe a e h\u0101\u02bbawi i n\u0101 ho\u02bboku\u02bbu \u02bbia. \u02bbO CAA a me SYASL ke ho\u02bbokele nei i k\u0113ia pilikia pa\u02bbakik\u012b, me ka m\u0101kaukau e pili ana i n\u0101 pilina me ke kula ma ka moku\u02bb\u0101ina, n\u0101 uniona hana, a me n\u0101 luna i koho \u02bbia a me ke k\u016bk\u0101k\u016bk\u0101 \u02bbana i n\u0101 ho\u02bbololi i ke k\u0101n\u0101wai e h\u0101\u02bbawi i ka akaka i, a i kekahi mau hihia no ka \u02bb\u0101pana. I n\u0101 mahina i hala iho nei, ua lilo \u02bbo WESTAF i papa kani no CAA a me ka Hewlett Foundation ma k\u0113ia pilikia pihi wela.<\/span><\/p>\n

HO\u02bbOMA\u02bbI \u02bbO WESTAF i n\u0101 kama\u02bbilio \u02bbana no ka w\u0101 e hiki mai ana o ka ho\u02bbolaha \u02bbana i n\u0101 mea no\u02bbeau me n\u0101 hoa mo\u02bbomeheu COLORADO (DH)<\/b><\/h2>\n

Ua kama\u02bbilio p\u016b \u02bbo WESTAF me Colorado Cultural Partners, he hui o n\u0101 mea ho\u02bbolale k\u0101l\u0101 ma Colorado, n\u0101 hui lawelawe \u02bboihana, a me n\u0101 hui k\u0101ko\u02bbo no\u02bbeau a puni ka moku\u02bb\u0101ina, kahi o WESTAF i \u02bb\u0101pana, e pili ana i n\u0101 kuhikuhi hou no ka ho\u02bbolaha \u02bbana i n\u0101 mea hana ma Colorado ma hope o ke ka\u02bbina hana k\u0101l\u0101. \u02bbO Colorado Creative Industries i k\u0113ia makahiki. Ho\u02bboma\u02bbama\u02bba \u02bbo David i kekahi mau kama\u02bbilio ma waena a ma waena o n\u0101 hui ko\u02bbiko\u02bbi me ka mana\u02bbo e k\u014dkua i ka hui e wehewehe i kahi leo hui a me ke ala e hele ai i ke kau a\u02bbe.<\/span><\/p>\n

WESTAF @ RADICALLY RURAL 2020 (CD)<\/b><\/h2>\n

On Thursday, September, 24, Chrissy Deal will be a featured panelist for <\/span>Radically Rural 2020<\/span><\/a>, a single-day virtual summit for shaping and sharing ideas surrounding the advantages and opportunities of rural regions. Chrissy will join Lori Pourier, President of <\/span>First Peoples Fund<\/span><\/a>;\u00a0 <\/span>Ron Ragin<\/span><\/a>, self-employed, artist, consultant, researcher, and coach; and Erik Takeshita, senior fellow of <\/span>ArtPlace America<\/span><\/a> in a discussion about <\/span>Race and Place \u2013 Equity in Arts Funding<\/span><\/a>, moderated by Savannah Barrett, exchange director of Art of the Rural. In addition to speaking to the impacts of the Emerging Leaders of Color program and the Leaders of Color Network, Chrissy is looking forward to highlighting findings detailed in WESTAF’s <\/span>Arts + the Rural West Virtual Workshop Session Repor<\/span><\/a>t, spearheaded by David Holland.\u00a0<\/span><\/p>\n

KOHO ELC ELC (CD)<\/b><\/h2>\n

Our collaboration with South Arts for their inaugural <\/span>Emerging Leaders of Color program<\/span><\/a> has entered an exciting new phase. The South Arts team received a total of 94 applications from candidates from Alabama, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee (8 of the 9 South Arts-region states.) Chrissy, along with project lead, Madalena Salazar, Salvador Acevedo, and two South Arts staffers will be reviewing eligible applications in the coming weeks and extending invitations to participants in early October. Salvador and his team at Scansion are currently wrapping up their research and recommendations for shifting the program to a virtual format by the end of September as well. The WESTAF and South Arts teams, along with Salvador and long-time faculty member Margie Johnson Reese, are eager to launch the program in early December 2020.\u00a0<\/span><\/p>\n

KA HO\u02bbOPONOPONO ANA I KA PALAPALA NO KA PALAPALA O WESTAF REGIONAL ARTS RESILIENCE.<\/b><\/h2>\n

Ma Sepatemaba 16, ua ho\u02bbolako \u02bbo Madalena i kahi h\u0101l\u0101wai ho\u02bbonohonoho papa no n\u0101 k\u0101k\u0101\u02bb\u014dlelo\/panelist 20 WESTAF Regional Arts Resilience Fund. \u02bbO k\u0113ia p\u016b\u02bbulu hoihoi o n\u0101 alaka\u02bbi kai\u0101ulu a me n\u0101 mo\u02bbomeheu me n\u0101 a\u02bba ma waena o ka moku\u02bb\u0101ina he 13 i ho\u02bbopi\u02bbi \u02bbia me ka n\u0101n\u0101 \u02bbana a me ka helu \u02bbana i n\u0101 noi 85 Resilience Fund a me ke a\u02bbo \u02bbana i n\u0101 limahana e hana i n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo k\u0101l\u0101. E n\u0101n\u0101 ana k\u0113l\u0101 me k\u0113ia papa ma waena o 42-43 mau noi a e hui hou i ka waena o \u02bbOkakopa e k\u016bk\u0101k\u016bk\u0101 i n\u0101 noi koho. E \u02bbimi ana n\u0101 limahana i ka \u02bbae \u02bbia mai ke K\u014dmike Ho\u02bbok\u014d WESTAF no n\u0101 makana he 30-40 mai ka $30,000 a i ka $75,000, me n\u0101 ha\u02bbawina $100,000. Eia ka papa manawa o n\u0101 hana: Kepakemapa 16-\u02bbOkakopa 5, 2020\uff0dKa loiloi noi; \u02bbOkakopa 13-14, 2020\uff0dN\u0101 hui hui, \u02bbOkakopa 16-27, 2020\uff0d \u02bbO ka mana\u02bbo k\u0101l\u0101 hope (n\u0101 limahana), ka \u02bbae \u02bbana o ke K\u014dmike Ho\u02bbok\u014d a me ka ho\u02bbolaha ho\u02bbolaha.<\/span><\/p>\n

PLAN STRATEGIC (NS)<\/b><\/h2>\n

Mai ka ho\u02bbolaha hope loa, ua ho\u02bbol\u0101l\u0101 ka hui Communications e hana i k\u0101 l\u0101kou hui kick-off me ko l\u0101kou mau k\u0101k\u0101\u02bb\u014dlelo kahu ma \u02bbOkakopa 5, 2020. he manawa k\u016bpono no n\u0101 l\u0101l\u0101 cohort e ho\u02bbolauna i\u0101 l\u0101kou iho i k\u0101 l\u0101kou TA. Ke ho\u02bbol\u0101l\u0101 nei n\u0101 p\u016b\u02bbulu e ho\u02bbokomo i n\u0101 hana le\u02bbale\u02bba a i \u02bbole n\u0101 ho\u02bbomaka kama\u02bbilio ma\u02bbamau no k\u0113ia mau h\u0101l\u0101wai mua e \u02bbike maika\u02bbi ai kekahi i kekahi, ma mua o ka lu\u02bbu \u02bbana i n\u0101 h\u0101l\u0101wai e hiki mai ana, e ho\u02bbola\u02bba \u02bbia i ka n\u0101n\u0101 \u02bbana i ke \u02bbano e hiki ai i n\u0101 TA ke hana maika\u02bbi me n\u0101 limahana ma ke hele nei k\u0101 l\u0101kou hana. Ua ho\u02bbopau p\u016b ka hui Policy i ka h\u014d\u02bbulu\u02bbulu \u02bbana i n\u0101 ki\u02bbi a me n\u0101 blurbs no k\u0101 l\u0101kou papahana Stories of Resilience a e hana p\u016b ana me ka hui Marketing and Communications i ka hui \u02bbana i n\u0101 mea ho\u02bbopau ma mua o ka ho\u02bbouna \u02bbana i n\u0101 mo\u02bbolelo ma ka p\u016bnaewele WESTAF.<\/span><\/p>\n

KAFE (RV)<\/b><\/h2>\n

Ke ho\u02bbol\u0101l\u0101 nei ka hui i kahi ho\u02bbonui e \u02bbae i ka media i ho\u02bbopili \u02bbia ma ke \u02bbano o ka waihona o ka mea pena ki\u02bbi CaFE. Me k\u0113ia hi\u02bbohi\u02bbona, hiki i n\u0101 mea pena ke ho\u02bbohui i kahi loulou YouTube, Vimeo, Spotify, a i \u02bbole SoundCloud ma kahi o ka ho\u02bbouka \u02bbana i kahi faila, e h\u0101\u02bbawi i\u0101 l\u0101kou i ka mana \u02bboi aku ka maika\u02bbi o k\u0101 l\u0101kou hana. I k\u0113ia manawa, \u02bbae wale m\u0101kou i ka nui li\u02bbili\u02bbi a me ka nui o ka faila e ho\u02bbouka \u02bbia no n\u0101 kumu ho\u02bbouna. I k\u0113ia manawa, \u02bboi aku ka maika\u02bbi o n\u0101 hui no ka ho\u02bbopuka \u02bbana i n\u0101 ki\u02bbi\u02bboni\u02bboni a i \u02bbole n\u0101 ki\u02bbi \u02bboni\u02bboni no n\u0101 mea pena ki\u02bbi a hiki i n\u0101 mea pena ke noi aku i n\u0101 kelepona me n\u0101 wiki\u014d ki\u02bbeki\u02bbe ki\u02bbeki\u02bbe.\u00a0<\/span><\/p>\n

CVSUITE (KE)<\/b><\/h2>\n

Ua ho\u02bbolaha \u02bbia \u02bbo CVSuite i ka ho\u02bbonui \u02bbike \u02bbike \u02bbike hou. Ua holo m\u0101lie ka ho\u02bboku\u02bbu \u02bbana me ka \u02bbole o n\u0101 hewa nui a i \u02bbole n\u0101 pilikia. Ho\u02bbopili m\u0101kou i n\u0101 mea k\u016b\u02bbai hilina\u02bbi e loa\u02bba ka mana\u02bbo. Ua uku \u02bbia ka ho\u02bbonui \u02bbana ma luna o ka waihona k\u0101l\u0101, n\u0101na i ho\u02bboikaika i\u0101 Kelly l\u0101ua \u02bbo Trevor e ho\u02bboma\u02bbema\u02bbe i ka ho\u02bbomohala hou ma o ka ho\u02bbokomo \u02bbana i ka noi\u02bbi m\u0101keke \u02bboi aku ka maika\u02bbi, n\u0101 mana\u02bbo o n\u0101 mea k\u016b\u02bbai aku, a me ka prototyping. Ua ho\u02bbopa\u02bba \u02bbo David i kahi \u02bbaelike i p\u016blima \u02bbia mai NASAA no kahi papahana k\u016bk\u0101k\u016bk\u0101 e ho\u02bbom\u0101kaukau ana i n\u0101 ha\u02bbawina hihia he 12 ma n\u0101 wahi hana like \u02bbole, a ua ho\u02bbopa\u02bba \u02bbia ka hui e lawe i n\u0101 mea like \u02bbole o ka papahana. Aia ka ho\u02bbolaha CVList i k\u0101na mau pae hope loa a loa\u02bba i\u0101 ia kahi l\u0101 ho\u02bboku\u02bbu o Sept. 30, 2020.\u00a0<\/span><\/p>\n

E hele akamai (JG)<\/b><\/h2>\n

\u02bbElua mau mea k\u016b\u02bbai i ho\u02bbohui i n\u0101 papahana COVID hou i k\u0113ia pule, e ho\u02bbonui ana i k\u0101 m\u0101kou loa\u02bba k\u0101l\u0101 FY20 i mana\u02bbo \u02bbole \u02bbia e $1,600. Ua hana p\u016b \u02bbo Jessica me ka hui \u02bbenehana no ka ho\u02bbok\u014d \u02bbana i \u02bbelua mau ho\u02bbololi nui e wehewehe ana i ka hana \u02bb\u014dnaehana me ka \u02bb\u014dlelo hou a ho\u02bbomaopopo i ka mea ho\u02bbohana i ke \u02bbano a me ka w\u0101 e \u02bbike \u02bbia ai n\u0101 loli ma n\u0101 mana\u02bbo HTML a me PDF. Pono k\u0113ia mau ho\u02bbomaika\u02bbi \u02bbana i n\u0101 ala k\u016bpono e ho\u02bbonui ai i ka k\u016bpa\u02bba o k\u0101 m\u0101kou mea ho\u02bbohana, kahi pahuhopu FY20 OKR.<\/span><\/p>\n

PUBLIC ART ARCHIVE (LG)<\/b><\/h2>\n

Ke hana nei \u02bbo PAA ma ke ka\u02bbina hana \u02bbaelike me ke k\u016blanakauhale \u02bbo Alexandria, VA, k\u0101 m\u0101kou mea k\u016b\u02bbai CMS a me Showcase hou loa. \u02bbO ka pule a\u02bbe, e h\u014d\u02bbike aku \u02bbo Lori i n\u0101 huahana a me n\u0101 lawelawe a PAA i ka hui k\u016bk\u0101k\u016bk\u0101 Cultural Planning Group e hana p\u016b ana me kekahi mau hui no\u02bbeau lehulehu e \u02bbimi ana i n\u0101 mea hana no ka ho\u02bbol\u0101l\u0101 no ka lehulehu. Ua ho\u02bbokumu \u02bbia k\u0113ia alaka\u02bbi ma o ka hui k\u016b\u02bbai k\u016b\u02bbai \u02bbana o PAA\/CaFE.<\/span><\/p>\n

ZAPP (CV)<\/b><\/h2>\n

I n\u0101 pule \u02bbelua i hala iho nei, ua k\u0101lele ka hui ZAPP i ka pani \u02bbana i n\u0101 koena mo\u02bbok\u0101ki a me ka ho\u02bbopau \u02bbana i n\u0101 mea k\u016b\u02bbai aku i h\u0101\u02bbule. E ho\u02bbomaha ana kekahi mau h\u014d\u02bbike mai ZAPP i ho\u02bbokahi makahiki e ho\u02bbiho\u02bbi i ke k\u0101l\u0101, \u02bboiai \u02bba\u02bbole e ho\u02bbokipa kekahi i kahi hanana ma 2021. E pani p\u016b m\u0101kou i ka forum ZAPP, kahi i ho\u02bbomaka \u02bbia no n\u0101 mea pena e launa p\u016b kekahi me kekahi, k\u016b\u02bbai aku i ka hana ki\u02bbi. n\u0101 huahana \u02bba\u02bbole l\u0101kou e pono hou, a n\u012bnau i n\u0101 n\u012bnau loea e pili ana i\u0101 ZAPP. Me ka pi\u02bbi \u02bbana o ka p\u0101hana kaiapili, \u02bba\u02bbole i ho\u02bbohana nui \u02bbia ka \u02bbaha k\u016bk\u0101 i n\u0101 makahiki he nui a ke kau nei i kahi ho\u02bboweliweli palekana i k\u0101na \u02bbike i k\u0113ia manawa. H\u0101\u02bbawi \u02bbia i ke kumuk\u016b\u02bbai no ka ho\u02bbonui \u02bbana i ka \u02bbaha k\u016bk\u0101 e ho\u02bbok\u014d i n\u0101 k\u016blana palekana 2020, ua koho m\u0101kou e wehe a paipai i n\u0101 mea pena e hui p\u016b i ka Facebook forum i m\u0101lama \u02bbia e ka National Association of Independent Artists.\u00a0<\/span><\/p>\n

E kau ma laila, e n\u0101 mea a pau. He wahi nani ka honua.<\/span><\/p>\n

E like me ka w\u0101 ma mua,<\/span><\/p>\n

Keristiano<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Hello again WESTAF trustees: Well, we\u2019ve come to the very last biweekly of FY20. The first half of the fiscal year began promisingly enough. The second half? Well, you know. A global pandemic, an overdue reckoning with racial injustice, a gasping economy, catastrophic western climate fires and now the passing of RBG, a giant of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[176],"class_list":["post-9905","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"\nBi-Weekly Recap: September 21, 2020 - Creative West<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bi-Weekly Recap: September 21, 2020 - Creative West\" \/>\n<meta property=\"og:description\" content=\"Hello again WESTAF trustees: Well, we\u2019ve come to the very last biweekly of FY20. 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