{"id":9587,"date":"2020-07-01T15:36:21","date_gmt":"2020-07-01T21:36:21","guid":{"rendered":"https:\/\/www.westaf.org\/?p=9587"},"modified":"2024-07-31T07:36:36","modified_gmt":"2024-07-31T14:36:36","slug":"bi-weekly-recap-june-29-2020","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/haw\/bi-weekly-recap-june-29-2020\/","title":{"rendered":"Ho\u02bbopau \u02bbelua pule: Iune 29, 2020"},"content":{"rendered":"

Aloha WESTAF Board of Trustees:<\/span><\/p>\n

E hiki mai ana ka pule elua ia oe i keia pule elua, no ka mea, ke hoi mai nei au mai ka manawa hoomaha. Ua \u02bbike paha \u02bboe ua ho\u02bbomaka k\u0113ia mau biweeklies e ho\u02bbokomo i n\u0101 ha\u02bbawina waiwai nui mai ka WESTAF alaka\u02bbi kumu waiwai (LRT) a \u02bba\u02bbole k\u0113ia. \u02bbO ka \u02bbike, kekahi mau mea hou mai SRI (Chrissy Deal), Technology (Adam Sestokas) a me Public Policy (David Holland), ma kahi o n\u0101 mea hou hou mai Seyan Lucero, Christina Villa a me k\u0101 m\u0101kou mea ho\u02bbokele huahana. Mahalo e n\u0101 mea a pau. E lele k\u0101ua:<\/span><\/p>\n

HOU MA KA HANA MAI KA HOME (CG)<\/b><\/h2>\n

As you may remember from a previous biweekly, July 6 was our next potential date for activating our five-phase return-to-the-office plan. Based on current national trends and <\/span>a recent uptick in new Colorado coronavirus cases<\/span><\/a>, we\u2019re going to once again move the goal posts further into the summer and continue our virtual office environment just as we\u2019ve been doing since March. There is just too much uncertainty with this pandemic and that has a negative impact on our willingness to return to the office. We\u2019ll review our options once again around Labor Day. Safe safe out there, everyone. The whole WESTAF team will be notified about this latest update today, July 1.<\/span><\/p>\n

HALAWAI KOMITE HOOKO I KA HEPEKE I KALA (CG)<\/b><\/h2>\n

Last Wednesday, June 24 the WESTAF Executive committee met for their monthly check-in. We updated the committee on the May cash summary report and May projections (more below), the compensation policy draft that\u2019s currently in flight, and the status of our current performance management process. The committee was briefed on the organization\u2019s latest working-from-home plan (above). The committee also approved the TourWest and WESTAF CARES grant funds for the region (more information on that below). The secretary and the chair of the Development Committee also briefed the group on some trustee term revisions, and the vice chair and chair of the EIC also reported out on a meeting with the strategic planning Equity cohort to ensure that both groups are in sync with our equity and inclusion priorities moving forward. The last 25 minutes of the meeting were reserved for Christina Villa and a recap of the ZAPP Spring Partner Meeting. This <\/span>thorough and informative presentation<\/span><\/a> covered how ZAPP in particular has been impacted by COVID since March, and what our assumptions are with our largest revenue-generating business as we move into budget planning for FY21.<\/span><\/p>\n

KA HOIKE HOIKE KULA A ME IUNE (CG, AH)<\/b><\/h2>\n

These financial reports were presented to the Executive Committee on 6\/24. Please remember these documents are confidential and should not be shared externally. First off, <\/span>June Projections<\/span><\/a>. As you\u2019ll remember, these are each budget manager\u2019s best guess as to where we end up at the end of FY20, 9\/30 benchmarked against the revenue and expense goals we set at the beginning of FY20. It\u2019s worth noting here that our SaaS business managers have added a net of $55.5K to their inflow projections compared to the previous month, due to a slight uptick in business activity, particularly in the CaFE business. Next, the <\/span>May Cash Summary<\/span><\/a>. This is a snapshot of our cash position ending 5\/31. The <\/span>May Financial Memo<\/span><\/a> accompanies the cash summary to provide clarifying notes. The financials are slightly more complex due to the influx of cash for the Mellon grant program and the Paycheck Protection Program (PPP) \u2014 both of which we received in May. We will apply the PPP funds to our payroll and rent in May, June and July, and Chrissy and her team are developing a plan to grant out the Mellon funds next FY and perhaps in part this FY. Overall, WESTAF’s financial position is strong, with relatively few new expenses. Since the onset of the pandemic, we have experienced a significant reduction in overall expense thanks to shrewd oversight and planning from our budget managers. We are in the midst of budgeting for FY21 (which starts on 10\/1) and expect to have a tight budget next year \u2014 so having a cash surplus this year will help in this planning.<\/span><\/p>\n

Apono 'ia e ke KOMITE HOOKO $1.33M MA KA TOURWEST & WESTAF CARES GRANT FUND FOR THE REGION (CD)<\/b><\/h2>\n

I k\u0113ia manawa i ke kolu o k\u0101na mau makahiki he \u02bbumi, ua \u02bbae \u02bbia n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo \u02bbo TourWest e ke K\u014dmike Ho\u02bbok\u014d o WESTAF ma k\u0101 l\u0101kou h\u0101l\u0101wai \u02bbo Iune 24. I loko o ho\u02bbokahi mahina, ua ho\u02bboholo ka hui TourWest, kahi i haku \u02bbia e 7 mau loea hana hana me ka \u02bbike ma ka moku\u02bb\u0101ina he 13, ua ho\u02bboholo i 251 mau noi k\u016bpono a ua \u02bb\u014dlelo \u02bbia \u02bbo 236 no ke k\u0101l\u0101 no ka huina o $504,330. E like me k\u0101u e ho\u02bbomana\u02bbo ai, ua ho\u02bbololi k\u0101 m\u0101kou hui TourWest me Chrissy Deal l\u0101ua \u02bbo Lani Morris i ka po\u02bbo ma hope o ho\u02bbokahi mau makahiki o ke alaka\u02bbi \u02bbana e Seyan Lucero. Ua ho\u02bbokele akamai \u02bbo Lani i n\u0101 wili a me ka huli \u02bbana i ka hana o k\u0113ia makahiki (ma muli o COVID-19) a ke ho\u02bbomau nei \u02bbo ia e a\u02bbo a alaka\u02bbi p\u016b me Seyan i kona h\u0101\u02bbawi \u02bbana i kona \u02bbike no k\u0113ia papahana WESTAF ko\u02bbiko\u02bbi. \u02bbO ka ho\u02bbolaha k\u016bhelu e hiki mai ana i ka ho\u02bbomaka o Iulai. Aloha \u02bbo Chrissy a i \u02bbole Lani i n\u0101 n\u012bnau \u0101u e loa\u02bba ai. Ma waho a\u02bbe o n\u0101 ha\u02bbawina TourWest, ua \u02bbae ke K\u014dmike Ho\u02bbok\u014d i ke k\u0101l\u0101 no ka WESTAF CARES Relief Fund, ka papahana h\u0101\u02bbawi ho\u02bbok\u016bk\u016b e h\u0101\u02bbawi ana i ke k\u0101ko\u02bbo hana ma\u02bbamau i n\u0101 hui \u02bboihana a me n\u0101 mo\u02bbomeheu ma ke Komohana i ho\u02bbopilikia \u02bbia e ka ma\u02bbi ma\u02bbi COVID-19. Me ke k\u014dkua \u02bbana o n\u0101 alaka\u02bbi no\u02bbeau a me ka mo\u02bbomeheu he 14 mai ka \u02bb\u0101ina he 13 mau moku\u02bb\u0101ina i lawelawe ma ke \u02bbano he panelists h\u0101\u02bbawi, ua ho\u02bboholo \u02bbo WESTAF i n\u0101 noi he 441 i loa\u02bba ma waena o Mei 6-11, 2020. Ua \u02bb\u0101koakoa n\u0101 Panelists ma waena o Iune 15-17 i \u02bbeh\u0101 mau papa \u02bboko\u02bba e k\u016bk\u0101k\u016bk\u0101 i n\u0101 noi. a h\u0101\u02bbawi i ke alaka\u02bbi i n\u0101 limahana WESTAF i ka ho\u02bboholo \u02bbana i n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo k\u0101l\u0101. \u02bbO Chrissy Deal, David Holland a me CARES Grant Consultant Madalena Salazar, ma hope o \u02bbelima mau hola o ke k\u016bk\u0101k\u016bk\u0101 a me ka no\u02bbono\u02bbo \u02bbana, ua \u02bbike \u02bbia he 45 mau hui e \u02bb\u014dlelo \u02bbia no ke k\u0101l\u0101 no ka huina o $829,500. \u02bbO n\u0101 kumu i no\u02bbono\u02bbo \u02bbia e n\u0101 limahana, ma waho a\u02bbe o ka loiloi a n\u0101 panelists a me n\u0101 helu e pili ana i n\u0101 pae i ho\u02bbopa\u02bba \u02bbia, n\u0101na i ho\u02bbomaopopo hou i n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo e pili ana i ka h\u014d\u02bbike \u02bb\u0101ina, ka waihona k\u0101l\u0101 ho\u02bbonohonoho, ka nui o ka moku\u02bb\u0101ina a me n\u0101 \u02bbano like \u02bbole o n\u0101 kai\u0101ulu a me n\u0101 \u02bbano hana ki\u02bbi. He hana ko\u02bbiko\u02bbi k\u0113ia o ka hui me ke k\u0101ko\u02bbo e hele mai ana mai n\u0101 ke\u02bbena a me n\u0101 m\u0101hele he nui i loko o 2 mau mahina - he \u02bboia\u02bbi\u02bbo a Chrissy a me k\u0101na hui e mahalo nui ai. E \u02bbimi i ka ho\u02bbolaha k\u016bhelu o ka po\u02bbe i loa\u02bba ma mua o ka l\u0101 ho\u02bbomaha 4 o Iulai. E ho\u02bbopuehu \u02bbia n\u0101 makana i loko o 30 mau l\u0101 ma hope o ka loa\u02bba \u02bbana o kahi \u02bbaelike i p\u016blima \u02bbia a me n\u0101 \u02bb\u014dlelo k\u0101l\u0101 hou. E \u02bbolu\u02bbolu e kelepona i\u0101 Chrissy a i \u02bbole Madalena me n\u0101 n\u012bnau.\u00a0<\/span><\/p>\n

ALOHA HOI MAI I KE ALO I KE ALOHA I KA HANA A ME KA HOI \u2014 MADALENA SALAZAR (CD)<\/b><\/h2>\n

Ua hau\u02bboli \u02bbo Chrissy i ka ha\u02bbi \u02bbana i ka n\u016bhou e hui hou ana \u02bbo Madalena Salazar i\u0101 WESTAF ma ke \u02bbano he limahana manawa piha e ho\u02bbomaka ana i ka l\u0101 1 Iulai. \u02bbO TourWest, k\u0101 m\u0101kou alaka\u02bbi o ka ho\u02bbol\u0101l\u0101 kala a me k\u0101 m\u0101kou ho\u02bboikaika \u02bbana i ka h\u0101\u02bbawi k\u0101l\u0101, ma waena o n\u0101 papahana l\u014d\u02bbihi. Ma ke \u02bbano he luna papahana ma Albuquerque, e ho\u02bbomau \u02bbo ia i ka holomua a ho\u02bbonui i k\u0101 m\u0101kou hana me ka hui alaka\u02bbi o ke kala a, \u02bboi aku ka wikiwiki, ho\u02bbonohonoho i n\u0101 hana no ka papahana Mellon\/WESTAF Regional Arts Resilience Fund a me ka ho\u02bboka\u02bbawale \u02bbana i n\u0101 k\u0101l\u0101 CARES Act i ka Northern Mariana. Mokupuni. Makemake nui ka hui SRI e huki i kona \u02bbike kaulike a me ka ho\u02bbokomo \u02bbana ma ke \u02bbano he limahana i ko m\u0101kou ho\u02bbomaka \u02bbana i k\u0101 m\u0101kou hana kaulike me ka mana\u02bbo nui me n\u0101 limahana piha i n\u0101 mahina e hiki mai ana.<\/span><\/p>\n

WESTAF REGIONAL ARTS RESILIENCE FUND (MELLON FOUNDATION REGRANTING PROGRAM) (CD)<\/b><\/h2>\n

Me TourWest a me CARES e ne\u02bbe ana i ka pae a\u02bbe, e hanu wikiwiki ka hui SRI a pivot e k\u0101lele i ka ho\u02bbomohala \u02bbana o ka WESTAF Regional Arts Resilience Fund. \u02bbO ka waihona k\u0101l\u0101 kekahi manawa k\u016bpono - e like me WESTAF CARES - e ola i k\u0101na mau waiwai a me n\u0101 kumu waiwai i n\u0101 kai\u0101ulu i h\u014d\u02bbike \u02bbole \u02bbia i ka m\u014d\u02bbaukala ma ke \u02bbano e hiki ai ke ho\u02bbololi i ka helu a me ka \u02bb\u014dnaehana. E \u02bbimi ana ka WESTAF's Regional Arts Resilience Fund e k\u0101ko\u02bbo i n\u0101 hui i alaka\u02bbi \u02bbia e a\/a i \u02bbole e lawelawe nui ana i n\u0101 po\u02bbe mai n\u0101 kai\u0101ulu i ho\u02bboka\u02bbawale \u02bbia a i \u02bbole n\u0101 kumu waiwai i \u02bbike \u02bbia he: \u02bbEle\u02bbele, \u02bb\u014ciwi, po\u02bbe kala (BIPOC); loa\u02bba ha\u02bbaha\u02bba, po\u02bbe kino k\u012bn\u0101, LGBTQIA +; a\/a mau wahi kuaaina a mamao. \u02bbO n\u0101 alaka\u02bbi hou a\u02bbe, e loa\u02bba ana i kahi ka\u02bbina hana hoa a i \u02bbole ka koho koho \u02bbana a me n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo mai n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo k\u016bloko mai k\u0113l\u0101 \u02bbao\u02bbao o ke komohana, e loa\u02bba i\u0101 Iulai. He mau alaka\u02bbi no\u02bbeau n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo me ka hohonu o ka \u02bbike e pili ana i ke kula, me ke \u02bbano maika\u02bbi loa e h\u014d\u02bbike a k\u0101ko\u02bbo i n\u0101 kai\u0101ulu i \u02bb\u014dlelo \u02bbia ma luna. E kono \u02bbia n\u0101 hui koho e noi. Hiki i\u0101 \u02bboe ke mana\u02bbo e lohe hou aku e pili ana i k\u0113ia manawa i n\u0101 pule e hiki mai ana.\u00a0<\/span><\/p>\n

UTAH DIVISION OF ARTS & MUSEUMS RECEIVES $9 MILLION IN STATE RELIEF FUNDS FOR ARTS AND CULTURE (DH<\/b>)<\/span><\/h2>\n

Ua loa\u02bba koke mai nei i ka Utah Division of Arts & Museums he $9M i n\u0101 k\u0101l\u0101 CARES Act o ka moku\u02bb\u0101ina, he \u02bb\u0101pana o ka p\u016b\u02bbolo k\u0101ko\u02bbo nui a\u02bbe no n\u0101 kai\u0101ulu no\u02bbeau a me ka mo\u02bbomeheu i h\u014d\u02bbike \u02bbia ma HB5010, ka mea i ho\u02bboholo i ka \u02bbAha\u02bb\u014dlelo o Utah a ua kau inoa \u02bbia i k\u0101n\u0101wai e Gov. Gary Herbert. Ho\u02bbomaika\u02bbi i\u0101 WESTAF Trustee Vicki Bourns, WAAN l\u0101l\u0101, a me Luna Ho\u02bbokele o ka Utah Cultural Alliance Crystal Young-Otterstrom, a me n\u0101 k\u0101ko\u02bbo ma ka moku\u02bb\u0101ina \u02bbo Utah no k\u0113ia ho\u02bbok\u014d ko\u02bbiko\u02bbi i k\u0113ia mau manawa pa\u02bbakik\u012b. \u02bbO k\u0113ia ka la\u02bbana mua loa a m\u0101kou i \u02bbike ai ma ka \u02bb\u0101pana o n\u0101 k\u0101l\u0101 k\u014dkua moku\u02bb\u0101ina e kuhikuhi \u02bbia e k\u0101ko\u02bbo i n\u0101 papahana no\u02bbeau a me ka mo\u02bbomeheu.\u00a0<\/span><\/p>\n

N\u0100 HO\u02bbOPI\u02bbI HO\u02bbOPI\u02bbI A\u02bbO K\u0100NUI (DH)<\/b><\/h2>\n

I loko o n\u0101 mahina i hala iho nei, ua komo \u02bbo WESTAF i n\u0101 kama\u02bbilio mau me n\u0101 \u02bboihana no\u02bbeau moku\u02bb\u0101ina a me n\u0101 hui k\u0101ko\u02bbo no\u02bbeau ma \u02bbeh\u0101 mau moku\u02bb\u0101ina WESTAF\u2014Arizona, Colorado, Nevada, a me Wyoming\u2014e pili ana i n\u0101 kau kau k\u0101n\u0101wai k\u016bikaw\u0101 a me ka ho\u02bboha\u02bbaha\u02bba \u02bbana i n\u0101 waihona k\u0101l\u0101 moku\u02bb\u0101ina e hiki ke ho\u02bbopilikia nui. n\u0101 p\u016bl\u0101wai k\u0101l\u0101 o n\u0101 \u02bboihana no\u02bbeau moku\u02bb\u0101ina ma k\u0113ia mau moku\u02bb\u0101ina. Ke k\u0101ko\u02bbo nei \u02bbo WESTAF i k\u0113ia mau moku\u02bb\u0101ina i ka ho\u02bbomohala \u02bbana i n\u0101 ho\u02bbol\u0101l\u0101 a\u02bboa\u02bbo a ua h\u0101\u02bbawi i n\u0101 k\u0101l\u0101 hou aku i kekahi o k\u0101 m\u0101kou mau hoa k\u0101ko\u02bbo no\u02bbeau moku\u02bb\u0101ina-Arts for Colorado, Arizona Citizens for the Arts, a me Wyoming Arts Alliance a hiki i k\u0113ia manawa-e k\u0101ko\u02bbo i ka ho\u02bbonui \u02bbia \u02bbana me n\u0101 lobbyists a me n\u0101 hana \u02bb\u0113 a\u02bbe. a me n\u0101 ho\u02bbol\u0101l\u0101 i mana\u02bbo \u02bbia e ho\u02bboponopono i k\u0113ia mau pilikia (ma ka ho\u02bbiho\u02bbi \u02bbana i n\u0101 k\u0101l\u0101 i loko o ka waihona k\u0101l\u0101 Alliances). E ho\u02bbonui paha k\u0113ia mau hana i n\u0101 moku\u02bb\u0101ina \u02bb\u0113 a\u02bbe i n\u0101 mahina e hiki mai ana. Ke a\u02bbo p\u016b nei \u02bbo WESTAF i kekahi mau moku\u02bb\u0101ina e pili ana i ka ho\u02bbololi \u02bbana i n\u0101 pilina lobbyist hou i ko l\u0101kou ho\u02bbol\u0101l\u0101 \u02bbana no ke kau kau k\u0101n\u0101wai e hiki mai ana. Me ka hana \u02bbana o WAAN, \u02bbo k\u0113ia mau ho\u02bboikaika \u02bbana he \u02bb\u0101pana o k\u0101 m\u0101kou k\u016bpa\u02bba i ka pane \u02bbana i n\u0101 pono o k\u0101 m\u0101kou po\u02bbe koho ma ka \u02bb\u0101ina.\u00a0<\/span><\/p>\n

KA HUI WESTAF ME KA AHAHUI LAHUI o na Oihana Noi Moku Aupuni (DH)<\/b><\/h2>\n

Ke ho\u02bbomau nei \u02bbo WESTAF i n\u0101 k\u016bk\u0101k\u016bk\u0101 me NASAA e pili ana i kahi hui noi\u02bbi noi\u02bbi, a ua kono \u02bbia \u02bbo David e NASAA e hui p\u016b me kahi hui a\u02bboa\u02bbo e n\u0101n\u0101 ana i n\u0101 ho\u02bbol\u0101l\u0101 ho\u02bbolaha ho\u02bbolaha hou e pili ana i n\u0101 mea hana kulekele ma n\u0101 \u02bbano politika \u0101pau. He mea ko\u02bbiko\u02bbi k\u0113ia hana ko\u02bbiko\u02bbi i ka makahiki koho pelekikena a he mea ko\u02bbiko\u02bbi ia i n\u0101 ke\u02bbena hana no\u02bbeau moku\u02bb\u0101ina ma ko m\u0101kou \u02bb\u0101ina a me ka \u02bb\u0101ina kahi i loa\u02bba ai n\u0101 \u02bbano politika like \u02bbole.<\/span><\/p>\n

RAO MA K\u0100K\u0100KUNA ME KE KENNEDY CENTER MA "ARTS ACROSS AMERICA" PARTNERSHIP (DH)<\/b><\/h2>\n

Ua k\u016bk\u0101k\u016bk\u0101 \u02bbo Christian l\u0101ua \u02bbo David, a me n\u0101 \u02bbelele RAO \u02bb\u0113 a\u02bbe, me ka Kennedy Center e pili ana i ka hui p\u016b \u02bbana me RAOs ma kahi papahana "Arts Across America" e ho\u02bbopili ai i n\u0101 mea pena ki\u02bbi a me n\u0101 loea mo\u02bbomeheu ma waena o ka \u02bb\u0101ina i loko o 20 mau pule o ka polokalamu virtual i h\u0101\u02bbawi \u02bbia ma. p\u0101\u02bboihana kaiapili e pili ana i n\u0101 moku\u02bb\u0101ina a me n\u0101 \u02bb\u0101ina \u0101pau o US. Ma muli o ka wehewehe \u02bbana o n\u0101 ho\u02bbol\u0101l\u0101, e alaka\u02bbi \u02bbia k\u0113ia hana e ka hui kuleana a me ka ho\u02bbokomo \u02bbana a e komo p\u016b me n\u0101 hui hana ho\u02bbokani a WESTAF ma o TourWest a me SAAPAD. Na ka Kennedy Center e m\u0101lama a m\u0101lama i ka papahana me ka ho\u02bbohana \u02bbana i n\u0101 \u02bb\u014dlelo a\u02bboa\u02bbo i loa\u02bba mai RAO a me k\u0101 l\u0101kou p\u016bnaewele.<\/span><\/p>\n

Ho\u02bbolaha \u02bbia n\u0101 hopena o n\u0101 hopena o ka COVID-19 ARTS IMPACT SURVEY (DH)<\/b><\/h2>\n

State analyses of WESTAF COVID-19 Arts Impact Survey results have been shared with Arizona Citizens for the Arts, Nevada Arts Council, Idaho Commission on the Arts, Wyoming Arts Council and Wyoming Arts Alliance, and a gubernatorial task force that is examining the arts in recovery in Montana. State level analyses of the data continue with an emphasis on those states in which major surveys have not been conducted at the state level. In this month\u2019s CVSuite blog post, Samantha Ortega makes the connection between WESTAF\u2019s COVID 19 Arts Impact Survey and CVSuite COVID 19 Impact Reports in discussing the impact of <\/span>COVID 19 on the region\u2019s creative economy.\u00a0<\/span><\/a><\/p>\n

KULA a me ka hooponopono (AH)<\/b><\/h2>\n

Ua ho\u02bbokumu \u02bbo Becca i kahi \u02bb\u014dnaehana n\u0101n\u0101 manawa hou e pili ana i k\u0101 m\u0101kou uku uku p\u016bnaewele. Ma kahi o ka ho\u02bbohana \u02bbana i n\u0101 Google docs e n\u0101n\u0101 i n\u0101 papahana i ho\u02bbolilo ai n\u0101 limahana i ko l\u0101kou manawa a me ka n\u0101n\u0101 \u02bbana i n\u0101 hola hana o n\u0101 limahana i ho\u02bboku\u02bbu \u02bbole \u02bbia, e ho\u02bboka\u02bbawale \u02bbia k\u0113ia \u02bb\u014dnaehana a loa\u02bba i\u0101 ia kahi kaila hana \u02bbae. E ho\u02bbonui k\u0113ia \u02bb\u014dnaehana i ka pono no ka hui F&A a me ke koena o n\u0101 limahana. Ua hele \u02bbo Amy l\u0101ua \u02bbo Becky i ka webinar loiloi mo\u02bbohelu makahiki i h\u014d\u02bbike \u02bbia e k\u0101 m\u0101kou hui loiloi e h\u014d\u02bboia i ka noho mau \u02bbana o WESTAF i n\u0101 lula mo\u02bbohelu ho\u02bbololi a he mau mea hou e pili ana i n\u0101 hana a WESTAF. Ua hana p\u016b \u02bbo Amy me Christian l\u0101ua \u02bbo Becca i ka ho\u02bbol\u0101l\u0101 \u02bbana i kahi kulekele uku, i loiloi hou \u02bbia e ka Employers Council a e ka\u02bbana like \u02bbia me ka Leadership Team, Equity Cohort, a me ke K\u014dmike Ho\u02bbok\u014d a laila e ho\u02bbopa\u02bba \u02bbia i kahi loiloi k\u0101n\u0101wai hope loa e ka \u02bbAha Ho\u02bbona\u02bbauao. \u02bbA\u02bbole nui n\u0101 la\u02bbana i hiki ke kuhikuhi \u02bbia: he ka\u02bbina hana hou k\u0113ia no ka po\u02bbe a pau e pili ana ak\u0101 he papahana hoihoi ia e h\u014d\u02bboia i ka \u02bbike maopopo \u02bbana e pili ana i ka uku o n\u0101 limahana. Ho\u02bbohui \u02bbia i k\u0113ia hana, ke no\u02bbono\u02bbo hou \u02bbia nei ke ka\u02bbina hana ho\u02bbomohala hana ma WESTAF i hiki ke k\u0101ko\u02bbo piha i ke Kulekele Uku hou p\u016b kekahi. Ho\u02bboholo koke \u02bbia ka ho\u02bbol\u0101l\u0101 k\u0101l\u0101 WESTAF mai n\u0101 luna papahana. E n\u0101n\u0101 a ho\u02bboponopono ka hui alaka\u02bbi i ka ho\u02bbomaka \u02bbana o Iulai e hana i kahi kiko\u02bb\u012b \u02bbelua.<\/span><\/p>\n

\u02bbenehana a me n\u0101 mea hou (AS, CG)<\/b><\/h2>\n

Aia i loko o ka palapala \u02bbenehana e ho\u02bbohui i n\u0101 kumuwaiwai hou a\u02bbe i ka hui a ho\u02bbomaka e \u02bbike i ka hiki piha o ka ulu \u02bbenehana ma WESTAF. \u02bbO ia ka ho\u02bbol\u0101l\u0101 i Ianuali a laila hou i Iune. Eia n\u014d na\u02bbe, ke h\u0101\u02bbawi \u02bbia i n\u0101 k\u0101nalua nui, \u02bba\u02bbole m\u0101kou e ho\u02bbohiki i n\u0101 limahana uku hou e k\u0101ko\u02bbo i n\u0101 mea mua i k\u0113ia manawa. E ho\u02bbomau ka hui \u02bbenehana i ka hilina\u02bbi \u02bbana i n\u0101 mea k\u016b\u02bbai aku i k\u0113ia manawa me ka ho\u02bbonui \u02bbana i k\u0101 l\u0101kou n\u0101n\u0101 \u02bbana a me ka ho\u02bbopau \u02bbana i n\u0101 koina i kahi pae e h\u0101\u02bbawi ana i kahi waiwai pani i WESTAF. In\u0101 m\u0101lama m\u0101kou i k\u0101 m\u0101kou mea k\u016b\u02bbai aku i ka n\u0101n\u0101 \u02bbana, ka huahana a me ka mea k\u016b\u02bbai aku a me ka waiwai, e ho\u02bbomau l\u0101kou i ke k\u0101ko\u02bbo i\u0101 WESTAF. E hana ana ka hui k\u016bloko i ka haku a me ka ulu \u02bbana i k\u0101 m\u0101kou huahana GO Smart a Public Art Archive me ke k\u014dkua \u02bbana o waho, k\u014dkua me n\u0101 huahana nui i k\u016bkulu \u02bbia ma ZAPP a me CaFE me ka m\u0101lama \u02bbana i ka \u02bbike hohonu o k\u0101 m\u0101kou \u02bboihana a me n\u0101 kumu code. E like me n\u0101 manawa a pau, h\u0101\u02bbawi \u02bbo Adamu i ke alaka\u02bbi \u02bbenehana, a me ka ho\u02bbokele \u02bbana i k\u0101 m\u0101kou \u02bb\u014dnaehana kapua\u02bbi holo\u02bboko\u02bba, n\u0101 kumu code, p\u016bnaewele a me n\u0101 lako. No n\u0101 limahana \u02bbekolu, he hana nui k\u0113ia e hana ana i loko o k\u0101 m\u0101kou hiki i k\u0113ia manawa, \u02bboiai ke hana nei ka hui \u02bbenehana i n\u0101 holomua nui a me ka holomua mau. \u02bbO n\u0101 pa\u02bbakik\u012b nui loa o ka mahina i hala e pili ana i kekahi mau pilina mea k\u016b\u02bbai aku, nele i ka palapala, a me ka pa\u02bbakik\u012b nui loa. Pono m\u0101kou e \u02bbae i k\u0101 m\u0101kou wikiwiki a me k\u0101 m\u0101kou ho\u02bbohiki hou, e noho i loko o n\u0101 pahuhopu hana ho\u02bbomau a ho\u02bbohana i kahi ala e pili ana i ka hui. I k\u0113ia mau mahina \u02bbelua i hala iho nei, ua \u02bboi aku ka nui o n\u0101 polokalamu hoa ma mua o n\u0101 mahina \u02bbelima i hala. He nui n\u0101 lima e hana ma\u02bbalahi, a p\u0113l\u0101 p\u016b n\u0101 mana\u02bbo he nui. \u02bbO k\u0101 m\u0101kou hana ko\u02bbiko\u02bbi e pili ana i: ka haku \u02bbana i n\u0101 h\u014d\u02bbike ho\u02bbohui waiwai a me ka automation no ka Public Art Archive; ho\u02bbol\u0101l\u0101 hou a ho\u02bbol\u0101l\u0101 i ka hana hou \u02bbana o ka CaFE Administrative Portal; e hana p\u016b me BRI e ho\u02bboka\u02bbawale i k\u0101 m\u0101kou ka\u02bbina hana; ka hana, ka noi\u02bbi \u02bbana a me ka ho\u02bboponopono \u02bbana i n\u0101 pilikia palekana no k\u0101 m\u0101kou noi; ho\u02bbohou i k\u0101 m\u0101kou \u02bb\u014dnaehana k\u0101l\u0101 mai kahi kaiaola 2009 a hiki i 2019, a me n\u0101 ho\u02bbomaika\u02bbi \u02bbana ma waena o ZAPP a me GO Smart. \u02bbO ka mea a\u02bbe e h\u014d\u02bbano hou ana i k\u0101 m\u0101kou \u02bb\u014dnaehana kelepona (10 mau makahiki); k\u0101 m\u0101kou \u02bboihana p\u016bnaewele (4-5 mau makahiki); n\u0101 mea hou e pili ana i ka palekana; n\u0101 pilikia \u02bbai\u02bb\u0113 \u02bbenehana e hopena i ka obsolescence tech; ho\u02bbonui i ka ho\u02bbol\u0101l\u0101 o CVSuite (5 mau makahiki); a me n\u0101 hi\u02bbohi\u02bbona ko\u02bbiko\u02bbi o GO Smart (\u02bba\u02bbohe panela). \u02bbO n\u0101 ho\u02bboponopono pilikia \u02bb\u0113 a\u02bbe i k\u0113l\u0101 me k\u0113ia l\u0101 a me n\u0101 hana ho\u02bbiho\u02bbi e lawe ma kahi o 35% o ka manawa o ka hui.\u00a0\u00a0\u00a0<\/span><\/p>\n

HANA HANA (SL, CV)<\/b><\/h2>\n

Ua ho\u02bbopau n\u0101 hui huahana SaaS i k\u0101 l\u0101kou OKR (n\u0101 pahuhopu a me n\u0101 hopena ko\u02bbiko\u02bbi) no FY21. Ua wehewehe k\u0113ia mau OKR i n\u0101 hopena i loko o ka \u02bbenehana, ke k\u016b\u02bbai aku \u02bbana, a me ka \u02bboihana \u02bboihana k\u0101l\u0101 no k\u0113l\u0101 me k\u0113ia huahana. E ho\u02bbokumu \u02bbia ka waihona k\u0101l\u0101 FY21 me n\u0101 OKR ma ke \u02bbano he kumu, a me ka m\u0101lama \u02bbana i n\u0101 hana o k\u0113ia manawa o n\u0101 \u02bboihana. Ke ho\u02bbopau nei n\u0101 hui \u02bboihana i ka mana mua o n\u0101 k\u0101l\u0101 FY21 SaaS a ho\u02bbopau i ke ahi waena o ka makahiki no ka ho\u02bbolimalima FY20.\u00a0<\/span><\/p>\n

KAFE (RV, CV)<\/b><\/h2>\n

CaFE will close out June with nine new clients (three more are in the pipeline!), meeting or exceeding last June’s new signups. Applicant submissions are down 17% this year and the set-up of new calls is down 49% for May-June compared to the same time period in FY19. We want to highlight two of our recent new clients, African American Visual Artists Guild (AAVAG) and Leroy Allen Fine Art. AAVAG is an Ohio-based 501(c)(3) seeking art from artists of African descent, and Leroy Allen is a Black-owned Kansas-based art consulting firm seeking art for a local urban home development. CaFE also has two videos featured on the <\/span>AFTA virtual con WESTAF page<\/span><\/a>.<\/span><\/p>\n

CVSUITE (KE, SL)<\/b><\/h2>\n

\u02bbO CVSuite a me Public Art Archive n\u0101 huahana \u02bbenehana ko\u02bbiko\u02bbi i ka hui virtual AFTA i Iune. \u02bbO ke ko\u02bbiko\u02bbi e ho\u02bbokipa \u02bbia ma ka \u02bbaha k\u016bk\u0101 virtual AFTA i hui p\u016b me n\u0101 ki\u02bbi PAA a me CVS. Ua ho\u02bbokumu p\u016b m\u0101kou i kahi palapala k\u016b\u02bbai WESTAF no k\u0113ia mau huahana \u02bbelua i hiki ke ho\u02bbolaha \u02bbia ma o ka ho\u02bbolaha AFTA. Ua hele \u02bbo Lori l\u0101ua \u02bbo Kelly i ka \u02bbaha k\u016bk\u0101 kama\u02bbilio a pili i ke kama\u02bbilio kama\u02bbilio virtual. Ua ho\u02bbouna aku ka ho\u02bbolaha \u02bbo COVID-19 Impact Reports i kahi pane hahai i n\u0101 mea k\u016b\u02bbai aku, me ka helu wehe 70% a me ka helu kaomi 30%. Ke ho\u02bbomau nei n\u0101 hana hou a me n\u0101 k\u016b\u02bbai aku. Loa\u02bba i\u0101 m\u0101kou n\u0101 helu helu i pau i ke ka\u02bbina k\u016b\u02bbai aku a ke kali nei i ka uku me n\u0101 kama\u02bbilio hahai i ho\u02bbol\u0101l\u0101 \u02bbia no ka pule a\u02bbe. I k\u0113ia pule aku nei, ua ho\u02bbopau \u02bbo Trevor i ka ho\u02bbomohala \u02bbana i n\u0101 koho like \u02bbole no ka Creative Vitality List, kahi e k\u016bk\u0101k\u016bk\u0101 ai k\u0101 m\u0101kou hui ma ka hopena o ka mahina.\u00a0<\/span><\/p>\n

E hele akamai (JG)<\/b><\/h2>\n

Loa\u02bba i\u0101 GO Smart \u02bbekolu mau mea k\u016b\u02bbai nui i ho\u02bbonohonoho \u02bbia e ho\u02bbohou i ka l\u0101 1 Iulai i noi i ka manawa hou e hui hou ai ma hope o COVID. \u02bbO n\u0101 mea \u02bbekolu, ua ho\u02bbohou \u02bbo Santa Fe Arts & Culture no kahi makahiki hou ak\u0101 pono e ho\u02bbemi i k\u0101 l\u0101kou papahana. Ua koho \u02bbo North Dakota Arts Council \u02bba\u02bbole e ho\u02bbohou i k\u0101 l\u0101kou aelike 2020-2021 ak\u0101 e uku ana no \u02bbelua mau mahina o ka lawelawe \u02bboiai l\u0101kou e h\u014d\u02bbili\u02bbili i k\u0101 l\u0101kou \u02bbikepili a ho\u02bbopau i n\u0101 h\u014d\u02bbike hope. E kama\u02bbilio ana \u02bbo Jessica me ka luna ho\u02bbokele o ka \u02bbAha \u02bbAha o Anne Arundel County i ke kakahiaka a\u02bbe. Ua noi \u02bbo Pendleton Foundation i kahi h\u014d\u02bbike wiki\u014d e ka\u02bbana like me k\u0101 l\u0101kou papa, kahi h\u014d\u02bbailona maika\u02bbi o ka no\u02bbono\u02bbo maoli \u02bbana. Ke hana nei \u02bbo Ben i ka palapala \u02bb\u0101ina p\u016bnaewele piha no n\u0101 \u02bb\u012bpuka GO Smart a pau e lawelawe ana i n\u0101 mea ho\u02bbomohala hou.\u00a0<\/span><\/p>\n

PUBLIC ART ARCHIVE (LG)<\/b><\/h2>\n

\u02bbO PAA, me CVSuite, kahi huahana \u02bbenehana i h\u014d\u02bbike \u02bbia ma ka hui virtual AFTA i Iune. Ua ho\u02bbokumu ka hui k\u016b\u02bbai aku i n\u0101 pahuhopu pili kikoho\u02bbe e ho\u02bbokele i n\u0101 ka\u02bba i ka \u02bbao\u02bbao huahana a me n\u0101 lawelawe o PAA ma ka p\u016bnaewele PAA. Ua m\u0101lama \u02bbia \u02bbo Collateral i loko o ka hale h\u014d\u02bbike\u02bbike virtual a h\u0101\u02bbawi \u02bbia i ka po\u02bbe i ho\u02bbopa\u02bba inoa \u02bbia. Ua ho\u02bbokumu p\u016b m\u0101kou i kahi palapala k\u016b\u02bbai WESTAF no PAA a me CVS hiki ke ho\u02bbolaha \u02bbia ma o ka ho\u02bbolaha AFTA. E like me ka mea i h\u014d\u02bbike \u02bbia ma luna, ua hele \u02bbo Lori l\u0101ua \u02bbo Kelly i ka h\u0101l\u0101wai k\u016bk\u0101 kama\u02bbilio a kama\u02bbilio i ke kama\u02bbilio kama\u02bbilio virtual. Ke ho\u02bbopau nei \u02bbo PAA i ke ka\u02bbina hana \u02bbaelike me k\u0101na mea k\u016b\u02bbai aku hou loa, \u02bbo ke Ke\u02bbena \u02bbOihana no\u02bbeau a me Culture \u02bbo City of Sacramento\u2013e kau inoa ka hui i n\u0101 huahana CMS a me Showcase. \u02bbOiai ke k\u016bpa\u02bba nei ke k\u016b\u02bbai \u02bbana a me ka hana hou \u02bbana, aia ka lohi i ke k\u0101l\u0101 i loa\u02bba mai n\u0101 mea k\u016b\u02bbai aku Q3 e \u02bbike \u02bbia i ka loa\u02bba k\u0101l\u0101 Q4.<\/span><\/p>\n

ZAPP (CV)<\/b><\/h2>\n

We signed a new client, Handmade Arcade, which left a small competitor, <\/span>Artcall.org<\/span><\/a>, to join ZAPP. We also released two new features for artists\u2014a condensed view of their My ZAPPlications page and a new timeline of important dates on <\/span>event information pages<\/span><\/a>. Our project to revamp our help centers is progressing well, with an estimated 70% completion for the administrator side. We hope to have the fully revamped WordPress help centers rolled out by the end of the fiscal year, which will include the ability for users to search for help topics and rate the quality of help articles.\u00a0<\/span><\/p>\n

Me ka mahalo,<\/span><\/p>\n

Keristiano<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Hello WESTAF Board of Trustees: The biweekly comes to you a little later this fortnight, as I am just returning from some time off. You might have noticed that these biweeklies have of late begun to include lots of rich contributions from the WESTAF leadership resource team (LRT) and this one is no exception. 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