{"id":10290,"date":"2021-01-27T12:00:59","date_gmt":"2021-01-27T19:00:59","guid":{"rendered":"https:\/\/www.westaf.org\/?p=10290"},"modified":"2024-07-31T07:36:39","modified_gmt":"2024-07-31T14:36:39","slug":"bi-weekly-recap-january-25-2021","status":"publish","type":"post","link":"https:\/\/staging.wearecreativewest.org\/haw\/bi-weekly-recap-january-25-2021\/","title":{"rendered":"Ho\u02bbopau \u02bbelua pule: Ianuali 25, 2021"},"content":{"rendered":"

Aloha mai e n\u0101 kahu a me n\u0101 hoa hana o WESTAF:<\/span><\/p>\n

Like me, maybe you’re feeling relieved \u2014 even optimistic and inspired \u2014 after an Inauguration Day that went by pretty smoothly last week given the circumstances we face as a nation. While I definitely gave myself the space to soak up what this transition and new chapter means for our fragile democracy (there may have been a January 20th, 12:01 PM mimosa involved) as you can see from this biweekly recap the work of WESTAF has not skipped a beat and indeed, seems to be ramping up across the organization. There\u2019s much to be thankful for, but in particular we\u2019re excited about: our own Teniqua Broughton\u2019s ASU MLK Leadership Award \u2014 it was a wonderful virtual event and<\/span> here are the highlights<\/span><\/a>, including Teniqua\u2019s superb speech; the <\/span>Creative Economies and Economy Recovery<\/span><\/a> report; our latest <\/span>ELC21 call for applicants<\/span><\/a> (get your candidates in, folks \u2014 February 1 deadline!); our very fun and very silly long-awaited WESTAFAGANZA (virtual) holiday party this past week (thank you, celebration committee); the much anticipated upcoming ArtX featuring Emma Osore from <\/span>BlackSpace<\/span><\/a>; CaFE\u2019s artful and informative <\/span>end-of-year recap<\/span><\/a>, as well as the various complex and essential tweaks and updates to our technology products shared with you below. While the pandemic continues to pose challenges, there\u2019s no doubt that we\u2019re rising to meet them on all fronts. I have been feeling so proud of WESTAF these days, and I hope you do too!<\/span><\/p>\n

Ha\u02bbalele \u02bbo Mary Anne Carter i Luna Ho\u02bbomalu o ka \u02bb\u0100pana \u02bb\u0100ina no ka \u02bb\u0100pana (CG)<\/b><\/h2>\n

Sent this news along to you last week when we first heard through an email from Chairman Carter, but <\/span>this news became official<\/span><\/a>. I sent along a personal thank-you email right away on behalf of WESTAF to both Mary Anne and Tom Simplot, former senior deputy chairman, who also resigned at the same time. We have Mary Anne\u2019s forwarding contact information and other formal entities (like the RAOs and the western SAAs) are considering sending a farewell message as well. Here\u2019s <\/span>the official message<\/span><\/a> on the Arts Endowment\u2019s website. As we\u2019ve previously opined, Mary Anne was the right appointee at the right time, and she served the agency well, particularly through a pandemic. She\u2019ll be missed. Ann Eilers, the agency\u2019s deputy chairman of management and budget, will temporarily lead the agency. This past Friday, <\/span>Ra Joy<\/span><\/a> announced on Twitter that he has joined the Arts Endowment as chief of staff.<\/span><\/p>\n

NA MEA HANA A ME KA MOE ANA I KA HOOLOLI BIDEN \u2014 TWO NEW YORK TIMES ARTICLES (CG)<\/b><\/h2>\n

Two relatively recent articles have come out that\u00a0 position an arts policy agenda for the incoming administration, recapping the history of the National Endowment for the Arts as well as the future of Federal arts funding. On January 13 \u2014 <\/span>The Arts Are in Crisis. Here\u2019s How Biden Can Help<\/span><\/a>, followed two days later on January 15 by <\/span>Trump Tried to End Federal Arts Funding. Instead, It Grew<\/span><\/a>.\u00a0<\/span><\/p>\n

KA PAPA O NA LUNAHOOPONOPONO O NASAA.<\/b><\/h2>\n

I joined my first NASAA meeting in an official capacity as a new board director \u2014 a board orientation. It was valuable and informative. I also joined a NASAA membership briefing on the presidential transition. A highlight (for me) was for NASAA leadership to announce the debut of the <\/span>Creative Economies and Economic Recovery<\/span><\/a> report, with a big shout out to WESTAF to about 100 participants in the meeting. It\u2019s great to get the acknowledgement, but it was also great word-of-mouth for Creative Vitality Suite in front of a very receptive and very relevant audience. Bravo to all involved!<\/span><\/p>\n

KA HO\u02bbOPI\u02bbI O KA HO\u02bbOPI\u02bbI K\u0100WAI (CG)<\/b><\/h2>\n

Ma waho a\u02bbe o k\u0101 m\u0101kou mea hou e pili ana i ka Thoma Foundation (lalo), loa\u02bba i\u0101 m\u0101kou kahi mana\u02bbo e ho\u02bbouna koke aku m\u0101kou i ka Murdock Charitable Trust (ma hope o kekahi mau mana\u02bbo maika\u02bbi loa i k\u0101 m\u0101kou kikoo mua mai ka hilina\u02bbi pono\u02bb\u012b), he n\u012bnau i ka Mellon. Ke kali nei ka Foundation, kahi noi\u02bbi mua i ka Windgate Foundation e waiho \u02bbia ma mua o ko l\u0101kou l\u0101 1 Feb a me kahi h\u0101l\u0101wai k\u016bloko e ho\u02bbol\u0101l\u0101 e pili ana i ke ala maika\u02bbi loa i ka Surdna Foundation. Ke ho\u02bboku\u02bbu nei m\u0101kou i k\u0113ia mau hana a pau e k\u0101nana ma mua o ka ho\u02bbouna \u02bbana i n\u0101 n\u012bnau hou mai k\u0101 m\u0101kou papa inoa pahuhopu mua.<\/span><\/p>\n

MEOW WOLF e wehe ana ma LAS VEGAS (CG)<\/b><\/h2>\n

I\u2019m excited for board trustee Susan Garbett, who\u2019s been part of the team that\u2019s getting<\/span> the next big Meow Wolf project in Last Vegas<\/span><\/a> up and running. <\/span>The Omega Mart<\/span><\/a> looks weird and wonderful, and I can\u2019t wait to experience this new artist collaboration\/installation\/spectacle\/attraction for myself!<\/span><\/p>\n

LAND ART GENERATOR INITIATIVE (LAGI) \u2014 FLY RANCH (CG)<\/b><\/h2>\n

These past few weeks, I\u2019ve been deep into reviewing entries into this <\/span>LAGI competition<\/span><\/a> in my role as a juror. As a quick recap, <\/span>LAGI <\/span><\/a>\u00a0and the Burning Man project have partnered to launch a <\/span>multi-disciplinary design challenge<\/span><\/a> that will create the foundation infrastructure at <\/span>Fly Ranch<\/span><\/a> near the Black Rock Playa in northwestern Nevada. In 2021, selected design teams will be provided an honoraria grant for the purpose of building a functional prototype on site. It has been super fun and inspiring to serve as a juror on this project<\/span><\/p>\n

Ho\u02bbopuka \u02bbia ka h\u014d\u02bbike ho\u02bbiho\u02bbi hou \u02bbana o n\u0101 mea ho\u02bbokele waiwai (DH)<\/b><\/h2>\n

Last week, WESTAF and NASAA announced the release of <\/span>Arts and Economic Recovery research<\/span><\/a>, conducted in collaboration with Douglas Noonan of Indiana University, demonstrating how the arts strengthen the economy following periods of acute economic distress. In addition to utilizing Creative Vitality Suite\u2122 data and in-depth qualitative research, WESTAF\u2019s report, <\/span>\u02bbO ka ho\u02bbokele waiwai a me ka ho\u02bbiho\u02bbi \u02bbana i ka ho\u02bbokele waiwai<\/span><\/a>, features a collection of stories that demonstrate how communities small and large are harnessing their creative assets to grow economic opportunities and rebound from hard times. Profiles of diverse communities in Arizona, Arkansas, Georgia, Maryland, Massachusetts, Minnesota, Nebraska, Tennessee, Vermont, Washington, and West Virginia showcase the creative economy in action. Developed primarily for policy audiences, Creative Economies and Economic Recovery highlights how the arts can be part of comprehensive economic development strategy in the wake of the COVID-19 crisis. It also provides timely tools for cultural leaders looking to participate in recovery initiatives and advocate for federal, state, and local investment in the arts. At this time of economic uncertainty, the findings of this report offer the field evidence that the arts are an agile and resilient sector with the capacity to ignite job growth, reduce economic risk through diversification, stimulate commerce, and attract tourism. Kelly, Trevor, Sam, and Laurel thank you again for all of your hard work on this project.\u00a0<\/span><\/p>\n

HE SEMINAR A\u02bbO A\u02bbO A ME KA A\u02bbO A\u02bbO WESTAF (ALAS) HO\u02bbOIA NA PANELISTS (DH)\u00a0<\/b><\/h2>\n

Ua ho\u02bbok\u016bpa\u02bba \u02bbia ka papa inoa piha o n\u0101 panelists no ALAS (Februari 24 - 25): Heather Noonan, hope pelekikena no ke k\u0101ko\u02bbo, League of American Orchestras (Washington, DC); Hal Real, mea ho\u02bbokumu, World Cafe Live a me ka l\u0101l\u0101 o ka papa, National Independent Venue Association (Pennsylvania); Allentza Michel, luna papahana, American Academy of Arts and Sciences (Massachusetts); \u02bbO Julie Baker, ka luna ho\u02bbokele, Kaleponi no ka \u02bbOihana (Kalepa); Manny Cawaling, luna ho\u02bbokele, Inspire Washington (Washington); \u02bbO Lauren DeNinno, ke k\u0101k\u0101'\u014dlelo ho\u02bbol\u0101l\u0101 ki\u02bbeki\u02bbe, Western Governors' Association (Colorado); Laurel Sayer, Luna Nui, Midas Gold Corp (Idaho); Asanti McGee, Lunamakaainana apana, Lunamakaainana o US Susie Lee (Nevada); Karmen Rossi, Kakauolelo Papa WESTAF (Wyoming); \u02bbO C\u00e9zanne Charles, ka mea n\u0101na i ho\u02bbokumu, rootoftwo (Michigan); Abdiel L\u00f3pez, luna o ka papahana, Center for Cultural Innovation (California); a me Jen Cole, ke po\u02bbo o n\u0101 limahana, Herberger Institute for Design and the Arts ma Arizona State University (Arizona). I loko o n\u0101 pule \u02bbelua e hiki mai ana, e alaka\u02bbi ana \u02bbo David i n\u0101 p\u014dkole me n\u0101 mea ha\u02bbi\u02bb\u014dlelo p\u0101kahi a me n\u0101 panela \u02bbeh\u0101 e k\u014dkua i\u0101 l\u0101kou e ho\u02bbom\u0101kaukau no k\u0101 l\u0101kou mau kau. \u02bbO ka hui hui, \u02bbo Leah, Samantha, Laurel, Natalie Scherlong, a me David, ke hana nei i k\u0113ia manawa i ke k\u016bkulu \u02bbana i kahi kahua hanana, me ka n\u0101n\u0101 mua \u02bbana i kahi kahua ho\u02bbopa\u02bba inoa.\u00a0<\/span><\/p>\n

NINAUINA WESTAF ME SCANSION ME KA HEWLETT FOUNDATION (DH)<\/b><\/h2>\n

\u02bbO David, Madalena, Salvador Acevedo, ka hoa ho\u02bbokele ma ka hui k\u016bk\u0101k\u016bk\u0101 \u02bbo Scansion (a me ka l\u0101l\u0101 kumu ELC), a me Jorge Arango, ka mea ho\u02bbol\u0101l\u0101 \u02bb\u014dnaehana ki\u02bbeki\u02bbe ma Scansion, i n\u012bnauele \u02bbia me ka Hewlett Foundation ma ka no\u02bbono\u02bbo \u02bbana i kahi hui k\u016bk\u0101k\u016bk\u0101 hui e hana i kahi ho\u02bbol\u0101l\u0101 ho\u02bbololi \u02bb\u014dnaehana no ka ho\u02bbomaka \u02bbana. ka Performing Arts Program e ho\u02bbololi hou i k\u0101 l\u0101kou k\u0101ko\u02bbo, kulekele, a me ka h\u0101\u02bbawi \u02bbana i n\u0101 \u02bboihana no ke kula ma Bay Area.<\/span><\/p>\n

WESTAF e h\u014d\u02bbike \u02bbia ma CALIFORNIANS FOR THE ARTS WEBINAR ma "He aha ka mea e mana\u02bbo ai ma 2021 - LEGISLATION AND FUNDING FOR THE CREATIVE INDUSTRIES" (DH)<\/b><\/h2>\n

Today, David will join moderator Julie Baker, WAAN co-chair and executive director of Californians for the Arts; Jennifer Laine, executive director, San Benito Arts Council; Ron P. Muriera, owner\/consultant, RPM Consulting; and a representative of the National Independent Venues Association, to discuss current federal, regional, and state funding and legislative opportunities for artists, cultural workers, and the creative industries. From Save our Stages to PPP and Pandemic Unemployment Assistance (PUA) for 1099 and mixed income earners to state programs to artist relief grants, <\/span>the webinar<\/span><\/a> is designed to inform California arts and culture constituents about opportunities to support the sector.<\/span><\/p>\n

ELC21 PANI PALAPALA FEB. 1 (MS)<\/b><\/h2>\n

On January 8th, the SRI department launched the WESTAF ELC 2021 program application. As of today, applicants have little over a week to complete their application found at <\/span>https:\/\/www.westaf.org\/emerging-leaders-of-color\/<\/span><\/a> as the application is due February 1, 2:00 p.m. Mountain time. With the upcoming deadline, we encourage board members to share the application information (linked above) with all their networks and recommend qualified applicants, when applicable. For more information, please reach out to Madalena.<\/span><\/p>\n

CNMI ARTIST APPLICATION (MS)<\/b><\/h2>\n

I ka ho\u02bbomaka \u02bbana o Dekemaba, ua ho\u02bbokumu \u02bbo WESTAF i ka CNMI CARES Relief Fund for Artists. K\u0101ko\u02bbo k\u0113ia ha\u02bbawina i n\u0101 mea hana ki\u02bbi i ho\u02bbopau \u02bbia a i ho\u02bbopilikia \u02bbia paha e ka Coronavirus Pandemic i ka Commonwealth of the Northern Mariana Islands. H\u0101\u02bbawi \u02bbia k\u0113ia ha\u02bbawina i n\u0101 po\u02bbe noi k\u016bpono ma ka hele mua, lawelawe mua \u02bbia, a ho\u02bboholo \u02bbia i k\u0113l\u0101 me k\u0113ia hapaha e ka hui SRI o WESTAF. Ke pi\u02bbi mai nei ka l\u0101 palena hapah\u0101 mua ma Ianuali 31, 2021 a i k\u0113ia l\u0101, \u02bbehiku mau noi i waiho \u02bbia, me \u02bbeiwa e holomua ana. E hana p\u016b m\u0101kou me ka hui k\u0101l\u0101 e waiho pololei i n\u0101 makana i loko o n\u0101 mo\u02bbok\u0101ki a n\u0101 mea pena e ho\u02bbomaka ana i Pepeluali.\u00a0<\/span><\/p>\n

HALAWAI ME THOMA FOUNDATION (MS)<\/b><\/h2>\n

In December 2020, Madalena was introduced by Gabrielle Uballez (ELC14\/NM) to Sarah Rovang and Christine Dong of the <\/span>Thoma Foundation<\/span><\/a>. The Thoma Foundation is a family foundation based in Santa Fe and Chicago, that serves the states of AZ, NM, OK, and IL. Historically, the Foundation has supported art collecting in diverse areas. More recently, the Thoma Foundation has shifted their priority to support equity and emerging arts leaders, specifically in rural areas, and technological innovation in the arts. Madalena had an introductory meeting with them in December, with a follow-up that included David last week. It was agreed that we will continue to discuss partnership opportunities over the course of the coming months as they pertain to our work in arts leadership, equity, and rural arts support in the states of AZ and NM. This could take the form of a regranting opportunity for WESTAF or another form of engagement with our networks in these states. We will be integrating Thoma Foundation into future discussions with our rural arts network.<\/span><\/p>\n

HALAWAI ME DISART (LM)<\/b><\/h2>\n

Last week, Tamara Alvarado, Christian Gaines, David Holland, and Lani Morris met to discuss the future of accessibility work at WESTAF and within the region. As vice chair of the<\/span> DisArt<\/span><\/a> board, Christian connected WESTAF to the DisArt team. We are looking forward to further discussion and collaboration to build competency internally and within the region. Our team is motivated to build more intentional and authentic relationships with the disability community and work at the intersectionality of accessibility, inclusion, and racial equity.\u00a0<\/span><\/p>\n

NA ALAKAI KANI & CULTURE OF COLOR (ACLC) FELLOWSHIP PRESENTATION (DH)<\/b><\/h2>\n

Margie Johnson Reese, a member of the Emerging Leaders of Color faculty, invited David to lead an Americans for the Arts <\/span>Arts & Culture Leaders of Color Fellowship<\/span><\/a> session on January 15 to discuss professional communication and writing with a cohort of leaders from the Great Lakes Region. The session explored these topics through an equity lens, considering communication styles, components of personal communication, executive presence, writing skills for leaders, biases, and inequitable practices in communication based on white supremacy culture, plain language and plain English, and language liberation.\u00a0<\/span><\/p>\n

LUNA o ke kuleana pilikanaka a me ka huli komo ana (DH)<\/b><\/h2>\n

Ua koho ke k\u014dmike loiloi moho i \u02bbekolu mau mea hope loa no ke k\u016blana Luna Ho\u02bbokele SRI, a e m\u0101lama \u02bbia n\u0101 n\u012bnauele puni hope i k\u0113ia pule.<\/span><\/p>\n

KE KOMITE WESTAF WELLNESS (EW)<\/b><\/h2>\n

The WESTAF Wellness Committee is excited to announce that their first-ever<\/span> We Eat Super Tasty Awesome Food (WESTAF)<\/span><\/a> cookbook is finished! It\u2019s filled with recipes from home chefs to internet faves; with cuisines from Europe to the American South; with meals that will pique your palate and fill your soul. Most importantly, it\u2019s filled with recipes from the WESTAF community! Please enjoy, pass on to others, and give a shout-out to the recipe contributor if you make something.<\/span><\/p>\n

KULA a me ka hooponopono (AH)<\/b><\/h2>\n

Ua noi aku \u02bbo WESTAF no ka lua o ka p\u014d\u02bbai o ka Paycheck Protection Program a ke kali nei m\u0101kou i n\u0101 \u02bb\u014dlelo a\u02bbo hou mai USBank. E like me n\u0101 helu i koi \u02bbia, hiki i k\u0101 m\u0101kou h\u014d\u02bbai\u02bb\u0113 ke pi\u02bbi i ka $436,962. Ho\u02bbokumu \u02bbia k\u0113ia helu \u02bbana ma luna o ka uku uku a me n\u0101 p\u014dmaika\u02bbi no 2.5 mau mahina i 2020. Ua noi n\u0101 mea ho\u02bboponopono i ka ho\u02bbololi \u02bbana i ka manawa ho\u02bbopa\u02bba loiloi: e ka\u02bbana like \u02bbia ka palapala hope loa me ka papa holo\u02bboko\u02bba ma hope o ka h\u0101l\u0101wai h\u0101l\u0101wai ho\u02bbok\u014d ma Malaki 24th. Me ke ka\u02bbina hana \u02bbimi no ka Luna Ho\u02bbokele SRI hou e holomua ana, ke ho\u02bbokumu nei ka hui HR i kahi ka\u02bbina hana no ka ho\u02bbonohonoho \u02bbana i ka uku ho\u02bbolimalima hou e pili ana i n\u0101 koi i loko o ka Colorado Pay for Equal Work Act. Ke h\u014d\u02bbulu\u02bbulu \u02bbia nei n\u0101 k\u0101l\u0101 k\u0101l\u0101 o Dekemaba a ka\u02bbana like \u02bbia ma ka puke papa ma mua o ka h\u0101l\u0101wai \u02bbo Pepeluali.<\/span><\/p>\n

KA HOOLAHA HOOKO A ME NA COHORTS (NS)<\/b><\/h2>\n

Ua hui ka hui kaulike ma mua o k\u0113ia mahina a ua mana\u02bbo e hui hou e ho\u02bbopau i kahi noi\u02bbi i n\u0101 limahana e k\u0101ko\u02bbo i ka hana \u02bbana i kahi \u02bb\u014dlelo waiwai kaulike. Ua alaka\u02bbi \u02bbo Lauren l\u0101ua \u02bbo Eliza i k\u0113ia hana ma ke \u02bbano he papahana mua o k\u0101 m\u0101kou hana k\u016bloko i ka po\u02bbe a me ka ho\u02bboma\u02bbama\u02bba. E \u02bbae k\u0113ia \u02bb\u014dlelo waiwai i k\u0101 m\u0101kou hana e loa\u02bba i kahi misionari maopopo e ho\u02bbohana \u02bbia e k\u014dkua i n\u0101 limahana e ho\u02bbomaopopo i ke kumu o n\u0101 hana ho\u02bbomohala kaulike \u0101pau e pili ana i ka ho\u02bbol\u0101l\u0101 ho\u02bbol\u0101l\u0101 e ne\u02bbe nei i mua. E hui ana ka hui kulekele ma Ianuali 28 no ka ho\u02bbopau \u02bbana i ka \u02bbike \u02bbana i n\u0101 papahana mai n\u0101 palapala scoping a m\u0101kou e ho\u02bbomaka ai e hana i k\u0113ia makahiki. E hele p\u016b \u02bbo Justine l\u0101ua \u02bbo Janae i ka h\u0101l\u0101wai ho\u02bbol\u0101l\u0101 e hiki mai ana no ka Arts Leadership & Advocacy Seminar (ALAS) a e ho\u02bboholo in\u0101 loa\u02bba kahi manawa no ka hui kulekele e komo i k\u0101na ho\u02bbol\u0101l\u0101 a\/a i \u02bbole ho\u02bbok\u014d. Ke ho\u02bbomau nei ka hui kama\u02bbilio e hana i k\u0101 m\u0101kou papahana papahana no ka pae noi\u02bbi WESTAF. Ho\u02bbokomo \u02bbia ka pae mua i ka loiloi o n\u0101 huahana WESTAF e pili ana i ka launa p\u016b \u02bbana o ka huahana, ka \u02bbike kuleana, a me ka \u02bbike waiwai. Ua ho\u02bbololi m\u0101kou i k\u0101 m\u0101kou mau h\u0101l\u0101wai e m\u0101lama \u02bbia i k\u0113l\u0101 me k\u0113ia mahina, me ka hui hui kama\u02bbilio e hiki mai ana ma Ianuali 25th.\u00a0<\/span><\/p>\n

HANA HANA (CV\/SL)<\/b><\/h2>\n

Ua n\u0101n\u0101 ka hui \u02bboihana i ka ho\u02bbonui \u02bbana a me ka loiloi \u02bbana i k\u0101 m\u0101kou holomua OKR no ka hapaha mua, i pau i ka l\u0101 31 Dekemapa, 2020. \u02bbO ka hapa nui o ka hapaha ho\u02bbokahi i k\u0101lele \u02bbia i ka ho\u02bbol\u0101l\u0101 \u02bbana a me ka ho\u02bboponopono \u02bbana i n\u0101 manawa i ka w\u0101 i \u02bbike ai m\u0101kou i ka \u02bbike hou. E n\u0101n\u0101 ka Q2 i ka ho\u02bbok\u014d \u02bbana i n\u0101 hana i ho\u02bbol\u0101l\u0101 \u02bbia. \u02bbO n\u0101 mea k\u016b\u02bbai aku a me n\u0101 loa\u02bba k\u0101l\u0101 ke kumu nui me ka ho\u02bbololi \u02bbana i k\u0101 m\u0101kou mau pahuhopu e ho\u02bbok\u014d i n\u0101 hopena COVID mau.\u00a0<\/span><\/p>\n

KAFE (RV\/CV)<\/b><\/h2>\n

Justine put together CaFE’s<\/span> end-of-year recap<\/span><\/a> highlighting stats in 2020. In spite of the pandemic and the challenges involved, the team kept busy by delivering excellent customer service with care and empathy. In December, Justine also interviewed our very own Lori Goldstein for the monthly webinar series titled, <\/span>Developing Virtual Public Art Experiences and Exhibitions<\/span><\/a>. This cross-program webinar introduced the Public Art Archive to CaFE customers. Lori featured PAA virtual exhibits and offered tips to organizations about ways to activate their own art collections as well as best practices for organizing virtual exhibitions, and general considerations when thinking about alternative exhibition formats.\u00a0<\/span><\/p>\n

CVSUITE (KE)<\/b><\/h2>\n

Ua ho\u02bbololi ka hui i ka mana\u02bbo i ka CVList e hiki mai ana a ua loa\u02bba kahi h\u0101l\u0101wai kickoff no ka papahana. Aia m\u0101kou i ka pae noi\u02bbi \u02bbikepili kahi e ho\u02bboponopono ai \u02bbo Trevor i n\u0101 papa inoa \u02bbikepili no n\u0101 mana\u02bbo \u02bbekolu ki\u02bbeki\u02bbe a ho\u02bbi hou i ka hui no ka loiloi hope. E h\u014d\u02bbike ana k\u0113ia p\u014d\u02bbai o ka CVList i kahi hui p\u016b me PAA i mea e ho\u02bbonui ai i ka ho\u02bbolaha \u02bbana o n\u0101 huahana cross-product. Ke ho\u02bbopau \u02bbia nei n\u0101 kiko\u02bb\u012b, ak\u0101 ke mana\u02bbo nei m\u0101kou e hui p\u016b i kahi p\u016b\u02bbulu \u02bbikepili e ho\u02bbom\u0101lamalama p\u016b i ka \u02bbohi \u02bbana o ka Public Art Archive ma ke Komohana. Ma n\u0101 n\u016bhou \u02bb\u0113 a\u02bbe, ua ho\u02bbopau \u02bbo David i kahi WESTAF Data Briefing no kahi mea k\u016b\u02bbai aku, \u02bbo ka California Arts Council. Aia i loko o ka pu\u02bbupu\u02bbu kahi hi\u02bbohi\u02bbona ki\u02bbeki\u02bbe o n\u0101 mea waiwai \u02bbole ma ka moku\u02bb\u0101ina o Kaleponi. Ua loa\u02bba k\u0113ia i ka $500 no CVSuite me kahi noi no ka hana hou aku i waiwai \u02bbia ma $2,000. \u02bbO ka papahana Creative Economy Recovery i ho\u02bbopau \u02bbia e ka hui i kekahi mau pule i hala aku nei ua ho\u02bboku\u02bbu \u02bbia e NASAA. Mana\u02bbo \u02bbo CVSuite e loa\u02bba ka uku hope loa no k\u0113ia papahana i n\u0101 pule e hiki mai ana a ke hana nei i kahi ho\u02bbol\u0101l\u0101 ho\u02bbolaha kama\u02bbilio no ka papahana.<\/span><\/p>\n

E hele akamai (JG)<\/b><\/h2>\n

Ke hana nei \u02bbo GO Smart i n\u0101 leka uila e ho\u02bbouna \u02bbia i ka po\u02bbe i loa\u02bba i kahi ho\u02bbolaha k\u016b\u02bbai aku i \u02bbelua pule i hala. Ke ho\u02bbomau nei ka hui \u02bbenehana i n\u0101 tiketi, ho\u02bboponopono i kahi pilikia ho\u02bboh\u0101likelike Safari, a me ka ho\u02bbonui \u02bbana i ka UX \/ UI ma ka ho\u02bboponopono a me ka wehe \u02bbana i n\u0101 pihi ma ka portal admin. Ua ho\u02bbouna m\u0101kou i kahi noi\u02bbi e pili ana i n\u0101 makemake kama\u02bbilio o n\u0101 mea k\u016b\u02bbai aku a loa\u02bba i\u0101 m\u0101kou ka helu pane 25%. Ua noi \u02bbia kekahi mau leka uila e pili ana i n\u0101 p\u014dpoki a me n\u0101 ho\u02bbonui, me kekahi e noi ana e lohe e pili ana i n\u0101 \u02bbano \u02bboihana a me n\u0101 kumuhana DEI. Ua ho\u02bbomaika\u02bbi aku kekahi i ke k\u0101ko\u02bbo mea k\u016b\u02bbai aku ki\u02bbeki\u02bbe i loa\u02bba i\u0101 l\u0101kou i loko o ka makahiki.\u00a0<\/span><\/p>\n

PUBLIC ART ARCHIVE (LG)<\/b><\/h2>\n

Ua ho\u02bbopau maika\u02bbi ka hui \u02bbenehana PAA i \u02bbelima mau ho\u02bbomaika\u02bbi hou \u02bbana o ka mea k\u016b\u02bbai aku CMS i CollectionSpace 6.1, kahi e hiki ai i n\u0101 mea k\u016b\u02bbai ke ma\u02bbalahi no ka h\u014d\u02bbike \u02bbana a me n\u0101 h\u014d\u02bbano hou o ka \u02bbikepili. Ke ho\u02bbonohonoho nei ka hui i n\u0101 mea hou i koe. Ho\u02bbohui hou, ke hana nei \u02bbo Lori me ka hui CollectionSpace ma kahi ho\u02bbonui hou no ka Public Art Profile e hiki ai i n\u0101 mea k\u016b\u02bbai ke ho\u02bbohana i ka hi\u02bbohi\u02bbona "Checklist" no ka palena manawa a me ka ho\u02bbokele \u02bbana o ka papahana o n\u0101 \u02bb\u0101pana k\u016bikaw\u0101 o n\u0101 papahana ki\u02bbi lehulehu - kahi hi\u02bbohi\u02bbona i loa\u02bba \u02bbole i ka mea ho\u02bbok\u016bk\u016b. \u02bb\u014dnaehana.<\/span><\/p>\n

ZAPP (CV)<\/b><\/h2>\n

Ua ho\u02bbopa\u02bba inoa m\u0101kou i \u02bbekolu mau mea k\u016b\u02bbai aku hou i\u0101 ZAPP, kahi h\u014d\u02bbailona mana\u02bbo maika\u02bbi a me ke k\u016b\u02bbai mua \u02bbana o ka makahiki k\u0101l\u0101. Ua luhi p\u016b k\u0101 m\u0101kou hui i ka ho\u02bbomaka \u02bbana o kahi ho\u02bbol\u0101l\u0101 e ho\u02bbololi i k\u0101 m\u0101kou mea k\u016b\u02bbai aku i EFT no k\u0101 l\u0101kou uku mahina. Ho\u02bbouna m\u0101kou i k\u0101 m\u0101kou mau kono mua 75 a ua kau inoa m\u0101kou i 50% o k\u0113l\u0101 mau kono i k\u0113ia manawa. No ka maopopo \u02bbole o ka nui o n\u0101 hui e pili ana i k\u0101 l\u0101kou ho\u02bbol\u0101l\u0101 2021, pono k\u0101 m\u0101kou hui e hana i n\u0101 loiloi hou a\u02bbe ma mua o ka ma\u02bbamau e h\u014d\u02bboia\u02bbi\u02bbo \u02bba\u02bbole m\u0101kou e h\u0101\u02bbawi i ka ZAPP i n\u0101 mea k\u016b\u02bbai aku \u02bba\u02bbole i uku a kau inoa i kahi hana hou.\u00a0<\/span><\/p>\n

Waihoia me ka mahalo.<\/span><\/p>\n

Keristiano<\/span><\/p>","protected":false},"excerpt":{"rendered":"

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