{"id":9767,"date":"2020-08-24T16:14:16","date_gmt":"2020-08-24T22:14:16","guid":{"rendered":"https:\/\/www.westaf.org\/?p=9767"},"modified":"2024-07-31T07:36:37","modified_gmt":"2024-07-31T14:36:37","slug":"bi-weekly-recap-august-24-2020","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/haw\/bi-weekly-recap-august-24-2020\/","title":{"rendered":"Ho\u02bbopau i k\u0113l\u0101 me k\u0113ia pule: \u02bbAukake 24, 2020"},"content":{"rendered":"

Aloha mai WESTAF Trustees:<\/span><\/p>\n

\u02bbO k\u0113ia ka mua o \u02bbekolu mau pule \u02bbelua e hele a hiki i ka hopena o k\u0113ia makahiki k\u0101l\u0101. He mea pa\u02bbakik\u012b ke ho\u02bbonui i ka whiplash weliweli a m\u0101kou i \u02bbike ai ma waena o ka hapa mua a me ka lua o k\u0113ia makahiki ma muli o ka hopena o ka ma\u02bbi ma\u02bbi. Ua like \u02bbo COVID me ka nalu o ke kai, ak\u0101 ma kahi o ka w\u0101wahi \u02bbana i n\u0101 alanui, n\u0101 kumul\u0101\u02bbau a me n\u0101 hale ma ka lewa, ua ho\u02bbopau \u02bbo ia i n\u0101 ho\u02bbol\u0101l\u0101, mana\u02bbolana a me n\u0101 moe\u02bbuhane i k\u0113l\u0101 me k\u0113ia manawa. \u02bbO ka \u02bbike \u02bbana i kahi p\u016bl\u0101wai FY21 i mua o ia \u02bbano k\u0101nalua \u02bbole he hana nui ia, ak\u0101 ua k\u016b ka hui i ka ho\u02bbok\u016bk\u016b, a e h\u014d\u02bbike \u02bbia kahi p\u016bl\u0101wai FY21 i ka papa o n\u0101 kahu i ka manawa p\u014dkole. I ka ho\u02bbom\u0101kaukau \u02bbana no ka holo \u02bbana o ka makahiki hou, e ka\u02bbana like ana ka hui alaka\u02bbi a k\u016bk\u0101k\u016bk\u0101 p\u016b kekahi me kekahi i n\u0101 pahuhopu FY21, n\u0101 pahuhopu, n\u0101 lu\u02bbi a me n\u0101 ho\u02bboweliweli i loko o k\u0113l\u0101 me k\u0113ia o n\u0101 ke\u02bbena BAR CAT \u02bbeono i \u02bbelua mau kau mua o Sepatemaba. \u02bbO k\u0113ia ka hapa nui o ka \u02bbike a me ka \u02bbike \u02bbole, me ka manawa i h\u0101\u02bbawi \u02bbia e ka\u02bbana like me n\u0101 hoa hana i ka mea nui i ko m\u0101kou no\u02bbono\u02bbo i ko m\u0101kou hele \u02bbana i \u02bbOkakopa a ma waho a\u02bbe, me n\u0101 papahana nui a i \u02bbole n\u0101 papahana a m\u0101kou e mana\u02bbo nei e ho\u02bbok\u014d, a me kekahi mau mea ho\u02bboweliweli e k\u016b i loko o k\u0101 m\u0101kou ala. I k\u0113ia manawa, eia kekahi mau mea i alaka\u02bbi i k\u0101 m\u0101kou hana i n\u0101 pule \u02bbelua i hala iho nei:<\/span><\/p>\n

Ho\u02bbonui \u02bbo WESTAF i ke k\u0101ko\u02bbo a me ka waiwai o ke komo \u02bbana i n\u0101 p\u014dmaika\u02bbi no n\u0101 moku\u02bb\u0101ina ma waena o ka \u02bb\u0101pana e h\u0101\u02bbawi ana i ka 5-to-1 ma ka moku\u02bb\u0101ina i ka ho\u02bbopukapuka k\u0101l\u0101 (DH)<\/b><\/h2>\n

Ua n\u0101n\u0101 hou \u02bbo WESTAF i n\u0101 p\u014dmaika\u02bbi komo FY20 ma ke \u02bbano he \u02bb\u0101pana o k\u0101 m\u0101kou ka\u02bbina hana no ka ho\u02bbopili \u02bbana i n\u0101 moku\u02bb\u0101ina ma ke komo \u02bbana i ka FY21. H\u014d\u02bbike k\u0101 m\u0101kou loiloi i ka h\u014d\u02bbulu\u02bbulu \u02bbana ua ho\u02bbonui \u02bbia ka waiwai k\u0101l\u0101 o k\u0101 m\u0101kou mau pono komo e 110% mai FY19 a hiki i FY20 a ua ho\u02bbonui \u02bbia ka waiwai k\u0101l\u0101 o k\u0101 m\u0101kou h\u0101\u02bbawi k\u0101l\u0101 i n\u0101 hui a puni ka \u02bb\u0101ina e 136%. Ma ka h\u014d\u02bbulu\u02bbulu \u02bbana, h\u0101\u02bbawi \u02bbo WESTAF i $1,520,472 a puni ka \u02bb\u0101ina i FY20 (mai ka $643,210 i FY19) a ua ho\u02bbonui \u02bbia ka waiwai o n\u0101 p\u014dmaika\u02bbi komo WESTAF mai $749,038 i FY19 a i $1,574,207. Ma ka h\u014d\u02bbulu\u02bbulu \u02bbana, \u02bbo ka waiwai k\u0101l\u0101 o k\u0101 m\u0101kou mau pono komo i ka FY20 he \u02bbelima mau manawa o ka ho\u02bbopukapuka k\u0101l\u0101 i hana \u02bbia e n\u0101 moku\u02bb\u0101ina ma FY20. Ua ho\u02bbolauna \u02bbo WESTAF i \u02bbeh\u0101 mau papahana a me n\u0101 lawelawe hou e lawelawe ana i n\u0101 moku\u02bb\u0101ina ma ka \u02bb\u0101ina i FY20, ka WESTAF CARES Relief Fund for Organizations, ka WESTAF Regional Arts Resilience Fund, Federal Advocacy Funds, a me ka Western Arts Advocacy Network (WAAN). E ho\u02bboku\u02bbu ana \u02bbo WESTAF i kahi noi\u02bbi i ka ho\u02bbomaka \u02bbana o Kepakemapa e h\u014d\u02bbili\u02bbili i n\u0101 mana\u02bbo maika\u02bbi a\u02bbe e pili ana i ka waiwai o ka SAA i mana\u02bbo\u02bbi\u02bbo ai \u02bbo WESTAF i n\u0101 moku\u02bb\u0101ina.<\/span><\/p>\n

WESTAF\/CVSUITE PARTNERS ME NASAA ON NATIONAL CREATIVE ECONOMY RESEARCH PROJECT (DH)<\/b><\/h2>\n

Ma hope o kekahi mau mahina o ke k\u016bk\u0101k\u016bk\u0101 \u02bbana, ke \u02bbaelike nei ka National Assembly of State Arts Agencies (NASAA) me WESTAF e hana i kahi mo\u02bbo o 12 mau noi\u02bbi ho\u02bbokele waiwai ho\u02bbokele waiwai, i huki \u02bbia mai ka \u02bb\u0101ina a puni, e \u02bbimi ana i ka h\u0101\u02bbawi \u02bbana o n\u0101 \u02bboihana hana i ka ho\u02bbokele waiwai. E pili ana ka papahana i ka n\u0101n\u0101 \u02bbana i ka \u02bbikepili CVSuite a me ke \u02bbano o n\u0101 n\u012bnauele me n\u0101 loea k\u016bloko. \u02bbO k\u0113ia mau ha\u02bbawina hihia he \u02bb\u0101pana ia o kahi papahana aupuni nui a\u02bbe e pili ana i kahi hoa kulanui e hana p\u016b \u02bbia ana e NASAA.\u00a0<\/span><\/p>\n

Ka\u02bbana like \u02bbo WAAN i n\u0101 kumuk\u0101n\u0101wai k\u0101l\u0101 o ka moku\u02bb\u0101ina a me ke ko\u02bbiko\u02bbi k\u016bloko a no\u02bbono\u02bbo i n\u0101 mea nui o ka hui (DH)<\/b><\/h2>\n

Ua ho\u02bbonohonoho \u02bbo WESTAF i kahi h\u0101l\u0101wai k\u016bikaw\u0101 o ka WAAN ma \u02bbAukake 14 e k\u016bk\u0101k\u016bk\u0101 i n\u0101 ho\u02bbol\u0101l\u0101 k\u0101ko\u02bbo i ke k\u0101ko\u02bbo \u02bbana i ke k\u0101l\u0101 k\u014dkua moku\u02bb\u0101ina no ka \u02bboihana a me ka mo\u02bbomeheu. Ua lawe \u02bbo Sue Hildick o Cultural Advocacy Coalition (Oregon), Crystal Young Otterstrom o Utah Cultural Alliance, a me Joseph Benesh o Arizona Citizens of the Arts i n\u0101 n\u012bnau mai ka hui ma ke \u02bbano he panelists i kahi k\u016bk\u0101k\u016bk\u0101 i alaka\u02bbi \u02bbia e David. Ua ho\u02bboka\u02bbawale koke \u02bbo Oregon, Utah, a me Arizona i ke k\u0101l\u0101 k\u014dkua moku\u02bb\u0101ina no ka hana no\u02bbeau a me ka mo\u02bbomeheu - $50 miliona ma Oregon, $9 miliona ma Utah, a me $2 miliona ma Arizona. Ua alaka\u02bbi \u02bbo Julie Baker o Californians for the Arts a me Manny Cawaling o Inspire Washington i k\u0101 l\u0101kou hui mua \u02bbana ma ke \u02bbano he mau noho hui ma \u02bbAukake 21, kahi i komo ai kahi k\u016bk\u0101k\u016bk\u0101 waiwai e pili ana i n\u0101 mea hou o ka moku\u02bb\u0101ina a me n\u0101 ho\u02bbol\u0101l\u0101 a\u02bboa\u02bbo me n\u0101 mana\u02bbo hui e pili ana i ka po\u02bbe koho a me ka ho\u02bbopili \u02bbana i n\u0101 moho. Ke hana like nei n\u0101 noho hui me WESTAF e wehewehe i n\u0101 mea nui no ka hui a ua \u02bbike i ka ho\u02bbomau, n\u0101 \u02bb\u014dnaehana a me n\u0101 \u02bb\u014dnaehana, n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo, a me ka leka \u02bbana ma ke \u02bbano he mau kumuhana e wehewehe i ka hana a ka hui e ne\u02bbe nei i mua.<\/span><\/p>\n

Ho\u02bbopili \u02bbo WESTAF me n\u0101 \u02bbAmelika no ka hana no\u02bbeau ma ka loa\u02bba \u02bbana o ka PLATFORM WORKERING PLATFORM (DH)<\/b><\/h2>\n

Ke ho\u02bbomau nei \u02bbo Christian l\u0101ua \u02bbo David i ke komo \u02bbana me ka hui Getting Creative Workers Working e hui \u02bbia e AFTA. \u02bbO ke kahua, me WESTAF a me n\u0101 RAO \u02bb\u0113 a\u02bbe, ke k\u016bk\u0101k\u016bk\u0101 \u02bbia nei no ka ho\u02bboponopono maika\u02bbi \u02bbana i kahi paepae e h\u014d\u02bbike \u02bbia ana i n\u0101 ho\u02bbolaha pelekikena e k\u0101lele ana i n\u0101 kulekele federal a me n\u0101 papahana e k\u0101ko\u02bbo i n\u0101 limahana hana. Ke puka mai nei k\u0113ia paepae mai n\u0101 kama\u02bbilio \u0101kea \u0101kea e pili ana i ka hiki ke ho\u02bbokumu i kahi papahana federal e hiki mai ana i k\u016bkulu \u02bbia ma luna o n\u0101 mea i hala e like me ka WPA's Federal Project One a me ka Comprehensive Employment and Training Act (CETA).\u00a0<\/span><\/p>\n

Ho\u02bbopili \u02bbo WESTAF me ka hui\/AFTA o n\u0101 kia\u02bb\u0101ina komohana ma luna o ka papahana TELEARTS (DH)<\/b><\/h2>\n

Ke kama\u02bbilio mau nei \u02bbo Christian l\u0101ua \u02bbo David me \u02bbAmelika no ka \u02bbAi\u02bboni\u02bboni (AFTA) e pili ana i kahi hui p\u016b me ka Western Governors 'Association (WGA) ma n\u0101 hana k\u016bloko e k\u0101ko\u02bbo ana i ka hana no\u02bbeau ma ke Komohana. Ua ho\u02bbomohala \u02bbo AFTA a me WGA i kahi mana\u02bbo no kahi papahana TeleArts k\u016bloko e ho\u02bbopili ai i n\u0101 mea hana ki\u02bbi a me n\u0101 hui no\u02bbeau ma ka ho\u02bbonohonoho m\u0101lama makua. Ua h\u0101\u02bbawi mai \u02bbo WESTAF i n\u0101 mana\u02bbo e pili ana i ka mana\u02bbo, a ke no\u02bbono\u02bbo nei m\u0101kou i ko m\u0101kou komo \u02bbana i k\u0113ia a me n\u0101 hana e hiki mai ana.\u00a0<\/span><\/p>\n

HOLO KA AHAOLELO O UTAH NA BILA E hookaawale ana i kekahi $7.5 MILIONA MA KE KAWAI KOKUA A KA Moku'\u0101ina no ka Oihana a me ka mo\u02bbomeheu (DH)<\/b><\/h2>\n

In a special session, the Utah Legislature recently passed two pieces of legislation, <\/span>SB6009<\/span><\/a> CARES Act and COVID-19 Assistance and Recovery Amendments and <\/span>HB6002<\/span><\/a> Supplemental Budget Balancing and Coronavirus Relief Appropriations, which will expand relief and recovery funding available to arts and cultural organizations across the state. The new measures provide a $7.5 million refill to the Create in Utah grants program managed by the Utah Division of Arts and Museums and change some of the eligibility criteria to make the grants available to a broader cross section of the arts and culture field. The legislation brings the total state relief and recovery funding for arts and culture to $16.5 million in Utah and the total sum of such packages across the region to $67.5 million. The measures also provide a $3 million refill to the Multicultural Affairs grants of the Utah Division of Multicultural Affairs, an agency of the state\u2019s Department of Heritage and Arts, bringing total grants to $4 million. The legislation also provides $3.9 million for Wi-Fi access in San Juan County that could expand access for Navajo Nation, a community severely affected by the pandemic. Congratulations again to WESTAF Trustee Vicki Bourns, the Utah Division of Arts and Museums, the Utah Cultural Alliance, and advocates across Utah for making the case for arts and culture and in a manner that strengthens the equity focus.\u00a0<\/span><\/p>\n

BIDEN NATIONAL ARTS POLICY COMMITTEE (CG)<\/b><\/h2>\n

Christian attended his first convening of this committee last week. Vice President Biden\u2019s presidential campaign has identified the arts as an important policy area and has established this arts policy committee. The Committee is chaired by Megan Beyer, who served as the executive director of the President\u2019s Committee on the Arts and the Humanities in the Obama-Biden Administration, and George Stevens, Jr., who was the co-chair of the President\u2019s Committee on the Arts and the Humanities from 2009-2016. Sonia Tower is serving as vice-chair for this effort. Co-Chairs also include Henry Munoz, Kal Penn and Alfre Woodward. During this meeting we also received a presentation from AFTA\u2019s Nina Tunceli on the recently launched <\/span>Arts Action Fund Arts Vote 2020 campaign<\/span><\/a>.<\/span><\/p>\n

PORTLAND ARTS ECOLOGY Assessment Study (CG)<\/b><\/h2>\n

Christian attended a seminar conducted by Michael Kaiser, president emeritus of the Kennedy Center and others from the <\/span>DeVos Institute for Arts Management<\/span><\/a> to present a research project launched last year to better understand the current state of arts organizations in the Portland metro area. The study was commissioned through a partnership with the <\/span>MJ Murdock Charitable Trust<\/span><\/a> and other funding partners. The presentation was attended by approximately 50 arts and cultural leaders from the Portland MSA area. The research was quite revealing, indicating, for example, that 73% of Portland organizations surveyed for the study fell short of the national average for board giving. Kaiser went on to offer recommendations for how Portland organizations could collaborate on strengthening the arts ecosystem post-COVID. Another updated presentation is planned on September 10. If you are interested in dropping into this presentation, do let us know and we can set it up.<\/span><\/p>\n

WESTAF REGIONAL ARTS RESILIENCE FUND: 86 AHAHUI KOONIA E KOMO ANA MA SEPTEMBER 8, 2020 (CD)<\/b><\/h2>\n

Ke holomua nei ka papahana h\u0101\u02bbawi k\u0101l\u0101 \u02bb\u0100pana \u02bb\u0100pana \u02bb\u0100ina o WESTAF, e like me ka mea i mana\u02bbo \u02bbia, i ka h\u0101\u02bbule. I ka pule i hala aku nei, ua kono ka hui SRI i n\u0101 hui 86 e k\u016b ana i n\u0101 koina e pono ai a ke k\u0101ko\u02bbo maika\u02bbi nei l\u0101kou i n\u0101 kaiaulu i ho\u02bboka\u02bbawale \u02bbia i ka m\u014d\u02bbaukala i kapa \u02bbia \u02bbo: \u02bbEle\u02bbele, \u02bb\u014diwi, po\u02bbe kala (BIPOC); ha\u02bbaha\u02bba loa\u02bba; kanaka kino k\u012bn\u0101; LGBTQIA+; a\/a i \u02bbole n\u0101 wahi kua\u02bb\u0101ina\/mamao (n\u0101 kai\u0101ulu me ka li\u02bbili\u02bbi ma mua o 50,000 o ka heluna kanaka a ka\u02bbawale mai n\u0101 wahi metropolitan.) N\u0101n\u0101: Hiki i n\u0101 hui ke koho \u02bbA\u02bbole e noi a i \u02bbole, ma ka n\u0101n\u0101 \u02bbana i n\u0101 alaka\u02bbi h\u0101\u02bbawi, \u02bba\u02bbole hiki ke ho\u02bbok\u014d piha i n\u0101 pae ho\u02bboh\u0101like. Loa\u02bba paha n\u0101 kono hou a\u02bbe i hana \u02bbia ma muli o n\u0101 kumu he nui e like me n\u0101 pane o n\u0101 hui, ka h\u014d\u02bbike \u02bb\u0101ina, a me n\u0101 mea \u02bb\u0113 a\u02bbe. Sepatemaba 16 - Ho\u02bbonohonoho '\u014dlelo a\u02bboa\u02bbo; Kepakemapa 16-\u02bbOkakopa 5 - manawa loiloi noi; \u02bbOkakopa 13-15 - n\u0101 h\u0101l\u0101wai papa noi\u02bbi; \u02bbOkakopa 19 - ho\u02bbopau \u02bbia n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo k\u0101l\u0101 limahana; Ma ka l\u0101 23 \u02bbOkakopa - \u02bbae \u02bbia n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo k\u0101l\u0101 e ke K\u014dmike Ho\u02bbok\u014d WESTAF; \u02bbOkakopa 27 - n\u0101 leka ho\u02bbomaopopo; Nowemapa 16, 2020-Novema 30, 2021 \u2013 manawa h\u0101\u02bbawi. Makemake \u02bbo Chrissy e ho\u02bbomaika\u02bbi i n\u0101 ha\u02bbawina nui a me ke k\u0101ko\u02bbo o Madalena Salazar l\u0101ua \u02bbo David Holland, ka mea i hana me ka luhi \u02bbole i k\u0113ia ka\u02bbina hana, \u02bboi aku ho\u02bbi i ka loiloi \u02bbana i n\u0101 koho koho he 450 i loa\u02bba i\u0101 WESTAF ma waena o Iulai 15-31, 2020. \u02bbO l\u0101ua p\u016b me Lani \u02bbO Morris ma ke \u02bbano he mea ho\u02bboponopono h\u0101\u02bbawi, ua k\u014dkua nui i ka ho\u02bbok\u014d \u02bbana i k\u0113ia papahana me ka maika\u02bbi a me ka wikiwiki e h\u014d\u02bboia e hiki ke ho\u02bbopuka koke \u02bbia k\u0113ia mau kumuwaiwai. hiki i n\u0101 hui. E \u02bbolu\u02bbolu e kelepona i\u0101 Chrissy a i \u02bbole Madalena me n\u0101 n\u012bnau a i \u02bbole n\u0101 mana\u02bbo e pili ana i ka papahana.<\/span><\/p>\n

Ho\u02bbolaha \u02bbo WESTAF i ke k\u0101l\u0101 m\u0101lama k\u0101l\u0101 m\u0101lama k\u0101l\u0101 no n\u0101 hui (CD)<\/b><\/h2>\n

Ma mua o \u02bbAukake, ua ho\u02bbolaha ka hui SRI i ka CNMI CARES Relief Fund for Organizations, kahi papahana h\u0101\u02bbawi k\u014dkua COVID-19 i k\u0101ko\u02bbo \u02bbia e ka National Endowment for the Arts a m\u0101lama \u02bbia e WESTAF ma ka inoa o ka CNMI Arts Council. H\u0101\u02bbawi k\u0113ia ha\u02bbawina i ke k\u0101ko\u02bbo hana ma\u02bbamau i n\u0101 \u02bboihana no\u02bbono\u02bbo \u02bbole a me ka mo\u02bbomeheu i ho\u02bbopilikia \u02bbia e ka ma\u02bbi ma\u02bbi ma ka \u02bb\u0100pana Mariana \u02bb\u0100kau a, ma n\u0101 \u02bbano he nui, e ho\u02bboh\u0101like i ka papahana WESTAF CARES. Ke \u02bbae \u02bbia nei n\u0101 noi mai n\u0101 hui mo\u02bbomeheu 501(c)(3) k\u016bpono ma Northern Mariana Islands e noi \u02bbia nei e h\u014d\u02bbike i ka pono o ke k\u0101l\u0101 a me ka pono o ka hui i ka lehulehu a me ke kai\u0101ulu. E loa\u02bba ana n\u0101 makana ma waena o $5,000 a me $20,000 a e ho\u02bboholo \u02bbia ma ke \u02bbano holo. Ke hana nei \u02bbo WESTAF me n\u0101 luna o ka CNMI Arts Council no ka ho\u02bbomohala \u02bbana i kahi papahana e pili ana i ka papahana e h\u014d\u02bboia i ka h\u0101\u02bbawi \u02bbana i n\u0101 k\u0101l\u0101 k\u014dkua i ke kai\u0101ulu e hana p\u016b ana me n\u0101 mea pena ki\u02bbi, n\u0101 hana mo\u02bbomeheu a me n\u0101 mea lawe mo\u02bbomeheu ma n\u0101 mokupuni i n\u0101 mahina e hiki mai ana. .<\/span><\/p>\n

WESTAF EQUITY WORKSHOP #2 ME CARLA MESTAS (CD)<\/b><\/h2>\n

The second of three all-staff workshops with equity and inclusion consultant Carla Mestas is scheduled to take place on August 25. The overarching goals of our work with Carla includes (but certainly not limited to) bringing a sense of togetherness among WESTAF as a staff, team and organization through shared dialogue and learning, and demonstrating our capacity and commitment to the overall responsibility of this work in each of our roles individually and organizationally. The focus of the two-hour session will be on the WESTAF guiding principles: Embracing Identity and will include dialogue around a 20-minute video <\/span>Deconstructing White Privilege with Dr. Robin DiAngelo<\/span><\/a>. The workshop will include small group discussions and personal reflections on race and identity. It is heartening to work in an environment that welcomes these pertinent and timely discussions and provides staff with an opportunity to consider how they, as individuals, and their work intersect with aspects of identity in the workplace and beyond.<\/span><\/p>\n

KA HUI K\u0100WAI MA 2021 (CG)<\/b><\/h2>\n

Beka Whitson of <\/span>Whitson Strategies<\/span><\/a> is now well underway in her work to research, vet and provide strategies for approaching at least 10 new corporate and foundation funders that WESTAF can and should approach in 2021. Her findings will include a crafted development strategy detailing a process to raise at least $200,000 new foundations and corporate partner targets. Beka recently interviewed some key staffers to gather more intelligence for her approach. More details to follow soon.<\/span><\/p>\n

KULA a me ka hooponopono (AH)<\/b><\/h2>\n

Hiki i\u0101 WESTAF ke noi no ke kala \u02bbana i ka h\u014d\u02bbai\u02bb\u0113 \u02bbo Paycheck Protection Program a e hana \u02bbo Amy i k\u0113ia i n\u0101 pule e hiki mai ana. Ua ho\u02bbohana ka hui k\u0101l\u0101 i 90 mau minuke e n\u0101n\u0101 i n\u0101 \u02bbano pa\u02bbakik\u012b o k\u0101 m\u0101kou \u02bb\u014dnaehana k\u0101l\u0101 me k\u0101 m\u0101kou mea a\u02bboa\u02bbo ho\u02bbomanawanui, \u02bbo Gina. Mana\u02bbo m\u0101kou e ho\u02bbok\u014d koke i n\u0101 mea i a\u02bbo \u02bbia a ke mana\u02bbo\u02bbi\u02bbo nei e li\u02bbili\u02bbi n\u0101 hewa i mua. Ke hana nei \u02bbo Amy me Christina i ka ho\u02bbomohala \u02bbana i kahi ho\u02bbol\u0101l\u0101 k\u0101l\u0101 ZAPP i h\u0101\u02bbawi \u02bbia i ka h\u014d\u02bbemi nui o ka loa\u02bba k\u0101l\u0101 ma muli o ka ma\u02bbi ma\u02bbi. E h\u014d\u02bbike \u02bbia ka waihona k\u0101l\u0101 FY21 WESTAF i ke K\u014dmike Ho\u02bbok\u014d i k\u0113ia pule a\u02bbe no k\u0101 l\u0101kou loiloi a k\u016bk\u0101k\u016bk\u0101. I ka pau \u02bbana o k\u0113ia makahiki, ke ho\u02bbom\u0101kaukau nei \u02bbo Amy l\u0101ua \u02bbo Becky no ka loiloi a me ke k\u016bkulu \u02bbana i n\u0101 palapala k\u0101l\u0101 no ka makahiki k\u0101l\u0101 e hiki mai ana, e ho\u02bbomaka ana \u02bbo \u02bbOkakopa 1.<\/span><\/p>\n

PLAN STRATEGIC (NS)<\/b><\/h2>\n

I ka hiki \u02bbana mai o \u02bbAukake, ho\u02bbomau ka hui \u02bbana i n\u0101 kulekele me k\u0101 l\u0101kou mau TA no ka ho\u02bbonohonoho \u02bbana i kahi h\u0101l\u0101wai ho\u02bbolauna a k\u016bk\u0101k\u016bk\u0101 i n\u0101 ala e hiki ai i\u0101 l\u0101kou ke ho\u02bbokomo i ka \u02bbike o n\u0101 mea m\u0101lama i n\u0101 \u02bb\u0101ina o ke kulekele a me ke k\u0101ko\u02bbo \u02bbana i mua. E hui ana \u02bbo Natalie l\u0101ua \u02bbo Leah i k\u0113ia pule a\u02bbe e k\u016bk\u0101k\u016bk\u0101 i n\u0101 koho e pili ana i ke kama\u02bbilio \u02bbana a me ka \u02bbike \u02bbia ma waena o n\u0101 cohorts a me ke ala maika\u02bbi loa e ho\u02bbok\u014d ai i ke kahe hana cohort-to-cohort. E k\u014dkua k\u0113ia i ka h\u014d\u02bboia \u02bbana \u02bba\u02bbole hana kope n\u0101 cohorts i ka hana a hiki ke hana p\u016b i n\u0101 hana in\u0101 pono.\u00a0\u00a0\u00a0<\/span><\/p>\n

HANA HANA (CV)<\/b><\/h2>\n

Ua hui like n\u0101 hui ZAPP a me CaFE no ka \u02bbaina kakahiaka. Ua hui p\u016b m\u0101kou a pau no kekahi "manawa maka" kahi i ka\u02bbana like ai n\u0101 hui i kahi p\u0101\u02bbina i ho\u02bboulu \u02bbia e kahi mea pena, \u02bbike ki\u02bbi, a i \u02bbole hana ki\u02bbi. He \u02bb\u0101pana k\u0113ia o ka ho\u02bboikaika mau \u02bbana e \u02bbimi i n\u0101 ala e hiki ai i\u0101 m\u0101kou ke loa\u02bba n\u0101 pilina hui hou a\u02bbe ke hana mamao m\u0101kou.\u00a0\u00a0<\/span><\/p>\n

KAFE (CV)<\/b><\/h2>\n

Ke hana nei m\u0101kou i kahi ho\u02bbolaha p\u0101\u02bboihana kaiapili me PAA e h\u014d\u02bbike i n\u0101 pono o ka ho\u02bbohana \u02bbana i\u0101 CaFE a me PAA no ka hana ki\u02bbi \u0101kea. E holo ana ka hui pu ana o na hoolaha wiki\u014d ma Facebook, Instagram, a me Twitter e ho\u02bbomaka ana i ka l\u0101 25 o \u02bbAukake. Ua ikaika n\u014d ho\u02bbi k\u0113ia pule i hala ma ke \u02bbano o n\u0101 alaka\u02bbi k\u016b\u02bbai, me 10 e hele mai ana a me 4 i ho\u02bbonohonoho mua i n\u0101 demos. Ke ho\u02bbomau nei m\u0101kou i ka ho\u02bbom\u0101kaukau \u02bbana no n\u0101 mea hou UI i ka \u02bbao\u02bbao luna o CaFE, kahi papahana e ho\u02bboka\u02bbawale \u02bbia ma waena o k\u0101 m\u0101kou hui \u02bbenehana k\u016bloko a me k\u0101 m\u0101kou mea ho\u02bbomohala waho, \u02bbo Brownrice. \u02bbO ka mea hope loa, ke ho\u02bbomaka nei ka hana e ho\u02bboponopono hou i ke kikowaena k\u014dkua no n\u0101 luna ho\u02bbomalu a ne\u02bbe i ka \u02bbike i kahi WordPress no ka ma\u02bbalahi o ka \u02bbike a me n\u0101 \u02bbike ma\u02bbalahi.<\/span><\/p>\n

CVSUITE (KE)<\/b><\/h2>\n

I n\u0101 pule \u02bbelua i hala iho nei, ua k\u0101lele \u02bbo CVSuite i n\u0101 kama\u02bbilio o n\u0101 mea k\u016b\u02bbai aku a me n\u0101 mana\u02bbo o ka mea k\u016b\u02bbai aku. Ua pani m\u0101kou i k\u0101 m\u0101kou noi\u02bbi mana\u02bbo mana\u02bbo o ka mea k\u016b\u02bbai aku a loa\u02bba i\u0101 m\u0101kou he 10 pane mai k\u0101 m\u0101kou waihona mea k\u016b\u02bbai. He hana ko\u02bbiko\u02bbi k\u0113ia no ka hui no ka mea e h\u014d\u02bbike i k\u0101 m\u0101kou helu ho\u02bbolaha p\u016bnaewele. \u02bbO ka loa\u02bba \u02bbana o kahi NPS o 50 kekahi o k\u0101 m\u0101kou hopena ko\u02bbiko\u02bbi no k\u0101 m\u0101kou pahuhopu e m\u0101lama i ka revue hou. \u02bbO k\u0101 m\u0101kou ho\u02bbonui\u02bbike\u02bbike\u02bbike\u02bbikepili he l\u0101 ho\u02bbomaka o Sept. 7. Eia kekahi, ua ho\u02bbomaka k\u0101 m\u0101kou hui e ho\u02bbol\u0101l\u0101 i kahi ho\u02bbol\u0101l\u0101 ho\u02bbol\u0101l\u0101 5 makahiki no ka mea hana CVSuite. Ua ho\u02bbonohonoho m\u0101kou i ka pahuhopu e ho\u02bbopau i ka ho\u02bbol\u0101l\u0101 ma ka hopena o ka makahiki k\u0101l\u0101.\u00a0<\/span><\/p>\n

E hele akamai (JG)<\/b><\/h2>\n

Ua ho\u02bboku\u02bbu \u02bbo GO Smart i ka ho\u02bbomohala \u02bbana i k\u0113ia pule i ho\u02bbokomo i kahi ho\u02bbololi i kahi lawelawe leka uila, Mailgun. E k\u014dkua k\u0113ia huahana i ka h\u014d\u02bboia \u02bbana i n\u0101 leka uila i hana \u02bbia e k\u0101 m\u0101kou mea k\u016b\u02bbai aku, e like me ke k\u016blana (h\u014d\u02bboia) a me n\u0101 leka uila Mass e hiki aku i ka mea i mana\u02bbo \u02bbia me ka \u02bbole o ka papa inoa \u02bbele\u02bbele a h\u014d\u02bbailona \u02bbia he spam. \u02bbO ka ho\u02bbohui \u02bbana i kahi lawelawe k\u016bikaw\u0101 i ka ho\u02bbouna \u02bbana i ka leka uila e k\u014dkua p\u016b me n\u0101 k\u016blana ho\u02bbololi e pili ana i ka h\u0101\u02bbawi \u02bbana i ka leka uila i n\u0101 mea lawelawe leka uila e like me Gmail a i \u02bbole Hotmail. Ua h\u014d\u02bbemi p\u016b ka ho\u02bboku\u02bbu \u02bbana i n\u0101 kiko\u02bb\u012b li\u02bbili\u02bbi o ka media i ho\u02bbopili \u02bbia, ua ho\u02bbohui i kahi loulou i ka puka panelist mai ka \u02bbao\u02bbao komo \u02bbana o ka mea noi, a ua ho\u02bbololi i n\u0101 kikokikona o ka \u02bbao\u02bbao \u02bbao\u02bbao o ka Mission Statement and Organization History i ka kikokikona ma\u02bbalahi e pale i ka ho\u02bbopololei \u02bbana i n\u0101 h\u014d\u02bbike Excel.\u00a0<\/span><\/p>\n

PUBLIC ART ARCHIVE (LG)<\/b><\/h2>\n

Ke ho\u02bbopau nei \u02bbo PAA i ka hana mua o ka Mural Arts Philadelphia import - aia ma luna o 2,000 mau ki\u02bbi ki\u02bbi i ho\u02bbohui \u02bbia mai \u02bbelua \u02bbikepili ho\u02bboilina. H\u014d\u02bbike k\u0113ia i \u02bbelua hapakolu o ke ka\u02bbina ne\u02bbe \u02bbana o ka h\u014d\u02bbili\u02bbili Mural Arts. Ua ho\u02bbohui maika\u02bbi ka hui \u02bbenehana i \u02bbelua kahua hou i ka PAA CMS Public Art profile (artist bio and county) a ua ho\u02bbopau i n\u0101 mea pono e ho\u02bbonui i n\u0101 mea k\u016b\u02bbai aku i ka Version 5.2 me n\u0101 h\u014d\u02bbike hou. Hana \u02bbia k\u0113ia hana i ka mahina a me ka hapa e hiki mai ana.\u00a0<\/span><\/p>\n

ZAPP (CV)<\/b><\/h2>\n

July was a particularly hard month for the ZAPP business because of cancellations, and low application submissions and booth sales. We\u2019re now working on the first-ever monthly cash flow document for ZAPP for FY21, with Christina leading the effort to project monthly income and expenses for the first 3-6 months of the new fiscal year. We are also developing new ways to retain customers who won\u2019t need to jury for their 2021 festivals. One promotion in the works is the offer of <\/span>ZAPP Onsite<\/span><\/a>, our at-festival booth scoring tool, for free when customers renew by Dec. 31, 2020.\u00a0<\/span><\/p>\n

H\u0101\u02bbawi \u02bbia me ka mahalo.<\/span><\/p>\n

Keristiano\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Greetings WESTAF Trustees: This is the first of just three more biweeklies to go until the end of this fiscal year. It\u2019s hard to overstate the shocking whiplash we\u2019ve experienced between the first and second halves of this year due to the sweeping, jarring impact of the pandemic. COVID is like a tidal wave, but […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[176],"class_list":["post-9767","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"\nBi-Weekly Recap: August 24, 2020 - Creative West<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bi-Weekly Recap: August 24, 2020 - Creative West\" \/>\n<meta property=\"og:description\" content=\"Greetings WESTAF Trustees: This is the first of just three more biweeklies to go until the end of this fiscal year. 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